‘Vintage Latinas’ Is Hyping Up WOC Entertainers Often Forgotten By Media

Amid a life-threatening pandemic, political upheaval and a dawning economic crisis, the future can feel frighteningly uncertain. We’ve all been coping in our own ways: from practicing meditation to trying out new recipes to starting creative projects. For me, joy has come in the form of history. Learning about women, particularly Latinas, who entertained audiences on the silver screen or at cabarets, fought for their countries and communities, and created beauty and fashion trends has brought me bliss at a time when I couldn’t even imagine happiness as a possibility. Realizing how healing the stories of our foremothers have been for me, I decided to create Vintage Latinas, an Instagram account dedicated to the Latina and Latin American women and femmes of yesterday.

Through the online community, I post daily photos and videos of women from the 1900s up until the early 2000s. I accompany each image with a lengthy caption that either introduces followers to former stars they’ve never heard of or shares little-known facts and stories about popular icons. Highlighting women and femmes across Latin America, the Spanish Caribbean and the U.S., the page is sprinkled with popular faces like Celia Cruz, Rita Moreno, Frida Kahlo and Bianca Jagger as well as radiant figures who aren’t as celebrated in popular media today like María Montez, Rosa Luna, Maribel Arrieta and Ajita Wilson. My goal is to commemorate the beauty, style, talent, brilliance and power of these women. To do so, I spotlight everyone from actresses, singers, dancers, models and showgirls to artists, designers, beauty queens, party czars, activists and trendsetters. 

It’s not surprising to me that at a time when I have limited control over the unpredictable future I decided to turn my attention to the past. A lover of history, I often find refuge in the narratives of people from yesterday who fought against powerful people, systems and countries to create change for their communities. This was no different. After losing my job in March and being locked up in quarantine for the months that followed, my mental and spiritual health took hard blows. While addressing the issues I was experiencing and developing a wellness routine, I decided to delve into literature about Julia de Burgos, Lolita Lebrón, Blanca Canales, Iris Morales and Denise Oliver-Velez — some of the Puerto Rican nationalists and revolutionaries I hold dear to my heart.

But unlike my experiences in the past, while rereading these works I began imagining the periods in which these women lived — the early- and mid-twentieth century — outside the political and social battles they were fighting.

Immediately, I found myself researching artists and actresses my heroines might have listened to and admired, expanding my interest in these eras beyond struggle and protests.

Soon, guarachas and boleros from artists like Myrta Silva, Carmen Delia Dipini, Lucecita Benitez and Toña la Negra were booming from my speakers more than my favorite reggaetoneros. I was spending my weekends happy that I was forced to stay home because that gave me the chance to search and watch Old Hollywood classics. Obsessed with the makeup and style of the women I was watching, I started repurposing the clothes in my closet to look like outfits inspired by some of my ‘60s and ‘70s fashion inspirations, like Lola Falana, Raquel Welch and Tina Aumont.

I was balancing news of a scary future with the stories and aesthetics of erstwhile powerful Latinas who resisted, lived and loved during similarly turbulent times.

When I started Vintage Latinas a month ago, I simply wanted to create a space where I could honor all the women who were positively influencing my life. For me, it was a hobby, something fun and joyful to do between freelance writing gigs and trying to land a full-time job amid a pandemic. But within days, the page grew into something more. Very quickly, people began following Vintage Latinas, commenting on the posts and sharing the content with their audiences. They even encouraged others to follow the page and called it their favorite account on Instagram. I knew that the dynamic personalities and enduring influence of these sensational women were as healing — or at least as captivating — to others as they were to me. By week one, the page went from a personal hobby to a creative project and online community where people from all over the world are remembering and discovering our Latina and Latin American heroines. 

As I embark on Vintage Latinas’ second month, I have several exciting plans I will begin executing. In addition to my daily posts about historic stars, I’ll be utilizing original and user-generated content to create a browsing experience I hope will excite followers. I’ll be creating activities, like trivia-style quizzes, polls and “Finish the Lyrics” games, featuring vintage images of the everyday matriarchs of the community and conducting interviews through Instagram Live with historians and modern-day Latinas who dress in vintage and pinup, among several other undertakings.

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Puerto Rican singer and politician Ruth Fernández is considered one of the most powerful women and barrier-breakers in Puerto Rican history. Born in Ponce, Puerto Rico in 1919, Fernández began singing publicly as a teenager, performing at age 14 on local radio stations for 50 cents a day. Heard by Mingo, a famous bandleader, she was invited to join the group in 1940, becoming the first woman to sing in a Puerto Rican orchestra. Performing in nightclubs, dances and casinos, Fernández became a star on the archipelago. However, celebrity didn't save her from experiencing anti-blackness. In 1944 when her band was contracted to perform at the Condado Vanderbilt Hotel for a benefit concert for the American Red Cross, she was told she had to enter the building through the kitchen door because of the color of her skin. But on the day of the show, Fernández ignored the racist protocol and entered through the main entrance. When asked years later about that night, she responded: "Me llamaron negra. ¿Negra? ¿Y qué?" From then on, she began referring to herself as "La Negra de Ponce." In 1972, Fernández was elected to Puerto Rico's Senate, representing the district of Ponce as a member of the Partido Popular Democrático de Puerto Rico until 1980. As a legislator, she sought reforms and better working conditions for artists and also considered the needs of Puerto Ricans living in the contiguous U.S. In her honor, a tenement in the Bronx — the Ruth Fernández Apartments — is named after her. Fernández has received awards from several countries in Latin America, while many cities in the U.S. — including Washington, D.C., New York and Los Angeles — have official "Ruth Fernández Days." She passed away in 2012 of a septic shock and pneumonia at the age of 92. Here she performs "Soy la que soy" in the 1960s. #ruthfernandez #puertorican #1960s #latinasdeayer #vintagelatina #vintage #vintagestyle #vintagefashion #vintagebeauty #retrostyle #blackbeauty #blackvintage

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The stories of our foremothers, who thrived or continued luchando despite racist systems, colonialism and state-instituted violence, are inspiring and must be preserved. Through Vintage Latinas, I aim to ensure their vibrant lives and contributions to culture and social justice aren’t forgotten. Instead, I want our barrier-breaking predecessors to be celebrated, and I hope you’ll join me in this digital rave that is equal parts history, culture, glam and community. 

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The Vatican Promises To Get To The Bottom Of The Pope’s Instagram ‘Like’ Of A Lingerie Model

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The Vatican Promises To Get To The Bottom Of The Pope’s Instagram ‘Like’ Of A Lingerie Model

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This might not be one that they’ll be able to simply blame on the intern. It turns out that last week, the Pope’s official Instagram account ended up giving a ‘like’ to a scantily clad Brazilian lingerie model.

Instead of letting the story die off as these types of stories usually do, the Vatican has made a mountain out of a molehill and keeps pushing the ‘scandal’ further into the spotlight.

The Vatican now now started an investiagation into the matter, vowing to get to the bottom of the ‘papal like.’ They’re also allegedly working with Instagram to find out how such an incident could happen – because according to the Vatican it definitely wasn’t the work of anyone inside the Holy See.

The Vatican vows to investigate how the Pope’s Instagram account ended up ‘liking’ a lingerie models photos.

THe Vatican announced this week that they’re launching in actual investigation into the the curious case of Pope Francis’ official Instagram account giving a ‘like’ to a photo of a Brazilian model in a schoolgirl’s uniform.

A spokesperson for the Vatican, who denied that the ‘like’ came from within the Vatican, told NBC News on Friday that it was seeking answers from the popular social media app.

“We are studying what happened with the help of the competent office at Instagram,” said Matteo Bruni, director of the Vatican Press office.

Vatican officials admit that a team of communications specialists run the pope’s social media accounts, but the Vatican denies that the ‘like’ came from one of it’s own. Their theory is that the ‘like’ is the doings of an outside source.

It all started when it appear Pope Francis’ Instagram account like a photo of a lingerie model in a school girl’s uniform.

Pope Francis is one of the world’s most popular world-leaders across social media. He has more than 7.4 million followers on Instagram and 18.8 million on Twitter. However, he follows exactly zero accounts in return. But the Vatican insists he isn’t handling his own social media accounts.

Nevertheless, a photo posted by Brazilian model Natalia Garibotto to her Instagram on October 6, received a ‘holy like’ from Pope Francis’ Instagram. And it wasn’t just any photo. In the photo, the lingerie model is wearing a revealing school girl-inspired outfit and high white stockings with suspenders.

It was unclear when the pope’s official account gave the model his blessing, but the “like” was visible on Nov. 13 before being unliked the following day, the Catholic News Agency reported.

However, it’s worth noting that the pope rarely administers his own social media accounts. “The pope is not like Donald Trump, he’s not sitting around using his phone or computer to tweet all day long,” said Robert Mickens, the Rome-based editor of the English-language edition of the Catholic daily newspaper La Croix.

“He does, for example, approve the tweets – but not the likes – and on very rare occasions he has said he would like to tweet something because of a developing situation or emergency. So he would have nothing to do with this – it’s the communications department, and how this happens … who knows.”

Meanwhile, the model who received the papal like, joked “At least I’m going to heaven.”

Natalia Garibotto, the model in question, has 2.4 million followers on Instagram and took the papal endorsement with pride. She even joked on Twitter that “At least I’m going to heaven.”

According to Garibotto’s website, subscribers have “exclusive” access to “sexy content, follow back on socials… signed Polaroid’s” and the opportunity to speak to her directly.

Garibotto – who is also a streamer on the gaming website Twitch – told one Instagram follower she was “excited” about the “like” as she is religious. Meanwhile, her management company, COY Co., has also been playing up the controversy, wasting no time in seizing the opportunity to promote the model on social media.

“COY Co. has received the POPE’S OFFICIAL BLESSING,” the company said on Instagram last week.

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People Went All Out For El Día de los Muertos and We Are Here For It


People Went All Out For El Día de los Muertos and We Are Here For It

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El Dia de los Muertos is a Mexican holiday that is celebrated November 1 and 2. Families and friends gather to remember the dead. The celebrations include creation of ofrendas to remember the dead, traditional dishes for the Day of the Dead , and face painted calaveras. Here are some of our favorite Dia de los Muertos looks and altars on Instagram.

This “Coco” inspired look is FIRE @jesspleaseee

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🎶 Recuérdame 🎶💕 Sorpresa! There’s one last look up my sleeve after all 😏🇲🇽 The movie COCO holds such a special place in my heart. As a Rivera myself, I knew I just HAD to honor the Matriarch of this family 😌💜 I wanted to save the best for last and although it might not be Halloween anymore, I felt this look was better suited for today on Día de los Muertos instead 🌹 As an FYI…I’m OBSESSED with this dress! I bought it at @adelitasapparel and it’s freaking BEAUTIFUL. As soon as I saw it, I knew it was perfect for Imelda 💜 I can’t wait to wear it out in the real world! . . . #diadelosmuertos #dayofthedead #disney #coco #pixar #cocomovie #mamaimelda #adelitasapparel

A post shared by @ jesspleaseee on Nov 1, 2020 at 10:33am PST

Check out this staircase altar by @salma_cortez

How adorable are these siblings! @thecruzfeels

This family dressed up in traditional clothes to celebrate el Día de Los Muertos @angela_bernabe

@Nansea.m did an altar in honor and remembrance of her dad

This La Catrina inspired look is just WOW @asthetic_ariel 

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Un Poco Loco 🌹💀✨ . . Inspired by @iluvsarahii and @lilylove213 ❤️✨✨ . . FACE: @shadowmooncosmetics pigment in SHADOW @kaima_cosmetics Diamond Glitter Eyeshadow in HALO @makeupforever #flashpalette #makeupforever @beautybaycom @nikkietutorials #nikkietutorialsxbeautybay palette @tatibeauty #texturedneutrals @getstonned gems @true_beauty_lashes in “All Things Fierce” @elfcosmetics liquid matte lipstick in Praline @ofracosmetics highlighter in Rodeo Drive #ofracosmetics #ofrabeauties @morphebrushes #morphebrushes #morphebabe @smashboxcosmetics #smashboxcosmetics . . #catrina #catrinamakeup #catrinas #mexico #mexico🇲🇽 #love_mexico #diadelosmuertos #diademuertos #vive_mexico #latinamas #maquillaje #maquillajeprofesional @nyxcosmetics @fiercebymitu @latinas_glam

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@itstonii_ shared her Calavera altar

This vibrant look on @sindymua is amazing!

This dog guarding the altar is just what we needed  @xochitl_with_an_x

The makeup look is just too good @thedapperdaniel

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Every Día de Los Muertos, I take time to reflect and honor those who have passed in my personal life; this year was my sweet little dog Delilah who passed in February. I started thinking also about those who have helped to shape our world, like Ruth Bader Ginsberg and John Lewis. Those who have died at the hands of a system that claims to protect us, like Breonna Taylor and George Floyd. And lately, my deepest thoughts have been about my ancestors: generations and generations of people who have been persecuted for being who they are. My indigenous ancestors from the Chichimeca tribe in Mexico who were murdered by colonizers, my Mexican-American ancestors who have been discriminated against by people in this country, my female ancestors who have endured abuse from men for far too long, my queer ancestors who have been hated for being who they are and were killed by a disease that was left to wipe out an entire generation. It breaks my heart to think about all the pain and suffering that my ancestors have endured, and then I think about how in many ways, this hate is very much what we still are fighting today. But then, I remind myself that I’m here today. Through all of that, my ancestors have persevered so that I and my siblings from all marginalized communities can bring justice in their honor. I’m reminded why I need to continue fighting, I’m reminded why I need to continue taking up space and shutting out my imposter syndrome that tries to eat at me every single minute of the day. We have so much more that we need to do, but I hope that somewhere in the Universe, my ancestors see that we’re trying so hard and will one day bring them the peace and joy they deserve 🧡

A post shared by Daniel Zamilpa (@thedapperdaniel) on Nov 2, 2020 at 8:59am PST

@myfamilywanders representing the culture

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“Tápame con tu rebozo Llorona porque Me muero de frío.” #diadelosmuertos 🧡 History: Day of the Dead originated several thousand years ago with the Aztec, Toltec, and other Nahua people, who considered mourning the dead disrespectful. For these pre-Hispanic cultures, death was a natural phase in life’s long continuum. The dead were still members of the community, kept alive in memory and spirit—and during Día de los Muertos, they temporarily returned to Earth. Today’s Día de los Muertos celebration is a mash-up of pre-Hispanic religious rites and Christian feasts. It takes place on November 1 and 2—All Saints’ Day and All Souls’ Day on the Catholic calendar—around the time of the fall maize harvest.

A post shared by Lizzie Haro (@myfamilywanders) on Nov 1, 2020 at 8:48am PST

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