Entertainment

J.Lo Speaks Up About The Super Bowl Halftime Show And How She Wants Girls To Raise Their Voices

The J.Lo and Shakira halftime show at Super Bowl LIV was electric, powerful, empowering, and contagious. The two Latina performers gave Super Bowl viewers and audience the show of a lifetime. Latin pride was at the forefront of this year’s halftime show and there was also a strong political message because Latinos live in terrifying times.

J.Lo and Shakira used part of their halftime show to give a voice to the voiceless in the Latino and immigrant communities.

During J.Lo’s performance, her daughter Emme started “Let’s Get Loud” and the imagery struck a nerve with some viewers. Litter in front of the stage were children in orbed cages. Many have speculated that the children are a nod at the Trump administration’s immigration policies that forced children into cages and separated families.

The mother and daughter duo then covered “Born In The USA” by Bruce Springsteen and J.Lo flashed a Puerto Rican flag.

The Puerto Rican people, who are Americans, have been let down by the current administration as they try to recover from Hurricane Maria. Now, the island is recovering from devastating earthquakes. The Trump administration has actively cut funding to Medicaid in Puerto Rico as more and more people are reliant on the assistance.

J.Lo shared a video on Instagram right before the performance and included a rallying call to all Latinas and young girls around the world.

The global pop star wanted to use her performance at Super Bowl LIV performance to give people a chance to raise their voices. In a time where children are in cages, women are losing healthcare rights, and vulnerable communities are under attack around the world, these moments matter.

The Super Bowl LIV halftime show’s message is resonating far and wide.

The image of Emme “locked” in a cage while singing “Let’s Get Loud” caught everyone’s attention. Her voice, accompanied by a choir of children behind her, gave viewers a striking visual of children in cages.

Some pointed to other elements of the performance that referenced the administration’s treatment of migrants.

Credit: @HelloOElaine / Twitter

There were so many elements of the half time show that people pointed to as reminiscent of the policies devastating migrant families. The lights behind the performers interlocked in the pattern of a chainlink fence we have all seen along the border.

Some people were very much bothered by the strong Latino representation at the Super Bowl.

Pobercitos. Who knew that strong Latinas on stage showing their brown bodies and Latin dancing would trigger them?

Some people are showing the double standard that exists among performers at the Super Bowl.

Women, especially Black and brown women, are often treated to this double standard. Somehow, dancing as a brown or Black woman is overly sexual when white men are not subjected to the same scrutiny.

To top it off, let’s not forget that the Super Bowl was in Miami, a Latino enclave and the halftime performance was representative of that culture.

Credit: @ExtraLars / Twitter

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Run Away From That Toxic Relationship with Dalex’s New Single “Feeling”

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Run Away From That Toxic Relationship with Dalex’s New Single “Feeling”

Rich Music/Nevarez PR

Puerto Rican singer Dalex is back to his Latin R&B roots with “Feeling“, which is about leaving behind that relationship that made you question everything, including changing who you are to please the other person.

Produced by Dimelo Flow, “Feeling” not only does it get deep about leaving behind what no longer serves you, but it is also packed with punchlines like “Te olvide como El Chavo, sin querer queriendo“.

In our interview for Latido Music by mitú, Dalex talked to us about the feeling he wanted to convey with the song, singing about heartbreak instead of his usual songs that tend to be more intimate.

Watch out interview below:

In “Feeling,” Dalex wants to explore other sounds and try doing a more commercial record that more people can relate to.

The colorful music video was shot in Miami, directed by Adrián Arredondo for Wildhouse Pictures. Dalex and his love interest are seen riding around dirt bikes, which we later found out in the interview was one of his Top 5 Feelings.

Watch the music video below:

Dalex has a busy 2021 ahead, and “Feeling” is the first single from his upcoming album due this year. The Rich Music singer told us that he has a collab with Reggaetón heavy hitters Wisin & Yandel and Zion & Lennox on the way, as well as an American singer which for now he can’t reveal, but we can’t wait to find out.

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Javiera Mena Turns Up the Melodrama in “Dos” Music Video

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Javiera Mena Turns Up the Melodrama in “Dos” Music Video

PHOTO COURTESY OF JAVIERA MENA

Chilean singer-songwriter Javiera Mena is back with her first single of 2021. She is shining in her new music video for “Dos.”

“Dos” is about getting caught up in the feelings of a love triangle.

“Dos” is the newest single from Mena’s upcoming EP. Last year, she previewed the EP with the futuristic “Flashback” and club-ready “Corazón Astral.”

With “Dos,” Mena retains her crown as the Latine queen of synth-pop. Whereas “Flashback” and “Corazón Astral” were more upbeat, she now puts her electronic touch on a heartbreaking ballad. Mena produced the song with Pablo Stipicic and co-wrote it with Marian Ruzzi. “Dos” channels the ’80s pop power ballads and Mena brings on the melodrama. She’s so in love with two and doesn’t know what to do.

“‘Dos’ is a classic ballad with an avant-garde message,” Mena said in a statement. “The song talks about a common topic, triangular relationships but from a different point of view. In this case from a person who is having feelings for two loves and that perhaps both of them fit in his/her heart.”

In the “Dos” music video, Mena sings her heart out.

Despite singing of a love triangle, Mena is all alone in the music video. She plays the piano in an abandoned warehouse. The openly queer icon sings her heart out in the stunning visual.

Mena’s new EP is due out later this spring. “[It’s] a night album with a desire as a common thread,” she adds. “A lot of mystery, sensual dance and above all, a lot of fire. This style of the album is an evolution of who I am: Electro with ballad tints.”

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