Spike Lee is returning to the 73rd Cannes Film Festival a couple of years after BlacKkKlansman debuted there, this time as the jury president. In over seven decades, the prestigious film festival has never had a black president overseeing the artists who decide which films will win an award. 

“In this life I have lived, my biggest blessings have been when they arrived unexpected, when they happened out of nowhere. When I got the call that I was offered the opportunity to be president of Cannes jury for 2020, I was shocked, happy, surprised and proud all at the same time,” Lee said in a statement.

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The 62-year-old director won Cannes’ Grand Prix for BlacKkKlansman which also earned Lee his first Academy Award. Prior to his recent release, Lee hadn’t participated in Cannes in 22 years despite having seven of his most beloved films like, She’s Gotta Have ItDo The Right Thing and Summer Of Sam, playing there. 

Lee releases a heartfelt statement about becoming the jury president.

Lee said this particular film festival is the most important in the world and that it significantly impacted his career.

“It started way back in 1986 – my first feature film She’s Gotta Have It, which won the Prix de la Jeunesse in the Director’s Fortnight. The next joint was in 1989 – Do The Right Thing, an Official Selection in Competition. And I don’t have the time nor space to write about the cinematic explosion that jumped off, still relative to this, 30 years later,” Lee said in a statement. 

Do The Right Thing might be Lee’s most well-known project. The film which uses building racial tensions in a Brooklyn neighborhood as an exploration of violence as activism was solidified as a part of history when it was selected for preservation in the National Film Registry and Libray of Congress. 

“Then Jungle Fever 1991 – Official Selection in Competition, Girl 6 1996 – Official Selection out of Competition, Summer Of Sam1999 – Director’s Fortnight, Ten Minutes Older 2002 – Official Selection in Un Certain Regard and then BlacKkKlansman 2018 – Official Selection in Competition where it won the Grand Prix, which became the launching pad for the world theatrical release which led to my Academy Award for screenplay,” he continued. 

Many have felt that Lee has not gotten the respect he deserves as a filmmaker — at least not until fairly recently.

Despite being nominated four times across three decades, Lee wasn’t awarded an Academy Award until 2019 for Best Adapted Screenplay. 

“Spike Lee’s perspective is more valuable than ever. Cannes is a natural homeland and a global sounding board for those who (re)awaken minds and question our stances and fixed ideas. Lee’s flamboyant personality is sure to shake things up. What kind of president of the jury will he be? Find out in Cannes!” Cannes President Pierre Lescure and festival head Thierry Frémaux said in a statement.

In the New York Times profile leading up to his Oscar win, the paper examined the ways in which Lee has been relegated to the fringes of prestigious filmmaking: throughout his career, he has earned less money and received less funding than his white counterparts, and has had difficulty getting projects off the ground. 

Lee’s inclusion might be Cannes’ first big step in correcting its diversity issues.

“That’s the dilemma of a talented black artist in any field,” collaborator and author James McBride told the NY Times. “You have to recreate the genre, otherwise you don’t survive. Stevie Wonder is not a pop musician; Stevie Wonder is a genre. Michael Jackson is a genre to himself. Spike Lee has moved into that territory. Spike Lee is not short on talent. What Spike Lee is short on is friends in the industry, and the kind of space to fail. He has no room to fail.” 

While Cannes has struggled with diversity around black and women directors, Lee as a jury president could be a healthy step in allowing other perspectives in. 

“I’m honored to be the first person of the African diaspora (USA) to be named president of the Cannes jury and of a main film festival. The Lee family sincerely thanks the Festival de Cannes, Pierre Lescure and Thierry Frémaux and the great people of France who have supported my film career throughout four decades. I will always treasure this special relationship,” Lee said.