Meet DannyLux: The Chicano Teen Giving Corridos A Beatles-Esque Update

As corridos are making a comeback, Mexican-American singer DannyLux is reinventing them with a Beatles-influenced twist. Inspired by the classic rock group from the ’60s and ’70s, his atmospheric corridos are something to behold. Today, the teen released a new collection of songs in his Love</3 EP. In an interview with Latido Music, DannyLux talks about his breakthrough on TikTok, working with Chicano act Eslabón Armado, and the future of corridos.

DannyLux’s first guitar was picked up from the trash.

DannyLux plays the guitar in all his songs. The Palm Springs native was put on the path of music thanks to his dad’s job. When he was a kid, his dad drove garbage trucks and would often take some good finds home. One of those finds would be DannyLux’s first guitar.

“One day [my dad] got like an old guitar and he found it and brought it to me,” DannyLux tells mitú. “He showed me the guitar and I was just like star-struck with the guitar.”

DannyLux’s corridos are inspired by classic rock bands like The Eagles.

DannyLux learned to play guitar with a local church choir. When he was growing up, his dad would listen to classic rock bands like The Eagles. “I feel like that kind of inspired my own style mixed with what’s hitting right now: corridos,” DannyLux says. In the past few years, the Gen-Z generation has revived the corrido. Acts like Natanael Cano, Ivonne Galaz, T3R Elemento, and Eslabón Armado all have refreshed the genre.

“I always wanted to start something new, like a new wave,” DannyLux says. “I don’t want to keep doing what everyone’s already doing. I like it when there’s like uniqueness to somebody. I don’t want to sound like anybody else.”

DannyLux received his first big break through TikTok.

Like today’s teens, the 17-year-old singer started out by performing his music on TikTok.

“People have really been supportive of my music,” DannyLux says. “I haven’t gotten as much hate as I thought.” One of those people is Pedro Tovar, the singer from Eslabón Armado. DannyLux big breakthrough came last year when he featured on the group’s “Jugaste y Sufrí.” It turns out that was a DannyLux composition.

“Pedro found me through TikTok,” DannyLux says. “I covered one of his songs. Randomly he texted me one day if I wanted to be on his next album. I was so excited. I was so happy that day. We went on a Facetime call and I showed him some of the songs that I had written. I show him the one that we did and he liked it. Like I just finished it that night and we recorded it at a studio.”

DannyLux’s Love</3 EP has all the feels.

DannyLux released his debut album Falsos Sentimientos in January. He continues to flex his rock corrido sound with a bit more romance in the Love</3 EP. That’s best encompassed with the breezy lead single “Mi Otra Mitad.”

“On the cover art it says ‘Love,’ but in the reflection of water, there’s a broken heart,” DannyLux says. “That’s basically like two sides of love. There’s a good side and a heartbroken side.”

The Beatles influence is strong in “Tristeza y Traicion.”

A stunner on the EP is “Tristeza y Traicion.” This one definitely falls under the heartbroken category. The song opens with a Beatles-like intro before Danny riffs off into corridos with his guitar.

“When I was little, my favorite band actually was the Beatles,” DannyLux says. “The first song I would ever sing in front of people was ‘Let it Be.’ I think the Beatles really inspired my music too. Their style, I just like adapted some stuff.”

DannyLux’s corridos are a vibe and the future of the genre.

There are corridos verdes. There’s corridos tumbados. Now with DannyLux, there are alternative corridos. He’s hoping to change the face of his genre with his psychedelic spin. The reggae-influenced “Nuestro Pasado” is another beautiful example of the risks that he’s taking with corridos.

“When people think of corridos, people automatically think of people talking about drugs in their songs,” DannyLux says. “With my music, I feel like it’s just calmer. You can listen to it and just like be vibing to it. Even if it’s my sad songs, you can still be vibing to those.”

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Read: Mexican Singer Ivonne Galaz is the First Woman to Release a Major Corridos Tumbados Album

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C. Tangana Goes Corrido with Carin León in “Cambia!”


C. Tangana Goes Corrido with Carin León in “Cambia!”


Spanish rapper C. Tangana went full pop star on his new album El Madrileño with the help of today’s Latin music superstars. The standout among the collaborations-loaded LP is his corrido “Cambia!” with rising regional Mexican music artists Carin León and Adriel Favela.

C. Tangana rounded up the best Latin music acts for El Madrileño.

To break out of his European bubble, C. Tangana enlisted Latino legends like José Feliciano, Jorge Drexler, and Andrés Calmaro as featured artists on El Madrileño. He also used this album as a platform to highlight the up-and-coming Latin acts like León and Favela.

“Cambia!” is a show-stopping corrido.

“Cambia!” was written by C. Tangana, León, Favela, and his longtime producer Alizzz. León is most known for his Sierreño cover of “,” one of the most played regional Mexican music songs on Spotify last year. Favela came up through the corridos tumbados record label Rancho Humilde.

It’s a majestic journey of emotions for C. Tangana as he enters the world of the Mexican corrido with León and Favela. A cute moment on “Cambia!” is when the Spanish artist lets out a little grito of his own. León’s grito roars right behind his. His collaborators refer to him by his nickname “Puchito.” C. Tangana rolls with the punches in this powerful, Euro-pop corrido.

Every song on El Madrileño was released with a visual. The video for “Cambia!” features people being driven around Madrid in a taxi. Among the folks are a few children and a drag performer who changes into their dress in the backseat.

Other rising stars who C. Tangana worked with on El Madrileño are Mexican folk singer Ed Maverick and Chicano pop star Omar Apollo. He has four Latin Grammys to his name for co-writing Rosalía’s El Mal Querer album with her.

Read: The Rosalía And Billie Eilish Collab Is Here And You’ll Want To Hear It

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Bad Bunny Goes Norteño: The Latin Trap Icon Joined Corrido Star Natanael Cano To Create The Wildest Mashup


Bad Bunny Goes Norteño: The Latin Trap Icon Joined Corrido Star Natanael Cano To Create The Wildest Mashup

Nataneal_cano / Instagram

Corrido is going from old-school abuelo music to a more urbano and trap-infused genre lately. The classic regional Mexican sound, known for its narrative folk ballads, is slowly but surely joining in on the ‘música urbana’ movement that has the whole world listening. And with Bad Bunny injecting his hip-hop and trap flair into the genre, we can confirm that corridos tumbados, are officially the new thing. 

After visiting Mexico for a run of tour dates in support of his latest album X 100Pre, Bad Bunny surprised us all with a unique project: a corrido. 

Credit: badbunnypr / Instagram

In his latest release, the trap-reggaeton star tapped the urban regional Mexican label, Rancho Humilde, for a collaboration that would bridge the gap between regional Mexican music and Puerto Rican música urbana —and surprise us all with the result. El Conejo Malo got in touch  with the urban corrido, or corrido tumbado artist, Natanael Cano.

Natanael Cano is part of a new school of Corrido, the ‘Corrido Tumbado’ which adds trap and urban influences to the classic genre.

Credit: natanael_cano / Instagram

Cano is part of a burgeoning movement of Mexican artists making trap corridos (or “corridos tumbados”) that incorporate hip-hop elements into the traditional corrido style. At just 18, Cano has turned into an internet sensation. His viral hits “El F1” and “El Drip” have more than 17 million views on Youtube. And his song “El de la Codeína” made it to #1 on Apple Music’s Latino chart.

With the remix to ‘Soy El Diablo’ Bad Bunny wants to promote unity among all Latinx communities.

Credit: natanael_cano / Instagram

Bad Bunny and Natanel Cano emerged with a remix of Cano’s gritty 2019 track, “Soy El Diablo” (“I Am the Devil”). Taking cues from the Sonora native, Bunny sings Cano’s lines in his unmistakably Caribbean accent, over strums of acoustic guitar.

“Para mi gente linda de Mexico, Puerto Rico, Latinoamerica/Eso es pa’ toda mi raza/ America es nuestra casa,” says one of Bad Bunny’s lines —using the song as a platform to promote unity among all Latinx communities. “This is for my beautiful people in Mexico, Puerto Rico, Latin America/This is for my race/America is our home!”

Bad Bunny had been teasing the collab for a few weeks.

The unlikely pair dropped the first official urbano/corrido collab in October, weeks after teasing at it with Benito posting videos of himself on Instagram singing along to the song and drinking tequila from the bottle. “It’s something I never imagined. Like, zero percent,” Cano said in an interview about the remix. But the Mexican artist is acutely aware of the important place that Latin urbano sounds hold in the global musical landscape of the moment. “We’re the new generation [of regional], and we have that other sound naturally inside of us. It’s organic.”

In the song Bad Bunny even uses regional Mexican slang and references.

The corrido opens with Bad Bunny’s “Ajuaaaa.” His delivery, and even his slang —which include shout outs to Canelo Álvarez and Rancho Humilde and words like “compa,” and “banda” are typical of the regional genre to refer to the people— show the importance that Benito gave this remix.

The collab was first suggested to both parties by Marissa Gastelum, who runs Latin artist relations at Apple Music.

Credit: ranchohumilde/ Instagram

“In September, Noah [Assad, Bad Bunny’s manager] called me and asked me what I thought of this kid,” recalls Gastelum in an interview with Billboard. “He told me Bad Bunny really loves this song ‘Soy El Diablo.’ And I said, wait, lets do something!”

Gastelum called Jimmy Humilde, the owner of indie Rancho Humilde  Records, to which Cano is signed. Humilde, who has worked to create an “urban regional” sound that appeals to a younger generation of regional Mexican fans, thought it was a great idea, and so the regional/urban remix was born.

Bad Bunny chased his tequila-fueled release with a string of New England tour dates — and a stint as guest lecturer at Harvard University. If we can count on Benito to do one thing, it’s to inject his cool-effect on anything he touches. 

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