Last week we talked about diversity, a word that reminds us that there is no “one way” to be Latinx. Also, that being diverse, or different, can be fun!
As we know, Latinos come in a variety of forms, from Black to white, tall to short. Some of us have Indigenous backgrounds or ones that come from Africa or Europe. We can also have different beliefs. Latinos practice a variety of religions, from Islam to Buddhism to Christianity.
This week on “Elena of Avalor” Elena learns that Latinos can also be Jewish.
During the episode “Festival of Lights” Elena comes to the rescue and saves the shipwrecked princess Rebecca, her brother Prince Ari, and their grandmother Bubbie. She also learns that her new friends are Jewish and from the Latino Jewish kingdom of Galonia and are on their way home to celebrate the holiday of Hanukkah.
After rescuing the royal family, Elena invites them back to her palace to celebrate Hanukkah.
There, she learns about their new traditions which include games, food, and prayers.
Through her new friends, Elena learns how to play the game of dreidel.
In this episode, Elenga gets to eat yummy chocolate coins called gelt and learns why Princess Ari’s family loves their lampstand, called a menorah, so much.
The best part of this episode is that Elena learns that Latinos can be different from eachother too and that’s a pretty beautiful thing.
Credit: EVALONGORIA/AMERICAFERRERA/INSTAGRAM ; KEVIN WINTER/GETTY
The numbers are bleak. Latinos make up 18% of America’s population but only 5% of the number of speaking roles in movies in 2019 according to the USC Annenberg Inclusion Initiative.
Hollywood seems to be late to the party when it comes to Latino representation onscreen. But luckily, there are a handful of Latino artists and creators out there who are taking the fight to appear in front of the screen to behind the camera.
Take, for example, Eva Longoria, who was just announced to be directing and co-starring in the new action-comedy film, “Spa Day”
This marks the third movie the Mexican-American actress will be helming and the first Latina to ever direct more than one major studio film.
The other films on Longoria’s roster include a vehicle for her and Kerry Washington tentatively titled “24/7”, as well as the upcoming biopic “Flamin’ Hot”–a movie centered around Richard Montañez, the man who invented Flaming Hot Cheetos.
Longoria has been candid about how the decision to move into directing and producing has been a strategic one.
“One of the reasons I went into producing and directing was I wasn’t going to sit back and wait for somebody to create a role I wanted to do,” Longoria told Variety in 2018.
“You can’t just sit around waiting for [good projects], and I wanted to create that — not just for myself but for other Latinas.”
But her career transition isn’t unique as a Latina in Hollywood. She has joined the ranks of other Latinas in Hollywood who have began to produce and direct their own projects in order to finally see Latino stories told on screen.
All of these women have thrown their weight behind projects that otherwise wouldn’t be made if their names weren’t attached to them.
All of these women are creating stories that feature Latino stories and Latino talent–in front of and behind the camera.
America Ferrera explained the reason behind her conscious career pivot from acting to directing/producing: “My genuine heart’s desire is to tell stories that haven’t been told,” she told CBS This Morning. “It’s hard to get stories about people like us made. And then to get those stories told by us is very very uncommon.”
Although the endgame is to have Latinx stories greenlit without having to first be a famous singer or actress, the work these ladies are doing might be laying the foundation for an easier road for future industry players of Latino descent. Or as Longoria so eloquently put it: “If we unite and create opportunities for each other and pull each other up, there could be a lot more success for representation on TV.”
Although the study reports progress in some areas of onscreen representation, there is still a long way to go.
For example, the study reported that half of the immigrant characters depicted on television are Latino, which is consistent with reality. What is not consistent with reality, however, is how crime-related storylines are still an overrepresented theme in these storylines.
The study shows that on television 22% of immigrant characters have crime storylines show up as part of their narratives. These types of storylines further pedal the false narrative that immigrants are criminals, when in reality, they’re just everyday people who are trying to lives their best lives. Ironically, this statistic is an improvement on the previous year’s statistics in which crime themes made up 34% of immigrants’ stories on TV.
These numbers are further proof that the media feels stories of Latino immigration have to be about sadness and hardship in order to be worth watching.
According to Define American’s website, their organization believes that “powerful storytelling is the catalyst that can reshape our country’s immigration narrative and generate significant cultural change.”
They believe that changing the narratives depicted in entertainment media can “reshape our country’s immigration narrative and generate significant cultural change.”
“We wanted to determine if seeing the specific immigration storylines influenced [viewers’] attitudes, behavior, or knowledge in the real world,” said Sarah Lowe, the associate director of research and impact at Define American to Variety. “And we were reassured and inspired to see the impact it had.”
Define American’s founder, Jose Antonio Vargas, is relatively optimistic about the study’s outcomes, saying that the report has “some promising findings” and the numbers “provide [him] with hope”. He added that there are still “many areas in which immigrant representation can improve”.
Namely, Vargas was disappointed in television’s failure to take an intersectional approach to immigration in regards to undocumented Black immigrants.
“Black undocumented immigrants are detained and deported at higher rates than other ethnic groups,” Vargas told Variety. “But their stories are largely left off-screen and left out of the larger narrative around immigration.”
“Change the Narrative, Change the World” also showed that Asian and Pacific Islander immigrants are also under-represented on television compared with reality. Also worth noting, male immigrants were over-represented on television compared to reality, while immigrants with disabilities were also under-represented.
The study also showed that when viewers are exposed to TV storylines that humanize immigrants, they’re more likely to take action on immigration issues themselves.
The effect that fictional entertainment narratives have on viewers further proves that representation does, indeed, matter. What we watch as entertainment changes the way we think about other people’s lived experiences. And that, in turn, can change the world.