Entertainment

Salma Hayek Said The Monkey In ‘Frida’ Attacked Her And Left Her Severely Injured

We adore Salma Hayek. We love her so much. We wish a million Salma Hayek’s were working in Hollywood, representing the Latino community. Just imagine what that would look like! Talented, smart, opinionated, hilarious, feisty, and beautiful (inside and out) Latinas working in film and TV, being seen on the red carpet and showing the world what they are made of. It would be something for sure. How did we ever survive without her? That’s the real question. 

In a brief 11-minute video, Salma Hayek discussed her fashion choices from the past, but through that also shared some remarkable stories since she first launched her career in Hollywood back in 1996.

Hayek, who is now a Hollywood veteran and also starring in the new film “Like A Boss,” opened up a book of fashion from her past. The video, presented by Vogue, showed the actress from the moment she stepped on the scene in Robert Rodriguez’s “Desperado.” There was no way anyone could deny Hayek’s beauty, which meant she made a splash on the red carpet. 

What is so fascinating about hearing Hayek speak about her fashion choices is that she was very determined to express what she wanted and not follow the advice of others, even if she wasn’t being taken seriously just yet. That, of course, changed quickly because Hayek wasn’t your average Hollywood beauty. Hayek had a lot to say and a lot to show whether you liked it or not. 

One of the most shocking (and entertaining) parts of the video is when Hayek explains a monkey that was in the Frida movie attacked her viciously. 

Credit: Vogue / YouTube

Hayek recalled the incident while looking at a picture of her first Vogue photoshoot in 2002. Hayek’s portrait was emulating her Frida role and was pictured alongside a monkey that was in the film. It’s widely known that Frida Kahlo had a pet monkey, which she captured in paintings often. 

“I was very proud to be part of Vogue for the first time in my life,” Hayek said. “This monkey, who was named Tyson, actually attacked me during the filming of Frida, and I was really severely injured.” 

Hayek doesn’t explain how she was injured or what the monkey did precisely, but it could have attacked her precious face.

Credit: fridakahlo / Instagram

“But I was brave enough to let him come back and work again in the movie, and then I still did a photoshoot with him for Vogue afterward.” Hayek said jokingly, “I was really hoping he wouldn’t go for my face.”

The monkey in the photoshoot looks pretty shocked as well. He probably couldn’t believe that he was still able to work and not just sent back to the zoo. 

Credit: Vogue / YouTube

Some other gems from the video included Hayek going on and on about how she set fashion trends. For example, she was the original Ariana Grande. 

Hayek attended the MTV Movie Awards in 1996 and was nominated for Best Kiss. Hayek discussed her late ’90s fashion sense, which included a dark lipstick and tight black dress, but the real highlight for her was the ponytail. 

“I really like the hair,” Hayek said. “I was channeling Ariana Grande before Ariana Grande was born.” Just for reference, Ariana Grande was around 3-years-old at the time of Hayek’s high ponytail. 

Hayek also launched the tiara headdress look, which was previously intended for royalty or pageant queens only.

Credit: Vogue / YouTube

The actress said back in the early ’90s when she was a relative nobody, she wanted to spruce up her look by wearing a tiara. Hayek noted that in the beginning stages of her career, no one wanted to dress a Mexican who probably wouldn’t last in Hollywood. So, to make a grander red carpet entrance, Hayek paired up her dress with a tiara even though her entire team told her not to. Hayek said she was proud of herself for sticking with her gut and taking a fashion risk. 

She said soon after she wore the tiara, Hollywood actresses started wearing crowns too. And she never got credit for being the first to do it. Hayek added that decorating one’s head is just as crucial as wearing jewelry and makeup. She said wearing a headdress became a custom of hers and was probably inspired by Frida’s famous crown of flowers. She said she aims to adorn her head as much as possible. 

Salma, we speak for the entire world when we say, you can wear whatever you want for the rest of your life. We will always love you. 

READ: Salma Hayek’s 29 Boldest Looks

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Mon Laferte Talks Regional Mexican Album ‘Seis’ and Singing With Gloria Trevi

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Mon Laferte Talks Regional Mexican Album ‘Seis’ and Singing With Gloria Trevi

MAYRA ORTIZ

Chilean singer-songwriter Mon Laferte is back with her new album Seis. Across the 14 tracks, she tackles various regional Mexican music genres while enlisting the support of local legends like Gloria Trevi and Alejandro Fernández. That alternative edge that Laferte is known for is still present. In an interview with Latido Music, she talked about her inspiration for the album and the stories behind a few of the songs.

Chavela Vargas was a big inspiration for the album.

Laferte is from Chile, but she’s lived most of her music career in Mexico, so these sounds are familiar sounds to her. Another famous Mexican transplant, Costa Rica-born Chavela Vargas, was a major inspiration for Seis.

“She was a very free woman,” Laferte tells mitú. “I admired her freedom and her gall. She didn’t care what anyone thought. She was who she was. She sang her songs with heart and soul. She left her life in every song.”

There’s even a banda moment on Seis.

Regional Mexican music is heard around the world, especially in Chile. Before moving to Mexico, the sound of the country was part of Laferte’s childhood. She dabbled in banda music for the first time in “Se Me Va A Quemar El Corazón” with Banda El Limón De René Camacho.

“This album is an homage to Mexico, so it had to have a bit of everything that the country is known for,” Laferte says. “It was very important for me to represent banda music on this album. The truth is banda has always been interesting to me.”

“La Mujer” with Gloria Trevi

In a highly-anticipated moment on the album, Laferte teamed up with Trevi for “La Mujer.” She reveals this was a heavily requested collaboration by both their fan bases. In the incredible music video, Laferte and Trevi dance together in front of a giant vagina. The girl power here is everything.

“Gloria is someone who I have always admired since my childhood,” Laferte says. “She’s always been an inspiration to me because she’s a powerful woman too. She’s like Chavela. She’s a woman that rose from the ashes. We were practicing the choreography for the music video and I had so much fun with her. She was just as I imagined she would be.”

During the interview, I blurt out that this was a big moment for their fans in the LGBTQ+ community. “It’s a big moment for me too!” Laferte says with a laugh. “[To my fans in the community] I send them big kisses, a lot of love, and give them my thanks for listening to my music and for all the support.”

“Esta Morra No Se Vende”

Another girl power moment on the album is “Esta Morra No Se Vende.” Laferte is living her best Norteña life in this song that speaks to overly-advertised consumerism. She even lets out a grito to boot.

“That was one of the last songs I wrote for the album,” Laferte says. “Now with what’s happening with social media, this is an ode to ostentation. That I have expensive things. That I have this. That I have that. I believe that’s the reality that me and many other women face. You’re not going to buy me with your money, or your likes, or your numbers of any kind.”

“Que Se Sepa Nuestro Amor” with Alejandro Fernández

“Que Se Sepa Nuestro Amor” was the first single from Laferte’s Seis album. With Mexican music royalty, Fernandéz, she has a mariachi music moment. Even though the artists haven’t been able to meet face-to-face, they came through with a dreamy duet.

“When we recorded the song, we were at the beginning of the [COVID-19] pandemic,” Laferte says. “When we were very closed-off and didn’t go out. It was all done from a distance. He was very nice and very professional, but we didn’t see each other. Till this day we haven’t seen each other in person but only through technological means. He’s very cool. Very sweet. He has a beautiful voice.”

“Aunque Te Mueras Por Volver”

One of the most striking songs on Seis is “Aunque Te Mueras Por Volver.” This is most similar to the alternative drama that Laferte has served before in her greatest hits. If there was ever a need for a James Bond theme song in Spanish, this would be the perfect fit.

“The song was inspired by cinema like James Bond and all that,” Laferte says. “It also has that spirit of the music from the time of Frank Sinatra, Raphael from Spain, and José José from Mexico. Like that orchestral era with beautiful voices. The lyrics are the story of my life.” With a smirk, she adds, “Aunque te mueras por volver, but you already lost your chance.”

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Read: Dominican Duo Martox is Keeping Latin Alternative Music Alive with “Mente”

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Exclusive: Maluma Talks “Amor En Coma” with Manuel Turizo and Supporting Colombian Artists

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Exclusive: Maluma Talks “Amor En Coma” with Manuel Turizo and Supporting Colombian Artists

PHOTO COURTESY OF MANUEL TURIZO

Rising Colombian heartthrob Manuel Turizo released his new album Dopamina. One of the most hotly-anticipated tracks on the LP, “Amor En Coma” featuring Maluma, is also out. In an upcoming interview with Latido Music, Maluma talked about supporting the new wave of Colombian acts like Turizo.

Turizo sounds better than ever on his second album.

Dopamina is the second album from Turizo. He’s back with a fresh collection of reggaeton bangers that reflect the 20-year-old’s growth from his last LP. His signature baritone voice is richer and there’s more emotional depth in the lyrics. The songs are more grown too. Let’s just say “Caliente” with will.i.am and Dominican star El Alfa lives up to its name.

Manuel and Maluma team up for the emotional “Amor En Coma” music video.

“Amor En Coma” is one of the more romantic moments on the album. Two of Colombia’s hottest stars come together for the soaring track. In his career, Turizo is at a place that Maluma once was with his breakthrough album, 2016’s Pretty Boy, Dirty Boy. In a preview of his interview with Latido Music, Maluma spoke about supporting artists like Turizo.

“These collaborations I’m doing with these artists that are kind of new, I’m doing it because no one did with me at the beginning,” Maluma tells mitú. “I want to tell the world that there is a lot of talent here in Colombia and Latin America. This new wave that is coming is pretty big. I’m happy to help them and be a part of their process. I feel like it’s a good moment to start helping new projects, start helping new artists, and to keep going.”

Maluma and his compatriots are proudly representing Colombia.

In the past few years, Maluma, J Balvin, and Karol G have helped Colombia become a force in the reggaeton music scene. Like Shakira before them, these superstars are also pushing back on negative stereotypes of the country that are often reinforced in movies and TV shows like Netflix’s Narcos.

“It’s nice to go out to the states or Europe and when people talk about Colombia, they’re not talking anymore about Pablo Escobar, or about war, or about drugs,” Maluma says. “They talk about good music, good actors, good culture, and good sports. That makes me pretty happy that we’re changing the face of our culture.”

Turizo’s album also features OG reggaetoneros like Wisin y Yandel. One of the best moments is his collaboration with fellow heartthrobs-on-the-rise Rauw Alejandro and Myke Towers in “La Nota.” Stay tuned for our full interview with Maluma very soon. For now, check out the dates for his Papi Juancho Tour this fall.

Click here for Latido Music, 24/7 Latin music videos & more

Read: Maluma Announces US Dates for His 2021 Papi Juancho World Tour

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