Things That Matter

‘Side Hustle’ Episode 2: Nude Modeling And Friend Rentals

Side hustles aren’t just limited to freelance writing gigs. There is a vast world of side hustles that can make people a lot of money. Some of them involve art, modeling, and unusual rentals that people would need. That is what the second episode of mitú original series “Side Hustle” is all about.

“That’s not art. That’s you being nude.”

Dorian Wood and Tatyana are young Latinos trying to make it in this wild world in which we live. While some people rely on a regular 9-5 job to make everything work, these two people found a way to take something they like to do and make it profitable.

Wood is using his body to make money and a name for himself with a global audience. His art is something that some people just don’t understand but he is beloved in the art world for his performance art. His nude body is the subject of his work and he has been featured in art shows around the world.

Tatyana is a college student working her way through college like so many others. However, she is taking a different route to pay for her college courses instead of working a retail job. What she has to offer is friendship and it’s paying off.

Wood might be celebrated for his art but his mom has some thoughts.

“I did a show in Madrid and this artist comes up to me after the show and offers to do a mural of me so I just said, ‘Okay. What have I got to lose?’ A few months later he sends me this video of him putting the finishing touches on a four-story mural in Segovia in Spain of me completely naked and my jaw just dropped,” Wood tells co-host David Alvarez. “‘El Gordo’ is what they called the mural. It somehow just triggered something in me. I was like, ‘Oh. Okay. What if I tried art modeling?'”

Wood admits that his friends and family are a little confused by his work. He adds: “They think I’m insane. My mother sees me posing nude and doing nude performance art and she’ll tell me in Spanish like, ‘You know. That’s not art. That’s you being nude.'”

Tatyana loves to make friends and now that makes her some money.

“This is just a way for me to pay for classes,” Tatyana explains to co-host Sahsa Merci. “There was a list of 100 things you could do to make side money and I checked a bunch of them out. The Rent-A-Friend seemed like something I could be good at. So, I started it and I really liked how it was.”

Tatyana says that “it was definitely a little too delicate to talk about at first.” She added. “They know that I enjoy making new friends so for me to get some benefit out of it, also financial help for my school, they were happy about that.”

READ: Cuddling And Wrestling Are Just Two Ways To Make Money On The Side

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If You Call Yourself A Frida Kahlo Fan Then You Should Be Following These Five Artists

Culture

If You Call Yourself A Frida Kahlo Fan Then You Should Be Following These Five Artists

Bettman Archives / Getty Images

So many of us have been moved the art of the late Frida Kahlo. Even in death she’s gone on to inspire entire generations with her Surrealist self-portraits, lush depictions of plant and animal life, and magical realist tableaux. Not to mention her incredible life story.

She also inspired future generations of artists, many of whom are alive today creating beautiful works of art. These are just a few of the artists who have similar techniques, subjects, and styles to Frida Kahlo that you’ll definitely love if you’re a fan of Frida Kahlo.

Maria Fragoso – Mexico City

Credit: Teach Me Sweet Things / Theirry Goldberg Gallery

Influenced by the style and narratives of Mexican surrealists and muralists, Maria Fragoso creates work that celebrates her Mexican culture, while also addressing notions of gender expression and queer identity. Her brightly colored canvases offer voyeuristic glimpses into intimate moments, with subjects engaging in acts that seem at once seductive and mischievous—often while gazing directly out at the viewer.

Recently featured in Forbes’s “30 Under 30” in the “Art and Style” category, the 25-year-old artist is quickly rising to prominence. Born and raised in Mexico City, Fragoso moved to Baltimore in 2015 to pursue her BFA at the Maryland Institute College of Art. While in school, Fragoso was the recipient of the Ellen Battell Stoeckel Fellowship at the Yale Norfolk School of Art. Since graduating, she has completed residencies at Palazzo Monti and the Skowhegan School of Painting and Sculpture.

Nadia Waheed – Austin, Texas

Credit: Message from Janus / Mindy Solomon Gallery

Born in Saudi Arabia to Pakistani parents, Austin, Texas–based artist Nadia Waheed explores notions of relocation, displacement, and vulnerability in her work. Her life-size figurative paintings are both allegorical and autobiographical—the female figures represent her own lived experiences, as well as the multifaceted identities of all women.

Rodeo Tapaya – Philippines

Credit: Nowhere Man / A3 Art Agency

Rodel Tapaya paints dreamlike, narrative works based on myths and folklore from his native Philippines. Drawing parallels between age-old fables and current events, Tapaya reimagines mythical tales by incorporating fragments of the present. “In some way, I realize that old stories are not just metaphors. I can find connections with contemporary time,” Tapaya said in a 2017 interview with the National Gallery of Australia. “It’s like the myths are poetic narrations of the present.”

While the content of Tapaya’s work is inspired by Filipino culture, his style and literary-based practice is heavily influenced by Mexican muralists and Surrealist painters such as José Clemente Orozco, Diego Rivera, and, of course, Frida Kahlo. Often working at a large scale, Tapaya has been commissioned to create several site-specific murals, including one for Art Fair Philippines in February 2020.

Leonor Fini – Buenos Aires

Credit: Les Aveugles / Weinstein Gallery

Long overlooked in favor of male Surrealists, Leonor Fini, a contemporary of Kahlo, was a pioneering 20th-century force. Known for having lived boldly, Fini is recognized for her unconventional lifestyle, theatrical personality, and avant-garde fashion sense. Born in Buenos Aires in 1907, Fini was raised by her mother in Trieste, Italy. She taught herself to paint and first exhibited her work at the age of 17.

Fini had one of her first solo exhibitions at age 25 with a Parisian gallery directed by Christian Dior. Her work was then included in the groundbreaking exhibition “Fantastic Art, Dada and Surrealism” at MoMA in 1936, while at the same time she had her first New York exhibition with Julien Levy Gallery. Today, Fini’s work is represented in many major public collections including the Metropolitan Museum of Art in New York, Tate Modern in London, the Centre Pompidou in Paris, and the Peggy Guggenheim Collection in Venice.

Ramon Alejandro – Miami

Credit: Eternal Life / Latino Art Core

José Ramón Díaz Alejandro, better known as Ramon Alejandro, paints idyllic still lifes of tropical fruits set in ethereal landscapes. The surrealistic compositions have a similar spirit to Kahlo’s less iconic but equally masterful still-life works

Coming from a long lineage of artists, Alejandro grew up with the artworks of his great-grandfather, grandfather, and uncle adorning the walls of his childhood home. After growing up in Havana, Alejandro was sent to live in Argentina in 1960 amidst political turmoil in Cuba, and has continued to live in exile since then.

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Yes, Someone Created An Actual Honest To God 108-Foot Vulva Statue In Brazil

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Yes, Someone Created An Actual Honest To God 108-Foot Vulva Statue In Brazil

BUDA MENDES / GETTY IMAGES

There’s no denying the fact that the female form, and it’s bits, in particular, have inspired artwork the world over. Tarsila do Amaral was inspired by it. Frida Kahlo and artists like Zilia Sánchez and Marta Minujín too. Women’s bodies are inspired and so they inspire. Still, a recent unveiling of vulva artwork has become so controversial and made people so besides themselves that it seems many have forgotten these truths about our bodies.

Over the weekend, Brazilian visual artist Juliana Notari revealed her latest sculptureDiva, on a hillside at Usina del Arte. The art park is located in the Brazilian state of Pernambuco and is described by Notari as “a massive vulva / wound excavation.”

The massive sculpture created on the hillside located in northeastern Brazil features a bright pink vulva and has fueled what is being described as a cultural war.

Notari created Diva, a colorful 108-foot concrete and resin sculpture on the site of a former sugar mill. The mill was converted into an open-air museum in Pernambuco state. Last week, when Notari debuted the installation she revealed it was meant to depict both a vulva and a wound while questioning the relationship between nature and culture in a “phallocentric and anthropocentric society.”

“These issues have become increasingly urgent today,” Notari wrote in a post shared to her Facebook page which was shared alongside a series of photos of the sculpture. According to NBC, it took a team of 20 artisans 11 months to build the entire concept.

No surprise, the piece of art sparked a wave of controversy on social media, with critics and supports debating its message and significance.

Over 25,000 users have commented on Notari’s Facebook post so far including leftists and conservatives. On the far-right, supporters of President Jair Bolsonaro have also been vocal about their views of the product.

“With all due respect, I did not like it. Imagine me walking with my young daughters in this park and them asking … Daddy, what is this? What will I answer?” one user wrote in the Facebook section of the post.

“With all due respect, you can teach your daughters not to be ashamed of their own genitals,” a woman replied.

Olavo de Carvalho, an advisor to Bolsonaro, vulgarly criticized the piece on Twitter.

Notari, whose previous work has been displayed at various galleries explained on her Facebook page that she created the piece to comment on gender issues in general.

“In Diva, I use art to dialogue with…gender issues from a female perspective combined with a cosmopocentric and anthropocentric western society,” Notari shared on her post to Facebook. “Currently these issues have become increasingly urgent. After all, it is by changing perspective of our relationship between humans and nonhuman, that will allow us to live longer on that planet and in a less unequal and catastrophic society.”

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