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Netflix’s ‘Vampires Vs. The Bronx’ Takes A Horror-Comedy Approach To Gentrification

Netflix has been making the content we have all been waiting for and the latest hit is “Vampires Vs. The Bronx.” The movie is a new way to tell the narrative of gentrification through the lens of family-friendly horror. Netflix viewers are clearly loving the movie and some want to see it make history.

It’s hard to tell who is the biggest danger in “Vampires Vs. The Bronx.”

The comedy-horror was directed by Osmany Rodriguez who is the mastermind behind some of the funniest moments of “Saturday Night Live.” Basically, all of the 2016 election sketches with Alec Baldwin and Kate McKinnon are thanks to Rodriguez and his directing prowess.

Rodriguez brings his same comedic look on the darker issues to this movie where vampires, gentrifiers, and gangsters are overwhelming the Bronx. Yet, despite all of the obvious dangers out there, it is hard to figure out who the real threat to safety is.

First off, people were here for the way to real cultural moments.

Like, okay. We all know that Timbs are a thing in the Bronx. They are a cultural icon of the neighborhood and to see them used as a weapon in “Vampires Vs. The Bronx” was just *chef’s kiss*. Tbh, it was the kind of reaction you could feel in your soul as our communities are still actively fighting against rampant gentrification in our neighborhoods.

The trailer shows a group of boys trying to exist in their neighborhood as the ultimate turf war begins between the three factions. White people with canvas bags, insanely evil vampires, and the stereotypical gangsters are out in full force in this relevant and quickly beloved movie.

Rodriguez did what most filmmakers should: he talked to people in the Bronx.

Rodriguez didn’t shy away from learning what the people had to say about what was happening to their neighborhood. The most common complaint and observation he heard from people in Washington Heights and the Bronx was that gentrification was really taking a negative toll on the communities.

According to an interview with The Daily Beast, Rodriguez learned from Bronx and Washington Heights residents that gentrification was killing the souls of the two Latino neighborhoods. The same can be seen in Boyle Heights in Los Angeles, a Mexican and immigrant neighborhood.

People on social media cannot hype up the movie enough.

Fans of the movie appreciate the balance the movie has been able to strike when telling the story of gentrification. Also, the addition of vampires that seem to be just as horrible is a comical relief that communities impacted by gentrification seem to welcome. Rodriguez wanted to intentionally flip the narrative of gentrification making neighborhoods better and instead show that the neighborhoods are strong and vibrant with their own communities.

The movie has been compared to classics, like “Dracula.”

“Vampires Vs. The Bronx” is a clear commentary on the current class struggles happening in communities of color across the country. Much like the 1931 film “Dracula,” the narrative painted by the Netflix movie is poignant look at what is happening in the world.

“Dracula” was seen as a capitalist’s nightmare with the vampire representing the dead labor. That dead labor, which is the relentless work under capitalism, can only survive by draining the life out of the living to keep itself thriving.

It is clear that Netflix and Rodriguez gave their fans exactly what they wanted out of “Vampires Vs. The Bronx.”

People are more than fans. The movie has become a cultural entertainment moment for the communities represented in the film. This kind of representation is amazing. Afro-Latino talent is front and center in the film as the heroes and that is something we can all celebrate. Dominicans, Puerto Ricans, and Black actors delivered a performance that is resonating far beyond the Netflix-universe.

“Vampires Vs. The Bronx” is currently streaming on Netflix so you can watch it now.

READ: Netflix Finally Gave Us The Release Date For “Selena: The Series” And Fans Can’t Wait

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