Entertainment

The Music Industry Has Stepped Up As The Pandemic’s Most Generous Donor

The music industry has been among the most affected by COVID-19, but, as businessman Stephen Brooks says, it has responded with great “generosity.”

Even though the growth in revenue in the music industry doesn’t compare with that of audiovisual productions or video games, it has been the industry that has demonstrated the most altruism during the global COVID-19 crisis.

“Everyone from the artists to the businesses have been hit hard by the effects of the COVID-19 pandemic,” Stephen Brooks, creator of the online music channel Latido Music, told Efe.

Nonetheless, he affirms that “they have demonstrated such generosity that brings honor to our art. I’ve never been more proud to belong to the global music family.”

This pride is due to the response of artists towards the crisis, as they were among the first entertainment figures to support the creation of funds to help the working class, provide concerts on social media, and give donations to help fight the pandemic.

Ricky Martin was among the first to come forward and, through his Instagram, has insisted to his followers the importance of staying home and donating to foundations that are helping to fight the virus.

The virtual concert phenomenon began with Juanes and Alejandro Sanz, whose approach was then followed by Panamanian artist Sech and Jorge Drexler, from Uruguay, who hoped to bring their music to the homes of their fans. Eventually, businesses both small and large and TV channels followed their lead.

Anglo-Saxon artists have also started their own initiatives. Rihanna announced that she had donated five million dollars through her Clara Lionel Foundation, “for food banks in high-risk communities and elderly citizens in the US, as well as the purchase of tests and materials to help the sick in Haiti and Malawi.”

Streaming platforms have also opened up their wallets, donating to funds destined to help workers in the industry who, for the most part, worked for them. Spotify donated 10 million dollars and launched an initiative that would match the donations from their listeners.

The data collected from reports run by companies like Nielsen and Billboard indicate that the growth in music has remained stable in comparison to other sectors of the entertainment business, which have been struggling. “Some have even declined. There are indicators that point to a slight user decline in music platforms and on Youtube.” 

Even then, the spirit of musicians doesn’t let up and every day they keep announcing new events on social media and organizations in need of support to help fight the pandemic. 

Click here to learn more about the music industry’s generosity during the pandemic. 

Court Orders ICE To Release Children In Their Custody As COVID-19 Tears Through Detention Centers

Things That Matter

Court Orders ICE To Release Children In Their Custody As COVID-19 Tears Through Detention Centers

Joe Raedle / Getty Images

COVID-19 is spiking across the U.S. with 32 states watching as new cases of the virus continue to climb day after day. California, Arizona, Texas, and Florida are among states that have set daily new infection records. With this backdrop, a federal judge has ruled that Immigration and Customs Enforcement (ICE) must release children, with their parents, by July 17.

A judge ordered Immigration and Customs Enforcement (ICE) to release children in detention by a certain date.

U.S. Judge Dolly Gee ordered ICE to act quickly in response to the rampant COVID-19 spread in detention centers to protect the health of migrants. Judge Gee is giving ICE until July 17 to comply and release all children that have been in the agency’s custody.

U.S. Judge Gee ruled that the threat of the pandemic is great where the children are being held.

“Given the severity of the outbreak in the counties in which FRCs are located and the Independent Monitor and Dr. Wise’s observations of non-compliance or spotty compliance with masking and social distancing rules, renewed and more vigorous efforts must be undertaken to transfer (children) residing at the FRCs to non-congregate settings,” Judge Gee wrote in her order.

Concerned politicians and public figures are celebrating the judge’s order.

The order is aimed specifically at the Family Residential Centers (FRCs) and Office of Refugee Resettlement camps across the country. The virus has been running rampant in detention centers and prisons and, according to the judge, unsurprisingly the virus has made it to the FRCs.

She continued: “The FRCs are ‘on fire’ and there is no more time for half measures.”

National leaders are calling on ICE to follow the ruling by a federal judge.

The judge’s order is aimed at the three FRCs in the U.S. Two are in Texas and one is in Pennsylvania. Unaccompanied minors in various shelters are also included in the order.

“Although progress has been made, the Court is not surprised that [COVID-19] has arrived at both the [Family Residential Centers] and [Office of Refugee Resettlement] facilities, as health professionals have warned all along,” Judge Gee wrote.

This story is developing and we will update as new information arises.

READ: After COVID-19 Shut Down Flights, A Man Sailed Across The Atlantic Ocean All So That He Could See His Dad

Chiquis And Becky G Release Video For Spanish-Language Version Of Dolly Parton’s Hit Song ‘Jolene’

Entertainment

Chiquis And Becky G Release Video For Spanish-Language Version Of Dolly Parton’s Hit Song ‘Jolene’

ChiquisOnline / YouTube

Dolly Parton’s “Jolene” is arguably one of the most iconic songs in American music. We have all heard bits and pieces of the song growing up because it is just that iconic. After almost 50 years, “Jolene” has another Spanish-language cover brought to us by Becky G and Chiquis.

Spanish-speaking country music fans have a new cover to celebrate.

Becky G and Chiquis have released the music video for their Spanish-language cover of the American classic song “Jolene.” Originally released by Dolly Parton in 1973, “Jolene” is one of those songs that have become a timeless classic of American music.

Country music is quickly becoming a favorite genre in the Latino community. There has been a 25 percent increase in Latino support of country music. When you consider how many Latinos live in the south in states like Texas, it kind of makes sense.

Rolling Stone magazine claimed that it was the first Spanish-language cover of the song.

The magazine got called out on Twitter after claiming that this was the first Spanish-language cover of “Jolene.” The cover by regional Mexican music divas Becky G and Chiquis is good but it is not the first.

The first Spanish-language cover of “Jolene” is by Las Chicas del Can.

The Dominican group recorded “Youlin” in 1985 and the merengue take on the song is really fun to listen to. The version from the girl group is a very different take and feel on the song as compared to Becky G and Chiquis. The two songs are very different and both are very fun to listen to.

Either way, fans of country and regional Mexican music are here for this.

The music video is an animated rollercoaster with Becky G and Chiquis playing tough mujeres doing their thing. The music video is set up like a comic book because we all know that the most amazing superhero stories are comic books. Tbh, these two looked perfect in their tough acting roles.

If you want to listen to the original “Jolene,” here it is.

Truly, this will probably remain one of the greatest American classics of all time.

READ: Becky G Performs Tribute To Selena At San Antonio Concert