Latidomusic

Top 10 All-Women Collaborations in Latin Music

In honor of Women’s History Month, Latido Music has lined up 10 of our favorite all-women collaborations in Latin Music. In no particular order, here’s 10 girl-power anthems that we should be bumping all year long.

“Sin Pijama”

Mexican-American singer Becky G flipped the script on the antiquated idea that two women couldn’t get a hit together when she collaborated with Dominican reggaetonera Natti Natasha. Their fun and flirty music video for “Sin Pijama” has racked up over 1.8 billion on views on YouTube, outpacing some of top reggaetoneros. Following the success of this knockout duo, collaboration among women in Latin music has been on the rise, and we love to see it.

“Tick Tock”

Mexican pop icon Thalía has been one of the top proponents for all-women collaborations. She became the first Mexican female artist to score a billion a views on YouTube with “No Me Acuerdo” featuring Natasha. On 2018’s Valiente album, Thalía also teamed up with Argentine pop princess Lali for “Lindo Pero Bruto.” Last year, Thalía joined forces with her Latin Music Queens co-stars, fellow Mexicana Sofía Reyes and Colombian rapper Farina, for the empowering “Tick Tock.” The trio of women didn’t have time for any foolishness.

“Tusa”

Trini-American superstar Nicki Minaj got all up her in reggaeton gig on Karol G’s “Tusa.” She was even singing a bit in Spanish with the Colombian reggaetonera. Last year, Minaj had everyone, even the guys, singing, “Ahora soy una chica mala.” This was a regal bop fit for two queens and they wore that crown well. The song also garnered Minaj her first Latin Grammy nomination. That’s the power of “La Tusa.”

“No Al Aguacil”

One overlooked all-women collaboration is Mexican goddess Gloria Trevi’s “No Al Aguacil” with fellow Mexicana Paulina Rubio. The song was never released as a single (thought it should’ve been one) and it’s buried in Trevi’s 2011 album Gloria. Very much reflecting the early 2010s, “No Al Aguacil” is an electro-pop moment that these pop icons served with plenty of girl power.

“22”

In 2019, Argentine pop princess Tini came through with one of the best collaborations of the year. For kiss-off anthem “22,” she teamed up with Colombian singer Greeicy. Tini, who was turning 22 at the time, was not going to let any heartbreak rain on her birthday celebrations. Greeicy served as another voice of reason for why crying over that guy would not be worth it. This cumbiatón moment was everything.

“Santería”

Last year, Spanish star Lola Índigo recruited Mexican pop princess Danna Paola and Chilean singer Denise Rosenthal for “Santería.” Each woman adds their own flair and attitude to this bubbling pop cauldron. Like the Charmed sisters, the power of three is real here, and together these women serve a spellbinding collaboration.

“Ladrón”

Argentine pop princess Lali teamed up with Argentina’s top woman in Latin trap, Cazzu, last year. The alluring “Ladrón” was a moment of girl power that highlighted the talent in their country. The two women united in turning the tables on a no-good men. “You wanted to play me… the one that’s playing you is me,” Lali and Cazzu sang together.

“High” Remix

Last year, rising Argentine singer Maria Becerra upped the girl power of her breakthrough hit “High.” For the all-women remix, she teamed up with Índigo and her compatriot Tini. Together, they also upped the angst factor on this mesmerizing, trap-lite bop.  

“La Rueda”

Ivonne Galaz and Natalie López are making way for women in the male-dominated corridos tumbados space. As the two women signed to the Rancho Humilde record label, they teamed up for “La Rueda” on last year’s Corridos Tumbados Vol. 2 album. What a moment to hear two Mexicanas find strength in each other’s stories of overcoming the struggle. Galaz and López tap into an emotion in the genre that the guys can’t touch.

“Modo Turbo”

Three Brazilian queens joined forces for last year’s “Modo Turbo.” Anitta and Luísa Sonza aligned with drag pop superstar Pabllo Vittar. “Fasten your seatbelt / Turbo mode,” Sonza encouraged in Portuguese. They certainly took their fans for a wild ride with this fierce and stellar collaboration.  

Click here for Latido Music, 24/7 Latin music videos & more

Read: Natti Natasha Assembles “Las Nenas” Video with Farina, Cazzu, and La Duraca

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Exclusive: Natti Natasha and Becky G Talk “Sin Pijama” Legacy, Reuniting for “Ram Pam Pam”

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Exclusive: Natti Natasha and Becky G Talk “Sin Pijama” Legacy, Reuniting for “Ram Pam Pam”

ANA KARYNA ARRIECHE

Exactly three years after Natti Natasha and Becky G changed the game in reggaeton with “Sin Pijama,” the women have reunited for “Ram Pam Pam.” The Dominican reggaetonera and the Chicana pop star are ballers in the new music video. In an exclusive with Latido Music, Natti and Becky talked about the legacy of “Sin Pijama” and coming together again. Natasha also opened up about her pregnancy and her baby girl that’s on the way.

With “Sin Pijama,” Becky G and Natti Natasha showed that two women in reggaeton could be bankable and break records together.

On April 20, 2018, Becky G and Natti Natasha changed the way women were viewed in reggaeton with the release of their global hit “Sin Pijama.” In a genre that’s dominated by men, they proved that two women could be bankable together with the 38-times Platinum song. The music video has over 1.8 billion views on YouTube.

“I remember believing in ‘Sin Pijama,'” Becky G tells mitú. “I had the demo for like over a year. Nobody heard what I heard. It was so frustrating. I remember someone telling me, ‘If you think it’s such a hit then why would you want to share it?'”

Watch the full interview here:

When she was a kid in Inglewood, Becky was listening to Britney Spears and Christina Aguilera. Those two pop queens were often compared with each other as they coming up in the 2000s. Becky was hoping that they would join forces one day.

“I used to think, ‘Damn, it would’ve been crazy if Britney and Christina Aguilera went on a tour together,'” Becky says. “If they did albums together. The records that would’ve broken. I didn’t have that alliance to look up to growing up. It was the opposite. It was the media feeding and pitting each other against one another. I used to think, ‘Wow, that’s really toxic.'”

Becky G saw “Sin Pijama” as her chance to create that alliance between women that she wanted to see, especially in reggaeton where that was rarely happening. She reveals that record execs were having concerns if the audience would be able to tell Becky and Natti apart because they’re both “very pretty” and have the same hair color.

“We also come from very different places, very different experiences, and point of views, and have our talent and banderas to represent,” Becky says. “We are so different so let’s come together to show people that we are more together.”

Before “Sin Pijama,” Becky and Natti were coming off their own music videos with a billion views each.

It was also a matter of mathematics for Becky as both reggaetoneras were coming off their own music videos with over a billion views each. For Natti, it was her collaboration “Criminal” with Ozuna and for Becky, that was “Mayores” with Bad Bunny. “I was like, ‘We have a billion views here and we have another billion views here,'” she says. “If we come together that’s another billion. That’s three billion views right there.”

When Becky received the track with Natti’s fire verse, she admits that she had to go back into the recording studio after. Natti wasn’t playing any games when she came through with the iconic “p*rra en la cama” line.

“[Natti] is bad a*s!” Becky says. “Natti has flow. When she sent me her part to ‘Sin Pijama,’ I died. I actually went into the studio again to re-record my parts. I was like, ‘Yo, she brought the heat and I gotta meet her there.'”

There have been more all-women collaborations in reggaeton since the success of “Sin Pijama.”

Since “Sin Pijama,” there’s been a rise in all-women collaborations in reggaeton and in Latin music. More women have felt empowered to come together and release anthems like “Sin Pijama” after the song’s success. Last month for Women’s History Month, Natasha dropped “La Duras” with Colombia’s Farina, Argentina’s Cazzu, and Puerto Rico’s La Duraca.

“Sin Pijama” also became an anthem for their fans in the LGBTQ+ community.

“Sin Pijama” was not only a pivotal point for women in reggaeton, but it also became an anthem for queer communities to enjoy in the club. As women have fought for space in the male-dominated reggaeton scene, that’s something that’s resonated with their fans in the LGBTQ+ community.

“The queer community is just so beautiful and inspiring,” Becky says. “They see us as underdogs, and they felt like underdogs, and when we come together, we get to really hear each other and represent one another. They continue to be such a huge support to me as an artist. I think to a lot of us Latinas.”

In the Zoom conversation, Natti nods in agreement as Becky says that. “I’m always grateful to the community,” she adds. “They saw us and they felt the same way. They’re also struggling for their acceptance. As women in freaking reggaeton, which is music, why is that something hard? From the get-go, I felt so supported. Everything that we do is also for everyone, and for them. To us, that’s very important to do that. I’m always blessed with the support.”

Natti recently revealed her pregnancy.

Natasha revealed her pregnancy at the Premio Lo Nuestro Awards in February. She was performing her latest hit “Antes Que Salga El Sol” with Dominican-American pop star Prince Royce. During the performance, she was proudly displaying her baby bump.

“It feels a bit nerve-wracking, but it feels fun,” Natasha says about her pregnancy. “I really wanted it and I’ve never been happier before in my whole entire life.”

Natti is having a baby girl with Raphy Pina.

Earlier this month, Natasha had a gender reveal party with her fiancé Raphy Pina. They have a baby girl on the way. When I ask Natti what she thinks if her future daughter wanted to be an artist as well, she says with laugh, “I’m like, ‘You are not going out, child, from this house.'” After joking, Natasha says hopefully her experiences as an artist can help out her daughter if she chooses that path.

“I would let her,” Natti says. “She can do whatever she wants. I did it anyways even if my parents didn’t want me to do at the moment because they didn’t understand. I just want to be very prepared. I thank God I went through everything I went through just so I could be there for her. Even though she could do her own thing. I want to be able to give her the right advice and not come from an ignorant place.”

Natti and Becky reunite for their new collaboration “Ram Pam Pam.”

Natasha’s pregnancy was a little visible in her music video for “Ram Pam Pam.” This marks her second collaboration with Becky G. In a continuation of the “Las Duras” music video, Becky G drives them to a gym where they own the basketball court. Prince Royce from the “Sin Pijama” music video also makes an appearance. Natti presented Becky with the hypnotic and sexy banger.

“I said if I could do any type of collaboration with this huge song that I have had the feeling it was going to be, it has to be Becky,” Natti says. “There’s no one in the world with who I have better chemistry, personally and in general. To find someone genuine to say, ‘If I have a hit, this is who I’m sharing it with.’ And that was her. It’s catchy. I feel like it’s different. It has all the elements for her and me and for people to enjoy it.”

Becky is looking forward to the day that she and Natti can turn up to “Ram Pam Pam” at the clubs. She describes it as one of the songs that will have you running to the dance floor, even if you’re in the bathroom.

“I know you’re preggers right now, but I can’t wait to until your little princess is here so we can go out,” Becky says. “And we can be like that movie Bad Moms when they party and get chocolate wasted. It’s just puro perreo. I love it.”

With “Sin Pijama” in the history books of reggaeton and “Ram Pam Pam” poised to empower more women in the genre, Natti reflects on her impact with Becky G. What that can mean for her daughter and the girls that come after them.

“I hope this way that Becky and me are paving,” she says. “That it could give these little girls a possibility in the future to say, ‘It’s not impossible anymore or it’s not so hard anymore.'”

Click here for Latido Music, 24/7 Latin music videos & more

Read: Natti Natasha Assembles “Las Nenas” Video with Farina, Cazzu, and La Duraca

Notice any needed corrections? Please email us at corrections@wearemitu.com

2021 Latin American Music Awards Highlights: Ozuna, Eslabón Armado, Karol G and More

Latidomusic

2021 Latin American Music Awards Highlights: Ozuna, Eslabón Armado, Karol G and More

ESLABONARMADOOFICIAL / INSTAGRAM

The 2021 Latin American Music Awards were last night and Bad Bunny emerged victorious. Even though the Puerto Rican superstar was absent, he won five awards.

Karol G and Nicki Minaj were big winners.

Right behind Benito, who took home Artist of the Year, was Karol G, with three wins. She won for her smash hit “Tusa,” which also made her collaborator Nicki Minaj a three-time winner. “Tusa” won the Song of the Year award over Bad Bunny’s “Yo Perreo Sola” and Colombian singer Maluma’s “Hawái.”

Boricua singer Rauw Alejandro also won big.

In the New Artist of the Year category, rising Puerto Rican pop star Rauw Alejandro took home the award. Like Bad Bunny, he was also absent from the ceremony. “Thanks to all those who voted for me,” Alejandro wrote in his Instagram stories. “I’ll see you all soon. Wait for me.”

The night was also filled with plenty of performances. Latido Music is here with five of our favorite Latin AMAs performances.

Eslabón Armado

Eslabón Armado is the Mexican-American trio that is reviving the sierreño sound in regional Mexican music. They’re doing it with their own emo spin on the genre. The guys won two awards: Favorite Regional Mexican Duo or Group and the Favorite Duo or Group general category. In one of their first major award show performances, the crowd was treated to Eslabón Armado’s “Con Tus Besos” live.

Ozuna

Last night Ozuna was honored with the Extraordinary Evolution Award for his incredible music career. The moment was extra special for the Puerto Rican superstar because his grandmother gave him the award. Ozuna was in tears of joy over the gesture. He also performed a medley of hits like “Vaina Loca” and “Dile Que Tu Me Quieres.”

Karol G

Fresh off her new album KG0516 topping Billboard‘s Latin Album chart, Karol G performed at the Latin AMAs. She gave her first live performance of “El Makinon” with rising Latina singer Mariah Angeliq. The sensual performance was a show of girl power at the awards.

Maluma

Maluma performed a few times at the Latin AMAs. He teamed up with Wisin, Myke Towers, and Anitta for their remix of “Mi Niña.” He also joined fellow Colombian act Piso 21 for their hit duet “Más de la Una.” His best performance of the night was “Tonika” from his 7 Días En Jamaica (#7DJ) album. He sang it with Jamaican music royalty Ziggy Marley for the first time.

David Bisbal and Carrie Underwood

In one of the most-anticipated moments of the night, Spanish singer David Bisbal teamed up with country music superstar Carrie Underwood. The duo debuted their duet “Tears of Gold” live and Underwood sang in Spanish.

Click here for Latido Music, 24/7 Latin music videos & more

Read: Karol G’s ‘KG0516’ Album Has Landed: Our 5 Favorite Songs

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