Entertainment

RIP That Time Disney Tried To Trademark Día de los Muertos

Since Disney Plus launched on November 12, people have been swept up in all the family-friendly chaos, indulging in a long list of classic Disney favorites. While the streaming service also plans to offer new original content, the company is definitely taking advantage of our generation’s lust for nostalgia, providing exclusive access to the Star Wars, Marvel, Pixar, and National Geographic franchises (and reminding us how much Disney dominated our youth with films like The Lion King, The Cheetah Girls, and Gotta Kick It Up). Honestly, the list of iconic feel-good films is outrageously long, and it’s easy to understand why everyone’s so excited.

But it’s no secret that Disney’s wholesome image has been blemished by a long, varied history of controversy and criticism. While Disney has been accused of sexism and plagiarism numerous times, one of the most notable topics of discussion in recent years has been the company’s tendency to racially stereotype its characters, a propensity that is  especially notable in early Disney films (though many scholars and film critics argue that this has carried into the 21st century, despite Disney’s attempts to be more culturally sensitive).

On many occasions, Disney has acknowledged the racist nature of its older animated films, like Dumbo, The Jungle Book, and The Aristocats. In the descriptions for several programs on Disney Plus, there is a brief warning about the “outdated cultural stereotypes” contained within each film, and while several people view this disclaimer as a sign of progress, Disney has been criticized for making a bare minimum effort toward addressing the problematic elements of its past.

And speaking of the company’s past, how could we forget the time that Disney tried to trademark the term “Día de los Muertos” / “Day of the Dead”?

Credit: Pinterest / The Walt Disney Company

Back in 2013, Disney approached the US Patent and Trademark Office with a request to secure “Día de los Muertos” / “Day of the Dead” across many different platforms. At the time, an upcoming Pixar movie with a Día de los Muertos theme (read: the early stirrings of Coco) was in the works, and Disney wanted to print the phrase on a wide range of products, from fruit snacks to toys to cosmetics. Por supuesto, Disney received major backlash for trying to trademark the name of a holiday—what is more culturally appropriative than claiming ownership over an entire celebration? Especially one with indigenous roots?

“The trademark intended to protect any potential title of the movie or related activity,” a spokeswoman for Disney told CNNMexico at the time. “Since then, it has been determined that the title of the film will change, and therefore we are withdrawing our application for trademark registration.”

But prior to withdrawing their application, Disney received extensive backlash from the Latnix community. Latinos all over social media expressed their disdain for Disney’s bold and offensive attempt to take ownership of the holiday’s name, even starting a petition on Change.org to halt the whole process. Within just a few days, the petition had garnered 21,000 signatures.

Although Disney didn’t acknowledge whether the online uproar had influenced them to retract their trademark request, they were clearly paying attention. Lalo Alcaraz, a Mexican-American editorial cartoonist, had expressed open disdain at what he called Disney’s “blunder,” creating “Muerto Mouse”—a cartoon criticizing said blunder—in response.

Credit: Lalo Alcaraz / Pocho.com

This wasn’t the first time Alcaraz had criticized Disney with his cartoons. After the trademark fiasco, Disney definitely caught wind of Alcaraz’s position, and in an effort to approach the upcoming Día de los Muertos movie with sensitivity, the company hired him to work as a cultural consultant on the film.

Although several folks celebrated this development, Alcaraz was widely denounced for collaborating with Disney—many people called him a “vendido,” accusing him of hypocritically selling out to the gringo-run monolith against which he had previously spoken out. But Alcaraz stood his ground, confident that his perspective would lend valuable influence to the movie and ultimately prevent Pixar from doing the Latinx community a disservice.

“Instead of suing me, I got Pixar to give me money to help them and do this project right,” Alcaraz said. “I was let down because I was hoping people would give me a little bit of credit for the stuff I’ve done; to give me the benefit of the doubt.”

And, sin duda, Coco emerged as one of the most culturally accurate films that Disney has ever produced. Employing an almost exclusively Latino cast and crew, Coco seamlessly captured the beauty, magic, and wonder of Día de los Muertos, depicting the holiday with reverence and respect. And after becoming the top-grossing film of all time in Mexico, it’s safe to say that Coco helped Disney bounce back from its trademark mishap, even if more controversy is bound to emerge in the future.

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Um Hi, Armie Hammer Dropped Out Of A JLO Movie After Leaked Texts Claimed He’s Into Being A Cannibal And Is 2021 Over Yet?

Entertainment

Um Hi, Armie Hammer Dropped Out Of A JLO Movie After Leaked Texts Claimed He’s Into Being A Cannibal And Is 2021 Over Yet?

Gregg DeGuire / Getty, Taylor Hill / Getty

Yes, welcome to 2021. A year whose heels only just hit the ground when Republican extremists terrorized the Capitol building leading to Donald Trump’s impeachment… And oh yeah saw actor Armie Hammer being accused of liking cannibalism. Yes, we said it cannibalism, ya know, an appetite for eating your own kind?

Gossip surrounding the Call Me By Your Name actor and his sex life has become so salacious that the actor announced that he was stepping back from an upcoming movie with Jennifer Lopez.

Armie Hammer announced this week that he will no longer star in the upcoming movie, Shotgun Wedding alongside Jennifer Lopez.

The brewing scandal involving Hammer includes alleged leaked messages related to his sex life.

The leaked messages alleged that Hammer has a thing for fantasies related to rape and cannibalism and was leaked by an anonymous social media account user with the name House of Effie. According to the account, Hammer told a woman that he was “100 percent a cannibal.” Another message suggested that Hammer liked the taste of blood.

“I’m not responding to these bulls–t claims but in light of the vicious and spurious online attacks against me, I cannot in good conscience now leave my children for four months to shoot a film in the Dominican Republic,” Hammer said in a statement to Page Six. “Lionsgate is supporting me in this and I’m grateful to them for that.”

Still, the show will go on for Lopez who will star in the film being directed by “Pitch Perfect” director Jason Moore.

The film will be distributed in the US by Lionsgate and will stream internationally on Amazon Prime. According to Deadline, Shotgun Wedding was meant to see Lopez and Hammer “play a couple who gather their lovable but very opinionated families for the ultimate destination wedding just as they begin to get cold feet about their relationship. If that wasn’t enough of a threat to the celebration, suddenly everyone’s lives are in danger when the entire party is taken, hostage.”

Despite the unconfirmed gossip around him, Hammer still has upcoming projects. These include the thriller, “The Billion Dollar Spy,” and a sequel to the 2017 hit “Call Me By Your Name” in which he played Oliver, a handsome doctoral student.

Its not the first time gossip around Hammer’s love life has caused a stir. In a 2013, Playboy interview Hammer described himself as a “dominant lover” and enjoyed “grabbing women by the neck and hair.”

He later told E! News of the candid Playboy interview, “Don’t drink during an interview.”

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Issa Rae Has Been Appointed To Serve On Television Academy’s Executive Committee

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Issa Rae Has Been Appointed To Serve On Television Academy’s Executive Committee

Frazer Harrison / Getty

Throughout her career as an actress and producer, Issa Rae has established herself as a woman with great entrepreneurial mindsets. Focused on telling stories about real women Rae has garnered attention for her YouTube web series “Awkward Black Girl” and contributed to the expansion of content created by people of color. Because of her, the television sphere has become a whole heck of a lot more colorful and no doubt more WOC are receiving more approval and acclaim for their work.

Her HBO television series “Insecure” has been nominated for multiple Golden Globes Awards and Primetime Emmy Awards and in 2015 her memoir, The Misadventures of Awkward Black Girl became a New York Times best-seller. Now, Rae is bringing her experience and viewpoint to the Television Academy.

Recently, The Television Academy revealed that Rae is now a member of the Executive Committee.

Her appointment to the Television Academy comes at a time when the organization is refocusing its attention on increasing diversity in the entertainment industry. While an increase in representation of actors of color has occurred in recent years, diversity among television executives has remained lackluster. In 20202, UCLA’s Hollywood Diversity Report revealed that “women hold only 32.0% of studio chair and CEO jobs; minorities just 8.0%.”

In a statement about her new role the Academy explained “We are thrilled to be able to leverage the collective expertise of this talented group of Television innovators as we navigate this extraordinary time in the history of our industry… Their leadership provides invaluable insight that will allow the Academy to play an integral role in shaping the evolution of the medium.”

Award-winning writer, producer, director, and actress Gloria Calderón Kellett also joins the ranks of Television Academy executives.

Calderón Kellett is an award-winning writer, producer, director, and actress who served as the executive producer, co-creator, co-showrunner, director and actress on the sitcom “One Day at a Time.” According to the Emmy website, Calderón Kellett “spent her early years as a writer/producer on numerous shows including Devious Maids, Rules of Engagement, and How I Met Your Mother; has directed episodes of Mr. Iglesias, Merry Happy Whatever, United We Fall, and the Mad About You revival; and recently sold her first feature film, We Were There Too.”

News of Rae’s new role as an executive is proving to be just another milestone of accomplishment for the actress. In October, Rae revealed that she was launching a new production company called Hoorae.

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