Entertainment

These Mixteca Sisters Are Going Viral For Singing A Type Of Music Popular Among Braceros

@duetodosrosas / Instagram

Dueto Dos Rosas is a group of two indigenous sisters from Oaxaca, Mexico who have a platform of over 46 thousand followers on Instagram and over 1 million followers on Facebook. What makes them unique to their audience is that they sing música campirana.

“It all began with just singing a song together as a duet and uploading it on YouTube just for our family from our pueblo to see. But we kept getting requests.” said Emily Rosas.

This type of music is rooted in traditional folklore and Mexican history. Many groups would sing for enjoyment while working in the fields. Guitar duets (one with the guitar, and one with the requinto stringed instrument) would go to different town squares and serenade the public with folk songs or dances. 

“This music started with the immigration of los braceros in the 50s and 60s who immigrated to work in the fields of California and Southern U.S. On their breaks, they took out their guitars and started singing stories about their lives,” said Emily Rosas.   

@duetodosrosas / Instagram

This hits close to home for Emily and Sheila Rosas. “The lyrics are different from many other genres because they tell our stories,” says Sheila Rosas. Their parents were bracero farm workers who migrated from Mexico to Salinas, California to pick strawberries.

This style of music lives popularly to this day in the state of Guerrero, and Oaxaca where Sheila and Emily are from. 

They two sisters always had a love for music and singing but never had any formal training. “I barely started playing the requinto three years ago,” says Sheila Rosas, 19 years old, “But I always loved to sing. I didn’t start taking it seriously until 11 or 12 when we started acompandonos.” Emily Rosas started playing around the same age as well. 

The girls are taught by their father who taught himself how to play the guitar.

“We haven’t taken any classes. All we know is what our dad taught us and we practice a lot too,” said the Rosas sisters.

@duetodosrosas / Instagram

The Rosas sisters have a deep connection to música campirana for several reasons. 

“From five to 16 years old, I loved singing. Whether it was Los Tigres del Norte or Lola Beltran. This was music I listened to with my parents. Then I went to my grandparents house and heard him playing Las Jilguerillas (one of the most famous música campirana duets) and I loved how the two female voices were harmonizing. We went back home and researched this music and discovered a whole world that we fell in love with this tradition.” said Emily.

The Rosas sisters are continuing that tradition.

“It’s not just that we love this music. We feel connected to it on so many levels. And unfortunately, it’s something becoming lost today. We don’t hear it on the mainstream radio. But when we sing and play it we feel connected to our roots, family, and ancestors. It’s like an identity to us,” said the Rosas sisters. 

Even so, this genre of music is heavily male dominated. At only 19 years old, these sisters are trying to break glass ceilings.

“We heard of Las Hermanitas Nuñez and Dueto Monterrey and they inspired us because they were one of the first and only female música campirana duets,” say the Rosas sisters. “This genre of music is definitely more male-dominated — it’s way easier for men to become famous in this genre. So it is really important for us to get out there to inspire our sisters in Mexico and throughout Latin America. And we see more young women emerging and it’s so exciting,” continued Emily.

Despite their rising popularity and talent, they still face gender discrimination and machismo within their art form and Mexican culture.

@duetodosrosas / Instagram

“In concerts when we go to sing with other groups, it’s usually all male. Sometimes they don’t look like they like us and then sometimes we ask them if we can play in a different key and they don’t listen to us; like maybe they don’t take us seriously. One time we just went with it and didn’t say anything, but now moving forward, we’re going to speak up more and say ‘no this is the key we’d like to sing it in,'” says Emily. 

Besides breaking the glass ceiling, these sisters are also passionate about diversifying the stereotypical looks in mainstream Spanish media and the ranchera music industry. 

“When you see us, you see that we are brown and short, and you don’t really see famous people represented like that in the Spanish-speaking industry. So we want more diversity,” says Emily.

And as two indigenous mixteca girls, they’ve also faced indigenous discrimination even from their own Mexican followers. 

“In comments and concerts whenever people meet us they make fun of us, like ‘oh I thought you’d be taller or lighter-skinned.’ In the comments sometimes they comment “Aye pinches indias,” and they try to hurt us. But we always say that we are proud to be indigenous and we’re not going to change or wish to be something else that we’re not.” says Emily.

Knowing how prominent machismo and anti-indigenous racism there can be in the Mexican community and other Latino communities, these sisters know that their platform is all the more important to change that.

“We want all indigenous sisters and Afro-indigenous women to feel proud of who they are. That your color and culture is beautiful. We want them and our fellow women of color to rise up and be proud of who we are and not wish to be anything different or let people bring us down,” the sisters say.

@duetodosrosas / Instagram

The Rosas sisters even alluded to future plans where they hope to create an album, grow their following, and sing música campirana in their own mixteca language.

COVID affected their music by canceling all their shows. However, in quarantine, they have been practicing more and continue innovating their music. They post a new video every week.

You can find them on Facebook and YouTube and follow them on Instagram.

“We do this also to encourage the next generation to rise up and innovate this music, y que le agarren el gusto a esta música and start feeling identified with it like we do!” says Emily.

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This Artist Has Been Breaking Barriers As A Non-Traditional Mariachi

Entertainment

This Artist Has Been Breaking Barriers As A Non-Traditional Mariachi

Courtesy of Timothy Pollard

On a recent episode of ABC’s game show To Tell The Truth, three celebrity panelists were tasked to uncover the identity of a real mariachi singer.

Each contender embodied “non-traditional” attributes of mariachi culture either through physical appearance or language barriers, leaving the panelists stumped.

When it came time for the big reveal, with a humble smile 53-year-old Timoteo “El Charro Negro” stood up wowing everyone. Marveled by his talents, Timoteo was asked to perform unveiling his smooth baritone voice.

While not a household name in the U.S., his career spans over 25 years thriving on the catharsis of music.

Timoteo “El Charro Negro” performing “Chiquilla Linda” on Dante Night Show in 2017.

Originally from Dallas, Texas, Timoteo, born Timothy Pollard, moved to Long Beach, California with his family when he was eight years old. The move to California exposed Pollard to Latin culture, as the only Black family in a Mexican neighborhood.

As a child, he recalled watching Cantinflas because he reminded him of comedian Jerry Lewis, but musically he “got exposed to the legends by chance.”

“I was bombarded by all the 1960s, ’70s, and ’50s ranchera music,” Timoteo recalls to mitú.

The unequivocal passion mariachi artists like Javier Solis and Vicente Fernandez possessed heavily resonated with him.

“[The neighbors] always played nostalgic music, oldies but goodies, and that’s one thing I noticed about Mexicans,” Timoteo says. “They can be in their 20s but because they’ve grown up listening to the oldies it’s still very dear to them. That’s how they party.”

For as long as he can remember, Pollard “was born with the genetic disposition to love music,” knowing that his future would align with the arts.

After hearing Vicente Fernandez sing “Lástima Que Seas Ajena,” an awakening occurred in Pollard. While genres like hip-hop and rap were on the rise, Pollard’s passion for ranchera music grew. It was a moment when he realized that this genre best suited his big voice.

Enamored, Pollard began to pursue a career as a Spanish-language vocalist.

El Charro Negro
Photo courtesy of Timothy Pollard.

At 28, Timoteo began learning Spanish by listening and singing along to those artists he adored in his youth.

“When I decided that I wanted to be a mariachi, I didn’t think it was fair to exploit the culture and not understand the language,” he says. “If I’m going to sing, I need to be able to communicate with my audience and engage with them. I need to understand what I’m saying because it was about honor and respect.”

Pollard began performing local gigs after picking up the language in a matter of months. He soon attracted the attention of “Big Boy” Radio that adorned him the name Timoteo “El Charro Negro.”

Embellishing his sound to highlight his Black heritage, Pollard included African instruments like congas and bongos in his orchestra. Faintly putting his own spin on a niche genre, Pollard avoided over-saturating the genre’s sound early in his career.

Embraced by his community as a beloved mariachi, “El Charro Negro” still encountered race-related obstacles as a Black man in the genre.

“There are those [in the industry] who are not in the least bit thrilled to this day. They won’t answer my phone calls, my emails, my text messages I’ve sent,” he says. “The public at large hasn’t a problem with it, but a lot of the time it’s those at the helm of decision making who want to keep [the genre] exclusively Mexican.”

“El Charro Negro” persisted, slowly attracting fans worldwide while promoting a message of harmony through his music.

In 2007, 12 years into his career, Pollard received a golden ticket opportunity.

El Charro Negro
Pollard (left) seen with legendary Mexican artist Vicente Fernandez (right) in 2007. Photo courtesy of Timothy Pollard.

In a by-chance encounter with a stagehand working on Fernandez’s tour, Pollard was offered the chance to perform onstage. The singer was skeptical that the offer was legit. After all, what are the chances?

The next day Pollard went to his day job at the time and said, “a voice in my head, which I believe was God said, ‘wear your blue velvet traje tonight.'”

That evening Pollard went to a sold-out Stockton Area where he met his idol. As he walked on the stage, Pollard recalls Fernandez insisting that he use his personal mic and band to perform “De Que Manera Te Olvido.”

“[Fernandez] said he did not even want to join me,” he recollects about the show. “He just was kind and generous enough to let me sing that song on his stage with his audience.”

The crowd applauded thunderously, which for Pollard was a sign of good things to come.

El Charro Negro
Timoteo “El Charro Negro” with Don Francisco on Don Francisco Presenta in 2011. Photo courtesy of Timothy Pollard.

In 2010, he released his debut album “Me Regalo Contigo.” In perfect Spanish, Pollard sings with great conviction replicating the soft tones of old-school boleros.

Unraveling the rollercoaster of relationships, heart-wrenchingly beautiful ballads like “Me Regalo Contigo” and “Celos” are his most streamed songs. One hidden gem that has caught the listener’s attention is “El Medio Morir.”

As soon as the track begins it is unlike the others. Timoteo delivers a ’90s R&B love ballad in Spanish, singing with gumption as his riffs and belts encapsulate his unique sound and story.

Having appeared on shows like Sabado Gigante, Don Francisco Presenta, and Caso Cerrado in 2011, Timoteo’s career prospered.

Timoteo hasn’t released an album since 2010 but he keeps his passion alive. The singer has continued to perform, even during the Covid pandemic. He has high hopes for future success and original releases, choosing to not slow down from his destined musical journey.

“If God is with me, who can be against me? It may not happen in a quick period of time, but God will make my enemies my footstool,” he said.

“I’ve continued to be successful and do some of the things I want to do; maybe not in a particular way or in particular events, but I live in a very happy and fulfilled existence.”

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Exclusive: Luis Fonsi Talks Working with Rauw Alejandro, Christina Aguilera, and Demi Lovato

Entertainment

Exclusive: Luis Fonsi Talks Working with Rauw Alejandro, Christina Aguilera, and Demi Lovato

UNIVERSAL MUSIC LATIN

Luis Fonsi is kicking off 2021 with a new single. The Puerto Rican superstar premiered the music video for “Vacío” on Feb. 18 featuring rising Boricua singer Rauw Alejandro. The guys put a new spin on the classic “A Puro Dolor” by Son By Four.

Luis Fonsi throws it back to his románticas.

“I called Omar Alfanno, the writer of ‘A Puro Dolo,’ who is a dear friend,” Fonsi tells Latido Music. “I told him what my idea was [with ‘Vacío’] and he loved it. He gave me his blessing, so I wrote a new song around a few of those lines from ‘A Puro Dolor’ to bring back that nostalgia of those old romantic tunes that have been a part of my career as well. It’s a fresh production. It sounds like today, but it has that DNA of a true, old-school ballad.”

The world got to know Luis Fonsi through his global smash hit “Despacito” with Daddy Yankee in 2017. The remix with Canadian pop star Justin Bieber took the song to new heights. That was a big moment in Fonsi’s music career that spans over 20 years.

There’s more to Fonsi than “Despacito.”

Fonsi released his first album, the fittingly-titled Comenzaré, in 1998. While he was on the come-up, he got the opportunity of a lifetime to feature on Christina Aguilera’s debut Latin album Mi Reflejo in 2000. The two collaborated on “Si No Te Hubiera Conocido.” Luis Fonsi scored multiple Billboard Hot Latin Songs No. 1s in the years that followed and one of the biggest hits was “No Me Doy Por Vencido” in 2008. That was his career-defining romantic ballad.

“Despacito” remains the second most-viewed music video on YouTube with over 7.2 billion views. The hits did not stop there. Later in 2017, he teamed up with Demi Lovato for “Échame La Culpa,” which sits impressively with over 2 billion views.

He’s also appearing on The Voice next month.

Not only is Fonsi working on his new album, but also he’s giving advice to music hopefuls for the new season of The Voice that’s premiering on March 1. Kelly Clarkson tapped him as her Battle Advisor. In an exclusive interview, Fonsi talked with us about “Vacío,” The Voice, and a few of his greatest hits.

What was the experience like to work with Rauw Alejandro for “Vacío”?

Rauw is cool. He’s got that fresh sound. Great artist. Very talented. Amazing onstage. He’s got that great tone and delivery. I thought he had the perfect voice to fit with my voice in this song. We had talked about working together for awhile and I thought that this was the perfect song. He really is such a star. What he’s done in the last couple of years has been amazing. I love what he brought to the table on this song.

Now I want to go through some of your greatest hits. Do you remember working with Christina Aguilera for her Spanish album?

How could you not remember working with her? She’s amazing. That was awhile back. That was like 1999 or something like that. We were both starting out and she was putting out her first Spanish album. I got to sing a beautiful ballad called “Si No Te Hubiera Conocido.” I got to work with her in the studio and see her sing in front of the mic, which was awesome. She’s great. One of the best voices out there still to this day.

What’s one of your favorite memories of “No Me Doy Por Vencido”?

“No Me Doy Por Vencido” is one of the biggest songs in my career. I think it’s tough to narrow it down just to one memory. I think in general the message of the song is what sticks with me. The song started out as a love song, but it turned into an anthem of hope. We’ve used the song for different important events and campaigns. To me, that song has such a powerful message. It’s bigger than just a love song. It’s bringing hope to people. It’s about not giving up. To be able to kind of give [people] hope through a song is a lot more powerful than I would’ve ever imagined. It’s a very special song.

I feel the message is very relevant to the COVID-19 pandemic we’re living through.

Oh yeah! I wrote that song a long time ago with Claudia Brant, and during the first or second month of the lockdown when we were all stuck at home, we did a virtual writing session and we rewrote “No Me Doy Por Vencido.” Changing the lyrics, kind of adjusting them to this situation that we’re living now. I haven’t recorded it. I’ll do something with it eventually. It’s really cool. It still talks about love. It talks about reuniting. Like the light at the end of the tunnel. It has the hope and love backbone, but it has to do a lot with what we’re going through now.

What do you think of the impact “Despacito” made on the industry?

It’s a blessing to be a part of something so big. Again, it’s just another song. We write these songs and the moment you write them, you don’t really know what’s going to happen with them. Or sometimes you run into these surprises like “Despacito” where it becomes a global phenomenon. It goes No. 1 in places where Spanish songs had never been played. I’m proud. I’m blessed. I’m grateful to have worked with amazing people like Daddy Yankee. Like Justin Bieber for the remix and everyone else involved in the song. My co-writer Erika Ender. The producers Mauricio Rengifo and Andrés Torres. It was really a team effort and it’s a song that obviously changed my career forever.

What was the experience like to work with Demi Lovato on “Echáme La Culpa”?

She’s awesome! One of the coolest recording sessions I’ve ever been a part of. She really wanted to sing in Spanish and she was so excited. We did the song in Spanish and English, but it was like she was more excited about the Spanish version. And she nailed it! She nailed it from the beginning. There was really not much for me to say to her. I probably corrected her once or twice in the pronunciation, but she came prepared and she brought it. She’s an amazing, amazing, amazing vocalist.

You’re going to be a battle advisor on The Voice. What was the experience like to work with Kelly Clarkson?

She’s awesome. What you see is what you get. She’s honest. She’s funny. She’s talented. She’s humble and she’s been very supportive of my career. She invited me to her show and it speaks a lot that she wanted me to be a part of her team as a Battle Advisor for the new season. She supports Latin music and I’m grateful for that. She’s everything you hope she would be. She’s the real deal, a true star, and just one of the coolest people on this planet.

What can we expect from you in 2021?

A lot of new music. Obviously, everything starts today with “Vacío.” This is literally the beginning of what this new album will be. I’ve done nothing but write and record during the last 10 months, so I have a bunch of songs. Great collaborations coming up. I really think the album will be out probably [in the] third or fourth quarter this year. The songs are there and I’m really eager for everybody to hear them.

Read: We Finally Have A Spanish-Language Song As The Most Streamed Song Of All Time

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