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When You’re In The Mood For Perreo, This Latina Has You Covered

This is Tomasa Del Real, a Chilena who is redefining reggaetón.

Mis favoritas! @galiocl ? #neoperreo

A photo posted by Tomasa Del Real (@tomasadelreal) on

The tattoo artist-turned-Rhianna-of-South America is churning out crazy addictive songs about sex, drugs, the internet, and forlorn love.

Miau miau yo si que era tu gata #pachuca #neoperreo #tomasadelreal #bienymal ⚗

A photo posted by Tomasa Del Real (@tomasadelreal) on


Once a male-dominated genre, Tomasa has emerged on the scene as one of the new faces of reggaetón. It’s not just her low-budget yet ingenious music videos that’ll get you hooked, it’s her sultry, upbeat rhythms that will make you a hardcore fan.

What does reggaetón even mean in 2016? 


Reggaetón evokes names like Daddy Yankee, Wisin y Yandel, and Don Omar – but it’s not 2005 anymore. A new regime of reggaetón has risen. No longer a genre associated with clubs tucked away in barrios, acts such as NAAFI, Rosa Pistola, Farina, and Tomasa del Real have turned reggaetón into a mainstream favorite. Del Real told The Fader she believes reggaetón is now Latin America’s pop music.

Every aspect of her music is unique.


Released back in February, her heart-wrenching yet insanely catchy “Tu Señora,” featuring Stockholm- based Talisto, is about dealing with a long distance relationship. The very DIY video goes back and forth from what looks like the snowy Patagonia to the beaches of Iquique, Chile. You can check out her debut album, “Bien y Mal,” on YouTube.

She’ll definitely make you want to dance.


Tomasa’s songs range from slow and haunting to fast and jolting. They’ve become the soundtrack to perreo, a popular dance similar to grinding. To top it off, her goth-alt-90s-Chicana vibe makes her a style an original.

Wondering what “perreo” means? 

CREDIT: TUMBLR / SOURCE: lagiocondasmile

Perreo is a dance that has origins in the Dominican Republic and Puerto Rico. In the last couple of years, perreando has become surprisingly mainstream among dance parties and clubs in Latin America.

Del Real’s personal story is also inspiring. 

Gracias por el gorro cabros #dirtylifexsiempre #trap #chile

A photo posted by Tomasa Del Real (@tomasadelreal) on


Del Real (real name: Valeria Cisterna), says kids used to tease her by calling her Tomasa, but she eventually took to the name because it sounded both masculine and feminine. She said that she feels like “a man but very much a woman.”

She wasn’t always a musician. The 29-year-old originally studied design in Santiago and became a traveling tattoo artist. Making her away across South America, she would ink during the day and DJ reggaetón parties at night.

Hola estoy en Lima ✌️✨ si quieres tatuarte escribeme! +56982027888

A photo posted by Tomasa Del Real (@tomasadelreal) on

She’s also a poet. 

En la música como en mi vida he creado mi propia fórmula. Soy única y autentica. #DOYou #PUMAWomen www.doyou.cl ???

A photo posted by Tomasa Del Real (@tomasadelreal) on


Watching Tomasa sing in her sports bra and exercise shorts, it’s clear to see that this woman is destined for stardom. Her poetic modern day lyrics are relatable, like in “Es de Noche,” when she sings: “No me dejes sola, por favor, que sin Internet no como y me muero.”

She studies her craft. 

Mensaje de voz #neoperreo #bae @rip_txny @tomasadelreal ⛓⛓⛓

A photo posted by Tomasa Del Real (@tomasadelreal) on


A self-described “reggaetón nerd” Tomasa told The Clinic that she researches reggaetón every day. She spends the morning lying in bed blasting reggaetón, and regularly texts with friends about the latest remixes.

And her star continues to rise. 

A quien le importan los roles y los estereotipos? A mi, no ahhaha #DoYou #PumaWomen www.doyou.cl ???

A video posted by Tomasa Del Real (@tomasadelreal) on


After building underground fame in South America the last couple years, Tomasa’s popularity has finally spread across Latin America and beyond.


Ibeyi: Afro-Cuban Electro Via Paris

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America Ferrera Celebrates 20th Anniversary Of Working On ‘Gotta Kick It Up’ With Sweet IG Post

Entertainment

America Ferrera Celebrates 20th Anniversary Of Working On ‘Gotta Kick It Up’ With Sweet IG Post

It has been 20 years since America Ferrera’s dream of becoming an actor back true. She took to Instagram to reflect on the moment that her dream started to come true and it is a sweet reminder that anyone can chase their dreams.

America Ferrera shared a sweet post reflecting on the 20th anniversary of working on “Gotta Kick It Up!”

“Gotta Kick It Up!” was one of the earliest examples of Latino representation so many of us remember. The movie follows a school dance team trying to be the very best they could possibly be. The team was down on their luck but a new teacher introduces them to a different kind of music to get them going again.

After being introduced to Latin beats, the dance team is renewed. It taps into a cultural moment for the Latinas on the team and the authenticity of the music makes their performances some of the best.

While the movie meant so much to Latino children seeing their culture represented for the first time, the work was a major moment for Ferrera. In the Instagram post, she gushes over the celebrities she saw on the lot she was working on. Of course, anyone would be excited to see Jennifer Aniston and Brad Pitt hanging out. Yet, what stands out the most is Ferrera’s own excitement to realize that she can make money doing what she loves most.

“I wish I could go back and tell this little baby America that the next 20 years of her life will be filled with unbelievable opportunity to express her talent and plenty of challenges that will allow her to grow into a person, actress, producer, director, activist that she is very proud and grateful to be. We did it baby girl. I’m proud of us,” Ferrera reflects.

Watch the trailer for “Gotta Kick It Up!” here.

READ: America Ferrera’s “Superstore” Is Going To Get A Spanish-Language Adaptation In A Win For Inclusion

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This Artist Has Been Breaking Barriers As A Non-Traditional Mariachi

Entertainment

This Artist Has Been Breaking Barriers As A Non-Traditional Mariachi

On a recent episode of ABC’s game show To Tell The Truth, three celebrity panelists were tasked to uncover the identity of a real mariachi singer.

Each contender embodied “non-traditional” attributes of mariachi culture either through physical appearance or language barriers, leaving the panelists stumped.

When it came time for the big reveal, with a humble smile 53-year-old Timoteo “El Charro Negro” stood up wowing everyone. Marveled by his talents, Timoteo was asked to perform unveiling his smooth baritone voice.

While not a household name in the U.S., his career spans over 25 years thriving on the catharsis of music.

Timoteo “El Charro Negro” performing “Chiquilla Linda” on Dante Night Show in 2017.

Originally from Dallas, Texas, Timoteo, born Timothy Pollard, moved to Long Beach, California with his family when he was eight years old. The move to California exposed Pollard to Latin culture, as the only Black family in a Mexican neighborhood.

As a child, he recalled watching Cantinflas because he reminded him of comedian Jerry Lewis, but musically he “got exposed to the legends by chance.”

“I was bombarded by all the 1960s, ’70s, and ’50s ranchera music,” Timoteo recalls to mitú.

The unequivocal passion mariachi artists like Javier Solis and Vicente Fernandez possessed heavily resonated with him.

“[The neighbors] always played nostalgic music, oldies but goodies, and that’s one thing I noticed about Mexicans,” Timoteo says. “They can be in their 20s but because they’ve grown up listening to the oldies it’s still very dear to them. That’s how they party.”

For as long as he can remember, Pollard “was born with the genetic disposition to love music,” knowing that his future would align with the arts.

After hearing Vicente Fernandez sing “Lástima Que Seas Ajena,” an awakening occurred in Pollard. While genres like hip-hop and rap were on the rise, Pollard’s passion for ranchera music grew. It was a moment when he realized that this genre best suited his big voice.

Enamored, Pollard began to pursue a career as a Spanish-language vocalist.

El Charro Negro
Photo courtesy of Timothy Pollard.

At 28, Timoteo began learning Spanish by listening and singing along to those artists he adored in his youth.

“When I decided that I wanted to be a mariachi, I didn’t think it was fair to exploit the culture and not understand the language,” he says. “If I’m going to sing, I need to be able to communicate with my audience and engage with them. I need to understand what I’m saying because it was about honor and respect.”

Pollard began performing local gigs after picking up the language in a matter of months. He soon attracted the attention of “Big Boy” Radio that adorned him the name Timoteo “El Charro Negro.”

Embellishing his sound to highlight his Black heritage, Pollard included African instruments like congas and bongos in his orchestra. Faintly putting his own spin on a niche genre, Pollard avoided over-saturating the genre’s sound early in his career.

Embraced by his community as a beloved mariachi, “El Charro Negro” still encountered race-related obstacles as a Black man in the genre.

“There are those [in the industry] who are not in the least bit thrilled to this day. They won’t answer my phone calls, my emails, my text messages I’ve sent,” he says. “The public at large hasn’t a problem with it, but a lot of the time it’s those at the helm of decision making who want to keep [the genre] exclusively Mexican.”

“El Charro Negro” persisted, slowly attracting fans worldwide while promoting a message of harmony through his music.

In 2007, 12 years into his career, Pollard received a golden ticket opportunity.

El Charro Negro
Pollard (left) seen with legendary Mexican artist Vicente Fernandez (right) in 2007. Photo courtesy of Timothy Pollard.

In a by-chance encounter with a stagehand working on Fernandez’s tour, Pollard was offered the chance to perform onstage. The singer was skeptical that the offer was legit. After all, what are the chances?

The next day Pollard went to his day job at the time and said, “a voice in my head, which I believe was God said, ‘wear your blue velvet traje tonight.'”

That evening Pollard went to a sold-out Stockton Area where he met his idol. As he walked on the stage, Pollard recalls Fernandez insisting that he use his personal mic and band to perform “De Que Manera Te Olvido.”

“[Fernandez] said he did not even want to join me,” he recollects about the show. “He just was kind and generous enough to let me sing that song on his stage with his audience.”

The crowd applauded thunderously, which for Pollard was a sign of good things to come.

El Charro Negro
Timoteo “El Charro Negro” with Don Francisco on Don Francisco Presenta in 2011. Photo courtesy of Timothy Pollard.

In 2010, he released his debut album “Me Regalo Contigo.” In perfect Spanish, Pollard sings with great conviction replicating the soft tones of old-school boleros.

Unraveling the rollercoaster of relationships, heart-wrenchingly beautiful ballads like “Me Regalo Contigo” and “Celos” are his most streamed songs. One hidden gem that has caught the listener’s attention is “El Medio Morir.”

As soon as the track begins it is unlike the others. Timoteo delivers a ’90s R&B love ballad in Spanish, singing with gumption as his riffs and belts encapsulate his unique sound and story.

Having appeared on shows like Sabado Gigante, Don Francisco Presenta, and Caso Cerrado in 2011, Timoteo’s career prospered.

Timoteo hasn’t released an album since 2010 but he keeps his passion alive. The singer has continued to perform, even during the Covid pandemic. He has high hopes for future success and original releases, choosing to not slow down from his destined musical journey.

“If God is with me, who can be against me? It may not happen in a quick period of time, but God will make my enemies my footstool,” he said.

“I’ve continued to be successful and do some of the things I want to do; maybe not in a particular way or in particular events, but I live in a very happy and fulfilled existence.”

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