Entertainment

Patricia Cardoso’s Status As the First Latina in the National Film Registry Is a Bittersweet Achievement for the Entertainment Industry

Many young girls, especially Latinas, have a vivid memory of where they were and what they were doing the first time they saw the film “Real Women Have Curves” on their television screens. The 2002 dramedy film centers around Ana García, an 18-year-old Mexican-American girl living in East Los Angeles who struggles to follow her dreams in the face of the economic uncertainty.

The film touches on hot-button issues like body image, discrimination, mother-daughter relationships, emotional abuse, and sexual liberation. For many Latinas who grew up watching a predominantly white media landscape, seeing America Ferrera in “Real Women Have Curves” was the first time they saw a character like themselves being reflected back to them on their TV screens.

In December, the Library of Congress announced that the movie was being added to the United States National Film Registry for its status as a “culturally, historically, or aesthetically significant” motion picture. 

The movie’s addition is notable because it marks the first time a Latina director, Patricia Cardoso, has been added to the archive since its creation in 1988. “The film is a remarkable snapshot of the community and working toward getting ahead as part of the American Dream,” said Steve Leggett, liaison specialist and program coordinator with the Library of Congress. “Plus, the talent and personality of America Ferrera in this film is irresistible and impossible to resist.”

At the Library of Congress’ announcement, Cardoso spoke on the bittersweet nature of her addition to this exclusive group of filmmakers. “I am thankful, it’s an honor and I don’t take it for granted. For me, being one of the first Latinx woman directors is very important,” Cardoso said. “But I would wish I wasn’t the first one. I wish there were many, many more before me and certainly hope there are many more coming behind me.” 

“Curves” has long garnered both popular and critical acclaim, winning the Sundance Film Festival Audience Award when it premiered in 2002 and subsequently being voted “one of the most influential movies of the 2000s” by Entertainment Weekly.

The movie was notable for how it broke many of the traditional Hollywood conventions that the industry had, for years, relied on to tell stories. The film’s protagonist was not a white man, she wasn’t conventionally beautiful by societal standards, and she didn’t live a glamorous or exciting life. 

“Curves” was celebrated for its accurate illustration of the complexities of mother-daughter relationships–especially involving teenage girls. It’s layered and affectionate depiction of East Los Angeles–and especially the Chicano community–was a spectacle audiences had never seen before.

In an industry in which women make up only 4 percent of directors are women, less than 1 percent of which are Latinas, Cardoso remains one of the few Latina filmmakers that have been recognized by mainstream critics. 

America Ferrera took to Instagram to explain the impact of the movie not only on her life, but the lives of countless other Latinos.  “I was 17 years old when this once-in-a-lifetime opportunity came. This movie gave me a chance and gave me a career,” she said in an emotional Instagram post. “Because Latinos in this industry are busting their asses to create opportunity for one another, things are beginning to improve slowly, but there are still far too few opportunities for the talent in our community to shine.”

 “Our people deserve opportunities more often than once-in-a-lifetime,” Ferrera continued. “My deepest gratitude to every Latinx creative & executive in this industry busting down doors, and to our allies who understand the value of our stories. Thank you @librarycongress for this acknowledgment of a beautiful film.”

Naturally, fans of the film (many of which are Latina) took to Twitter to express their love of the movie and their gratitude for its recognition.

It’s true that important art doesn’t have to be acknowledged by large institutions to be culturally significant, but nonetheless, it is always satisfying to have one’s work recognized by others.

This Latina explained perfectly why the movie was important to her:

Not only was this movie ground-breaking in its day, but it continues to be today.

This fan couldn’t help but quote one of the movie’s most memorable scenes:

God, we love this part. We’ve all been there before.

This observant movie-goer had an interesting point about the movie’s impact on future filmmakers. 

We can definitely see the similarities between “Curves” and “Lady Bird”, another coming-of-age movie.

This person got candid about how this movie changed her life:

The power of on-screen representation can’t be overstated.

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All The Fun Streams Available On Netflix Starting In April

Entertainment

All The Fun Streams Available On Netflix Starting In April

Netflix

Spring is officially here and sweeping in with a new bundle of shows and films to binge and watch on Netflix. From the much-anticipated adaptation of Leigh Bardugo’s Shadow and Bone series to a new David Attenborough docuseries, there are tons of shows to look forward to watching this April.

That’s right, spring into action gang, this April has a world of great streams!

April 1

  • 2012
  • Cop Out
  • Friends with Benefits
  • Insidious
  • Legally Blonde
  • Leprechaun
  • Magical Andes: Season 2
  • The Pianist
  • The Possession
  • Prank Encounters: Season 2
  • Secrets of Great British Castles: Season 1
  • Tersanjung the Movie
  • The Time Traveler’s Wife
  • Tyler Perry’s Madea’s Big Happy Family
  • White Boy
  • Worn Stories
  • Yes Man

April 2

  • Concrete Cowboy
  • Just Say Yes
  • Madame Claude
  • The Serpent
  • Sky High

April 3

  • Escape from Planet Earth

April 4

  • What Lies Below

April 5

  • Coded Bias
  • Family Reunion: Part 3

April 6

  • The Last Kids on Earth: Happy Apocalypse to You

April 7

  • The Big Day: Collection 2
  • Dolly Parton: A MusiCares Tribute
  • Snabba Cash
  • This Is A Robbery: The World’s Biggest Art Heist
  • The Wedding Coach

April 8

  • The Way of the Househusband

April 9

  • Have You Ever Seen Fireflies?
  • Night in Paradise
  • Thunder Force

April 10

  • The Stand-In

April 11

  • Diana: The Interview that Shook the World

April 12

  • New Gods: Nezha Reborn
  • Nicky, Ricky, Dicky & Dawn: Seasons 1-4

April 13

  • The Baker and the Beauty: Season 1
  • Mighty Express: Season 3
  • My Love: Six Stories of True Love

April 14

  • Dad Stop Embarrassing Me!
  • The Circle: Season 2
  • Law School
  • The Soul
  • Why Did You Kill Me?

April 15

  • Dark City Beneath the Beat
  • The Master
  • Ride or Die

April 16

  • Arlo the Alligator Boy
  • Ajeeb Daastaans
  • Barbie & Chelsea The Lost Birthday
  • Crimson Peak
  • Fast & Furious Spy Racers: Season 4: Mexico
  • Into the Beat
  • Rush
  • Synchronic
  • Why Are You Like This
  • The Zookeeper’s Wife

April 18

  • Luis Miguel – The Series: Season 2

April 19

  • Miss Sloane
  • PJ Masks: Season 3

April 20

  • Izzy’s Koala World: Season 2

April 21

  • Zero

April 22

  • Life in Color with David Attenborough
  • Stowaway

April 23

  • Heroes: Silence and Rock & Roll
  • Shadow and Bone
  • Tell Me When

April 27

  • August: Osage County
  • Battle of Los Angeles
  • Fatma
  • Go! Go! Cory Carson: Season 4

April 28

  • Sexify
  • Headspace Guide to Sleep

April 29

  • Things Heard & Seen
  • Yasuke

April 30

  • The Innocent
  • The Mitchells vs. The Machines
  • Pet Stars
  • The Unremarkable Juanquini: Season 2

Leaving Netflix in April

April 2

  • Honey: Rise Up and Dance

April 4

  • Backfire

April 11

  • Time Trap

April 12

  • Married at First Sight: Season 9
  • Surviving R. Kelly Part II: The Reckoning: Season 1

April 13

  • Antidote

April 14

  • Eddie Murphy: Delirious
  • The New Romantic
  • Once Upon a Time in London
  • Thor: Tales of Asgard

April 15

  • Cirque du Freak: The Vampire’s Assistant

April 19

  • Carol
  • The Vatican Tapes

April 20

  • The Last Resort

April 21

  • The Great British Baking Show: Masterclass: Seasons 1-3

April 22

  • Liv and Maddie: Seasons 1-4

April 23

  • Mirror Mirror

April 24

  • Django Unchained

April 26

  • The Sapphires

April 27

  • Ghost Rider (2007)

April 27

  • The Car
  • Doom

April 28

  • Paul Blart: Mall Cop

April 30

  • 17 Again
  • Blackfish
  • Can’t Hardly Wait
  • Den of Thieves
  • How to Be a Latin Lover
  • I Am Legend
  • Jumping the Broom
  • Kingdom: Seasons 1-3
  • Knock Knock
  • Palm Trees in the Snow
  • Platoon
  • Runaway Bride
  • Snowpiercer
  • The Green Hornet
  • The Indian in the Cupboard
  • Waiting

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A ‘Father Of The Bride’ Sequel Is Officially Coming— And It’s Going To Be Super Cuban-American!

Entertainment

A ‘Father Of The Bride’ Sequel Is Officially Coming— And It’s Going To Be Super Cuban-American!

Metro-Goldwyn-Mayer

Break out the tres leches! It’s gonna be a wedding of “epic proportions!” Cuban-style!

That’s right, the beloved 1991 film Father of the Bride is getting a remake. This time, the film will star 64-year-old actor Andy Garcia, the patriarch of a Cuban American family, struggling to see his daughter walk down the aisle.

Garcia will star in and executive produce the upcoming Warner Bros. remake of Father of the Bride, a story that will follow a Cuban American family.

According to The Hollywood Reporter, Brad Pitt‘s production company, Plan B will produce the remake with Gaz Alazraki, director of Club de Cuervos, set to helm.

“I’m very excited to join The Father of the Bride, a beloved film that has brought so much joy to so many over the years and to represent my Cuban culture and heritage in this story,” Garcia explained in a statement published by THR. “I commend Warner Brothers for their foresight and celebrate this opportunity they have created.” 

Garcia’s remake is the latest in the franchise, which first came out in 1950 and starred actor Spencer Tracey and Elizabeth Taylor.

Metro-Goldwyn-Mayer

The first film inspired a sequel, also starring Tracey and Taylor, called Father’s Little Dividend. The film was remade forty-years later with Steve Martin and Diane Keaton in the 1991 version. Garcia’s upcoming take will focus on a similar storyline. According to THR, “the latest remake will center on the father of a soon-to-be bride coming to terms with daughters’ nuptials. But the latest take will be told through the relationships in a big, sprawling Cuban-American family.”

The 1991 cast of the film reunited in September for a Netflix special. 

father of the bride
BUENA VISTA PICTURES

The feature filmed memorable moments from the Nancy Meyers film and its 1995 sequel Father of the Bride II and showed “the Banks family’s” home in 2020. The reunion was produced to honor the World Central Kitchen amid the pandemic.

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