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Homeless Latino Graduate Goes Viral After Handing Out Resumes On A Street Corner

@jaysc0 / Twitter

After standing on a street corner and asking people for employment, a young homeless man in Silicon Valley has been met with countless job offers. David Casarez, a 26-year-old freelance web developer from Texas, had been sleeping on a park bench for the last month trying to find a job in the cut-throat tech industry in Silicon Valley. Casarez wanted a way to stand out from the competition so he took to the streets wearing his finest tie and holding up a sign that read “HOMELESS, HUNGRY 4 SUCCESS, TAKE A RESUME!” But after a single post by a good Samaritan on Twitter, his life may never be the same.

David Casarez became a social media phenomenon because of his unique job hunting approach.

Jasmine Scofield was driving Friday evening when she saw Casarez standing at an intersection. She asked for his permission to post his image. After he obliged, she took to Twitter to post the picture of him holding the sign and a closeup of his resume.

“He came to Silicon Valley with a dream to be successful in tech and has a lot to offer the community. He’s sleeping in parks and still trying to get freelance work, interviews, and applications in,” Scofield wrote on Twitter.

By the end of Friday evening, the post gained over 120,000 retweets and nearly 200,000 likes. Casarez told ABC News he had received interest from Netflix, Pandora, Apple, Google, Amazon and other companies.

Casarez took to Twitter to express his gratefulness for the outpouring of support that has come from complete strangers.

“I wanted to be in the Bay Area with all of the other tech companies. If you want to compete and play with the big dogs, you’d better come out here,” he told KRON. “I was like, ‘Let me try something to stand out.'”

The tactic worked out and social media quickly shared David’s story by using the hashtag #GetDavidAJob. By the next day he was hearing from some of the biggest tech companies in Silicon Valley. “Google reached out to me,” the 26-year-old told The New York Post.

Casarez’s story is common among those trying to break into the tech industry especially in a pricey area like Silicon Valley.

Casarez graduated from Texas A&M University in 2014 and worked several jobs at General Motors until 2017, according to his resume. He moved to California and has been a freelance web developer since March. Due to the steep cost of living in Mountain View he slept in his van until money for payments ran out and he lost his car in June.

It has been a whirlwind few days since Casarez stood on that street corner handing out his resume.

While Casarez is still homeless, he is keeping busy going through 200 job offers he’s received since last Friday. On Monday, Casarez used the WiFi at a local Starbucks to set up appointments with multiple tech companies who said they are now interested in hiring him. Only time will tell where he will land but whoever does hire Casarez are getting one determined Latino.


READ: Deportees Sent To Mexico Are Being Given A Chance To Join Mexico’s Growing Tech Industry

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Robert Clemente’s Jersey Number Hasn’t Been Retired But Latino Players Don’t Wear It Out Of Respect

Entertainment

Robert Clemente’s Jersey Number Hasn’t Been Retired But Latino Players Don’t Wear It Out Of Respect

davidsantos8416 / Instagram / Bacalao con Papa

Few players have gained the respect and iconic status in baseball like Roberto Clemente have. A 15-time All-Star, 12-time Gold Glove Award winner, two-time World Series champion for the Pittsburgh Pirates and a member of the 3,000-hit club, Clemente has a resume that few can match. Unfortunately, Clemente died in a plane crash on Dec. 31, 1972, while helping with earthquake relief from his home of Puerto Rico to Nicaragua. A year later he became the first player from Latin America inducted into the Baseball Hall of Fame. These reasons alone have made Clemente a legend to so many Latino baseball players. It’s also why so many have refused to ever put on his No. 21 ever again out of respect to Clemente.

Jackie Robinson’s No. 42 is the only jersey number retired across baseball, but many Latino players want Clemente’s jersey to get the same honor.

As well as being great on the field, Clemente was an even better person off of it. He was a huge advocate for Latino players and fought against Jim Crow laws during his era. That advocacy is not lost on players today.

This is why the No. 21 has become, in many ways, a “sacred number” in baseball, especially to Puerto Rican players. According to Baseball Reference, out of the 235 Puerto Rico-born players who have appeared in an MLB game since Clemente’s death 47 years ago, only 16 have used the No. 21 — and none in the past five years.

While Jackie Robinson’s No. 42 is retired and celebrated every April 15th, many think the same should happen with Clemente. Coincidentally, Clemente debuted just two days after Robinson did on April 17, 1955.

“His body of work speaks volumes, so I do think that, as Jackie Robinson represents greatness in baseball and so much more, so does Roberto Clemente, particularly for Latinos all over the world,” Puerto Rico Gov. Ricardo A. Rosselló said at an event last year honoring Clemente. “So I think it’s the right time to retire No. 21.”

While it’s been more 40 years since Clemente’s death, many feel now is a great time to honor him.

Latinos have become a growing force in the major leagues and now make up 30 percent of all baseball players. With this growing presence, many feel now is the right time to make Clemente’s jersey retire across baseball.

Despite multiple campaigns and calls for the retirement of the number, there has been little change on the subject. Baseball Commissioner Rob Manfred has resisted the idea of retiring the number. He says the league already honors his legacy with the Roberto Clemente Award, given annually to a player who demonstrates the values that Clemente displayed in his community.

While the No. 21 may not be officially retired, Latino baseball players have in their own special way.

While the Pirates are the only team to have officially retired Clemente’s jersey number, players have chosen to honor him in a different way: by choosing not to wear it all together.

Luis Clemente, the son of Roberto Clemente, has a different idea on honoring his father. He has called for not only a number retirement but a patch on the jersey or hat to be worn by the previous year’s Clemente Award winner. While he hasn’t had official talks with MLB about the proposal, there’s no doubt it would receive support among many Latino players.

“No Puerto Ricans will use the number because of Roberto Clemente,” Houston Astros shortstop, Carlos Correa, 24, told the New York Times. “The way I see it: Roberto Clemente is a figure for Latinos just like Jackie Robinson was for African-Americans. Clemente didn’t just break barriers but inspired other Latinos to get into baseball.”

READ: Trump Put A Stop To The MLB And Cuban Baseball Federation Deal And Here’s Why It Matters

Mexico Is Becoming A Major Source Of Talent And Production For Netflix

Entertainment

Mexico Is Becoming A Major Source Of Talent And Production For Netflix

narcos / romacuaron / Instagram

Mexico has long been a source for original stories and great talent when it comes to film and television. The country has also long exported some of best minds behind the camera, five out of six of the last best director Oscars have gone to Mexican filmmakers Alfonos Cuarón, Alejando Iñárritu and Guillermo del Toro. That’s why it’s no surprise streaming giant Netflix is increasing production in Mexico with more than 50 projects in different stages of production over the next two years. With award-winning projects like “Roma” and fan favorite series like “Narcos: Mexico,” Netflix is just tapping into the emerging talent and stories that Mexico has to offer.

While there has been streaming services prior to offer Spanish content, none have the reach and audience like Netflix.

With the expansion and investment in Mexico, Netflix is ushering in a new era for filmmakers, actors and a global audience that will get to view the work. The incoming projects include five new projects, a musical inspired by the music of Pedro Infante, a series of documentaries about the U.S.-Mexico border executive produced by Gael García Bernal, American Jesus, based on a comic by Mark Millar and a anticipated series about Selena. The increase in production is noticeable. As of 2017, only seven Netflix productions were made in Mexico.

“The richness of talent in front of and behind the camera in Mexico was key in our decision to begin our local production strategy four years ago,” Netflix Chief Executive Ted Sarandos said at a publicity event in Mexico City last month.

Netlfix is planning to open a new office in Mexico City to help increase production there.

The expansion to film and produce in Mexico comes natural for Netflix. It was the place where it first started producing non-English original programming when it expanded internationally to Latin America in 2011.

The numbers also show that international expansion is the way to go for the streaming service. More than half of Netflix’s audience is now international, and international subscriptions are growing faster than domestically. In the last quarter of 2018, Netflix added 1.5 million U.S. subscribers and 7.3 million international subscribers — a record increase. Netflix executives declined to release the number of subscribers it currently has in Mexico.

It’s also benefited those living in Mexico by providing job opportunities.
Over 100,000 Mexicans have already worked on Netflix Originals and this will only increase in the coming years.

Lenard Liberman, the CEO of LBI Media, the parent company to Burbank-based, Spanish-language EstrellaTV Networks says the combination of Netflix and Mexico is good sign for consumers.

“The fact that you have a Netflix now and you have independent producers producing, it’s created more diversity and more interesting formats,”
Liberman told The Hollywood Reporter. “Where it used to just be novella novella novella, the fact that there are so many platforms now looking for great content means that there’s a lot of people being creative.

Netflix is giving Mexico a platform to tell it’s stories and give actors from the region a chance to be exposed to a huge audience.

What made productions like “Roma” and “Narcos: Mexico” so successful was the authenticity it provided viewers. Part of that authenticity comes from the on-site location filming that Mexico brings.

The focus on production in the country has also exposed millions to stories and actors who audiences might have never been to introduced to. Erik Barmack, who recently left Netflix to start his own production company after serving as the vice president for international originals, says no matter where the production is filmed or where a story comes from, audiences will always love great content.

“People from around the world are used to watching things subtitled and dubbed — they’re just looking for stories,” Barmack told the LA Times. “They’re not thinking, what’s coming from the U.S. They’re just asking, ‘How do I find the most interesting things from around the world?’”

READ: Once Again, A Study Shows Latinos Continue To Lack Representation In Hollywood

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