The Statue Of Liberty Gets Arrested By ICE In A New Las Vegas Mural That Speaks To Our Inhumane Immigration Policies
A mural showing the Statue of Liberty being handcuffed by immigration enforcement officers has been unveiled in Las Vegas, amid rancour and anger over Donald Trump’sharsh immigration policies.
The mural, titled “Chained Migration,” was unveiled late last month in Las Vegas, Nevada.
Since then, it has caused a lot of dialogue between those who support it and those who don’t.
The mural is a 20×50 art installation that depicts the Statue of Liberty handcuffed and bet over the hood of an ICE patrol car. It was created by Izaac Zevalking, also known as Recycled Propaganda, a political artist that aims to create art influenced by history and current events. Zevalking himself is an immigrant from the UK. Zevalking is using the Statue of Liberty, who is considered a beacon of hope for immigrants, to demonstrate how the harmful rhetoric used against them is harming the American Dream.
In an interview with KTNV Las Vegas, Zevalking explains that the goal of the mural is to create a conversation about immigration in the United States. “I want people just to think about the issue. Wherever that thought leaves you. Wherever that conversation with someone else leaves you. I think it needs to be discussed more in human terms.”
Although some came to the internet to praise Zevalking for his mural, others were quick to disagree with his artwork.
This Twitter user used the infamous MS13 gang as her reasoning for this mural being shameful. Her comment imitates the language that Trump uses in his statements referring to those who migrate into the United States. She plays into the stereotype that all people who are immigrating to the U.S are dangerous gang members.
Some on Twitter were quick to claim they’d happily paint it over.
In the replies, a Twitter user suggested they paint over the mural in protest.
However, Recycled Propaganda clapped back, suggesting that if it gets painted over they keep on bringing it back.
The art piece could not have been more timely given the recent comments made by Ken Cuccinelli, the acting director of the United States Citizenship and Immigration Services.
After being asked in an interview with NPR if the words of Emma Lazarus are part of the American ethos, Cuccinelli replied, adding a line to the poem, “They certainly are – give me your tired and your poor who can stand on their own two feet and who will not become a public charge.”
The original reads as, “Give me your tired, your poor, / Your huddled masses yearning to breathe free…”
Recently, the Trump administration decided to make it more difficult for immigrants to obtain a Green Card if they receive government aid, such as food stamps or Medicaid. Cuccinelli is a big defender of this policy, so it is not surprising that these comments about Lazarus’ sonnet were made.
When immigrants are being discussed in politics, it is usually done so in ways that strips them of their humanity.
When folks migrate to the United States, it is often done so out of desperation and necessity. Immigrants come with nothing but a backpack filled with the essentials. They come to work low-paying jobs and because of their status, it is difficult for them to get the assistance they need for issues like healthcare and food assistance. To ask immigrants to come to the United States and to be self-sufficient only treat them with very little dignity is unfair.
When describing this policy, Cuccinelli uses words like a burden when describing immigrants who need public assistance. After his initial remarks about the poem, Cuccinelli said on CNN that the poem was originally referring to Europeans who migrated to the United States.
The artist, who is an immigrant from the UK points out that America is a very different place for white immigrants.
“I personally wasn’t born in America. I was born in the UK and I don’t ever feel attacked as an immigrant and I think that’s cause my skin is white,” Zevalking says.
There is a stark difference between the ways European immigrants and Latin American immigrants are treated in the United States and Zevalking is tapping into that notion with his mural, “Chained Migration.” He is acknowledging his privilege as a European immigrant and using it to shed light on how criminalizing it is for non-white immigrants living in the United States.
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