Entertainment

Patricia Cardoso’s Status As the First Latina in the National Film Registry Is a Bittersweet Achievement for the Entertainment Industry

Many young girls, especially Latinas, have a vivid memory of where they were and what they were doing the first time they saw the film “Real Women Have Curves” on their television screens. The 2002 dramedy film centers around Ana García, an 18-year-old Mexican-American girl living in East Los Angeles who struggles to follow her dreams in the face of the economic uncertainty.

The film touches on hot-button issues like body image, discrimination, mother-daughter relationships, emotional abuse, and sexual liberation. For many Latinas who grew up watching a predominantly white media landscape, seeing America Ferrera in “Real Women Have Curves” was the first time they saw a character like themselves being reflected back to them on their TV screens.

In December, the Library of Congress announced that the movie was being added to the United States National Film Registry for its status as a “culturally, historically, or aesthetically significant” motion picture. 

The movie’s addition is notable because it marks the first time a Latina director, Patricia Cardoso, has been added to the archive since its creation in 1988. “The film is a remarkable snapshot of the community and working toward getting ahead as part of the American Dream,” said Steve Leggett, liaison specialist and program coordinator with the Library of Congress. “Plus, the talent and personality of America Ferrera in this film is irresistible and impossible to resist.”

At the Library of Congress’ announcement, Cardoso spoke on the bittersweet nature of her addition to this exclusive group of filmmakers. “I am thankful, it’s an honor and I don’t take it for granted. For me, being one of the first Latinx woman directors is very important,” Cardoso said. “But I would wish I wasn’t the first one. I wish there were many, many more before me and certainly hope there are many more coming behind me.” 

“Curves” has long garnered both popular and critical acclaim, winning the Sundance Film Festival Audience Award when it premiered in 2002 and subsequently being voted “one of the most influential movies of the 2000s” by Entertainment Weekly.

The movie was notable for how it broke many of the traditional Hollywood conventions that the industry had, for years, relied on to tell stories. The film’s protagonist was not a white man, she wasn’t conventionally beautiful by societal standards, and she didn’t live a glamorous or exciting life. 

“Curves” was celebrated for its accurate illustration of the complexities of mother-daughter relationships–especially involving teenage girls. It’s layered and affectionate depiction of East Los Angeles–and especially the Chicano community–was a spectacle audiences had never seen before.

In an industry in which women make up only 4 percent of directors are women, less than 1 percent of which are Latinas, Cardoso remains one of the few Latina filmmakers that have been recognized by mainstream critics. 

America Ferrera took to Instagram to explain the impact of the movie not only on her life, but the lives of countless other Latinos.  “I was 17 years old when this once-in-a-lifetime opportunity came. This movie gave me a chance and gave me a career,” she said in an emotional Instagram post. “Because Latinos in this industry are busting their asses to create opportunity for one another, things are beginning to improve slowly, but there are still far too few opportunities for the talent in our community to shine.”

 “Our people deserve opportunities more often than once-in-a-lifetime,” Ferrera continued. “My deepest gratitude to every Latinx creative & executive in this industry busting down doors, and to our allies who understand the value of our stories. Thank you @librarycongress for this acknowledgment of a beautiful film.”

Naturally, fans of the film (many of which are Latina) took to Twitter to express their love of the movie and their gratitude for its recognition.

It’s true that important art doesn’t have to be acknowledged by large institutions to be culturally significant, but nonetheless, it is always satisfying to have one’s work recognized by others.

This Latina explained perfectly why the movie was important to her:

Not only was this movie ground-breaking in its day, but it continues to be today.

This fan couldn’t help but quote one of the movie’s most memorable scenes:

God, we love this part. We’ve all been there before.

This observant movie-goer had an interesting point about the movie’s impact on future filmmakers. 

We can definitely see the similarities between “Curves” and “Lady Bird”, another coming-of-age movie.

This person got candid about how this movie changed her life:

The power of on-screen representation can’t be overstated.

The Best And Worst National Anthem Performances Of All Time

Entertainment

The Best And Worst National Anthem Performances Of All Time

CavBuffaloSoldier /Youtube

Belting out any song in your best voice can be tough stuffings. But when it comes to performing the “Star-Spangled Banner” only singers in a completely different league of their own can actually do the national anthem justice. The songs poetic lyrics are notoriously difficult because of its wide range. So of course, naturally, in the decades of performances in which “Star-Spangled Banner” has been song at sporting events and the like, there have been some mishaps. 

This year, both Shakira and J.Lo are set to perform at the Super Bowl’s halftime show while Demi Lovato will make a career come back by singing the national anthem for millions of viewers. Here’s a look at all of the times singers have rocked and flubbed the national anthem.

That time the Dixie Chicks did a beautiful country rendition of the song.

Fans of the Dixie Chicks fell further in love with the country music stars when they stuck to the original lyrics and sentiment of the song when they performed at Super Bowl XXXVII in 2003. 

When Whitney Houston gave a GOAT performance back in the 90s.

The queen of pop reigned supreme back in the 90s and thanks to her outstanding vocal range she had the full anthem in the bag. During the 1991 Super Bowl XXV,  Houston sang and hit each and every note. Not only that, she recorded the song and released it as a single and when 9/11 happened she re-released the single and gave all of her earnings to charity. 

In 1983, when Marvin Gaye gave the national anthem a whirl and blew our minds.

Twenty years ago, the beloved “Aint No Mountain High Enough” singer took the anthem to the next level. The singer’s  1983 NBA All-Star performance had a traditional MoTown feel and to this day is celebrated. In fact, his rendition was used in a 2008 Nike commercial featuring the 2008 U.S. Olympic basketball team.

When Chloe and Halle gave the classic ballad a twist of their own.

Back in 2017, the sister duo stole breaths at the NFL Draft Kick Off when the two sang “America the Beautiful”.  Beyonce did us a solid by discovering them.

That time Lady Gaga sang the National Anthem in a fire pantsuit. 

https://www.youtube.com/watch?v=oU_UEVp2ynU

Lady Gaga rocked Stadiums at the 2016 Super Bowl. During her performance, the Lady of ladies hit all of her notes and reinvigorated both sides of the crowd. 

That time Fergie went for an eye-popping performance. 

Beloved singer Fergie did a rendition of the “Star Spangled Banner’ in 2018 that was one for the books. The strange performance went haywire when the singer attempted to go for a sultry version of the national anthem that just… did not slay. During her perfroamce, camera panned to find audience members stifling giggles and soon enough an internet meme was born. Poor Fergie.

When Roseanne Barr gave us a peek into just how problematic she was.

Back in 1990, Barr made an appearance at a Padres game and sang the national anthem. (Still no word on who booked her for this.) Barr’s cringeworthy performance, which was off-key and oddly high pitched, was made worse when fans realized she was attempting to make the patriotic song into a joke. The racist comedian dared to even spit on the pitcher’s mound as she was leaving the field. Yikes. 

When Christina Aguilera forgot the lyrics.

In 2011, Aguilera came out to sing the lyrics to our countries beloved anthem and pretty much bombed. The famous singer had been celebrated for nailing the song hundreds of times. Even when she was kid. Video of the singer proves that she started out of the gate spectacularly but ultimately, things took a turn for the worse when she skipped over lyrics and even began the song again. According to an interview with Aguilera on Elleh, the singer let her get the mood get to her so bad that she forgot most of the lyrics and tried to improve. 

Eminem’s New Song ‘Unaccommodating’ Talks About The Bombing Of Ariana Grande’s Concert And People Are Offended

Entertainment

Eminem’s New Song ‘Unaccommodating’ Talks About The Bombing Of Ariana Grande’s Concert And People Are Offended

eminem / Instagram, arianagrande/ Instagram

Eminem’s new album has been getting a lot of backlash —granted, there’s no surprise there. But there’s one song in particular that has Ariana Grande fans fuming. It looks like the real Slim Shady referenced the 2017 bombing that took place during an Ariana Grande concert in one of his songs, and Arianators are not having it. 

Eminem’s new album, which dropped Friday, includes the track “Unaccommodating.”

The song contains the lyrics: “But I’m contemplating yelling ‘bombs away’ on the game/Like I’m outside of an Ariana Grande concert waiting.” Fans are steaming mad over the lyrics, which they say, make light of the Manchester Arena bombing. The 2017 terror attack killed 23 people, and happened during one of the “thank u, next” singer’s concerts.

To make things worse, the song samples an explosion sound effect, which many are calling disrespectful.

The 47-year-old raps the line against a backdrop of an explosion sound effect, and Twitter users were quick to express their disapproval. “Eminem really mocked the Manchester bombing on his new album? Does he not realize that kids and teenagers lost their lives that night?,” wrote one user. 

Others think he should stop making music altogether…

Real talk, Eminem is such a piece of trash for making a punchline out of the 22 people who died in the Manchester attack,” one person wrote on Twitter. 

The BBC reports that Manchester Mayor Andy Burnham is among those who are unhappy with Eminem’s lyrics.

In a statement, the mayor further explained: “This is unnecessarily hurtful and deeply disrespectful to the families and all those affected.”

Figen Murray, whose son Martyn Hett died in the attack, also voiced her disapproval.

“Feels like he is piggybacking on the fame of Ariana Grande and Justin Bieber and says distasteful things about other celebrities,” she wrote on Twitter after being informed of the two songs on Friday, “Not clever. Totally pointless. And before all Eminem fans pounce on me, I am not interested and will not engage.”

Murray has campaigned for the introduction of Martyn’s Law, which would require venues to introduce more stringent security checks. She later deleted the tweet after receiving backlash.

“Unaccommodating” is a song off of Eminem’s new album, Music To Be Murdered by. 

Fans of the rapper have taken to social media to defend him, with some pointing out that the entirety of his album is actually about gun violence and mental health. Others reminded Eminem’s critics that the rapper helped raise money at the time of the Manchester attack in order to support the victims and their families.

Eminem previously pledged his support to victims of the bombing in 2017.

The rapper urged fans to donate money to families who had been affected.

This is not the first time the 47-year-old has referenced the attack in song.

In a 2018 freestyle, he rapped about a brainwashed suicide bomber “seeing Ariana Grande sing her last song of the evening/And as the audience from the damn concert is leaving/Detonates the device strapped to his abdominal region.”

In a contrast to the Manchester Arena lyric, the album’s lead single, Darkness, advocates tighter gun control laws in the US.

The song and video reference the 2017 Route 91 Harvest music festival shooting in Las Vegas, in which 58 people died, with Eminem playing the role of an isolated, mentally-disturbed character who plots a murderous rampage to gain notoriety. The video ends with a montage of news reports from recent mass shootings, captioned: “When will it end? When enough people care.”

Eminem then urges fans to register to vote in the upcoming US elections, writing: “Make your voice heard and help change gun laws in America”.

The video also links to a website with information and links to various anti-gun violence organisations including Everytown For Gun Safety, March For Our Lives and Sandy Hook Promise. It’s not the first time the rapper has addressed the issue. Performing at last year’s iHeartRadio music awards, he delivered a verse attacking the National Rifle Association’s hold over politicians, rapping: “They love their guns more than our children.”