Things That Matter

One Of The Major Artists In The Chicano Art Movement Has Died At 75

On May 29, René Yañez, a man instrumental in shaping and cultivating the Chicano art scene in the Bay Area, died from prostate and bone cancer at age 75. Yañez, an artist, curator and social justice activist was the co-founder of Galería De La Raza and the Mission Cultural Center for Latino Arts. Yañez has been curating the beloved SOMArts’ annual Dia de Los Muertos group art show in the Mission District for years. However, he was one of the first curators that presented arts shows centered around Day of the Dead in the U.S. back in the early ’70s. Yañez was also Director of Special Projects and Building Manager at SOMArts.

Rio Yañez, René’s son, posted the news of his death on Facebook and wrote that he had been preparing for this exact moment for the past four years.

Hi Everyone, my Dad passed away this morning about an hour ago. He was surrounded by people who loved him and having…

Posted by Rio Yañez on Tuesday, May 29, 2018

“Rene is my Father, my creative partner, and my best friend,” Rio writes. “I miss him so much already. These last two weeks have been the hardest of my life but I’ve had a partner and extended family that have taken such great care me. I may be grieving but please know I that feel incredibly loved and supported right now.”

René had been working until the very end. In March, he presented his retrospective exhibition titled “Into The Fade.”

René put on his retrospective all the while receiving weekly infusions of chemotherapy or blood, according to Mission Local.

“The artist, who has lived in the Mission District for most of his adult life, said that when he told his doctor earlier this year that he was thinking of doing a show in the fall, ‘the doctor told me, ‘You’d better do it sooner.’ So I’m doing it sooner.’ He laughed at the thought that he might beat his prognosis. ‘I’m playing this out.'”

His last show included one of his most known works titled “The Great Tortilla Conspiracy” which featured the face of Emma Gonzalez.

The concept behind “The Great Tortilla Conspiracy” is that it brings “the gospel of tortilla art” to the masses.

People took to social media to remember René and all that he contributed to the art scene, social justice movements and to their lives.

According to an interview in Mission Local, René was born in Tijuana and migrated with his family to San Diego.

René’s family has requested that SOMArts establish a memorial fund in his honor. All proceeds from this fund will be dedicated entirely to continuing René’s legacy of hospitality, beauty and creativity in SOMArts’ garden. Help us honor René by contributing to the memorial fund. We were truly blessed to work with such an incredible mentor, artist and friend for so many years. SOMArts will host a community memorial for René in the coming weeks.

Rene’s coworker at the Somarts Cultural Center said: “You bless all you know and meet by sharing your talents and humor.”

I had the privilege of working with Rene Yanez for over 16 years at SomArts Cultural Center. I miss sharing an office…

Posted by Mary Molly Mullaney on Tuesday, May 29, 2018

Rene was also a military veteran having served in a medical unit during the Vietnam War.

René is remembered as “El Padrino de la Mison.”

Grammy nominated emcee, DJ, actor, Wonway said that Rene inspired him.

“Que viva René Yáñez!”

Alicia Cruz, has worked with Rene for several years for the Day of the Dead exhibition and said that he took a chance on her and her altar vision.

 “He nurtured my evolution as an artist.”

CREDIT: Instagram/@mexichicastyle

“He was a gentle soul, very personable, lots of humor, he was a guide,” Cruz described Rene.

She says he also inspired her activism.

“He was my social media,” Cruz said. “He would tell me when there would be a march and say ‘you should join us.'”

Adding that “He’s the glue, he’s the heart of the SOMarts.”

An altar has been placed in front of the SOMArts Cultural Center in his honor.

CREDIT: Courtesy of Alicia Cruz

René was once asked what advice he would give to young artist, which he responded with: “Do what you like and be passionate about it, because you can’t be mediocre and be successful at it. Try to be as diverse in your skills, from computers, theater, performance, set design — all different aspects — because if you can’t get one thing, something else will come out.”


READ: This New Exhibit Shows The Incredible Evolution Of Lowrider Culture

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Bad Bunny Makes History Yet Again As He Becomes The First Latino Urbano Artist On Cover Of ‘Rolling Stone’

Entertainment

Bad Bunny Makes History Yet Again As He Becomes The First Latino Urbano Artist On Cover Of ‘Rolling Stone’

BadBunnyPR / Instagram

I know I’ve said it before but I’ll say it again – Bad Bunny is making 2020 suck so much less, despite a global pandemic. He’s released two chart-topping albums (one of them a total surprise!) over the span of three months, he hosted a three-hour long Instagram live where he hinted at new music, he’s performed on Saturday Night Live and The Tonight Show – he’s basically been everywhere and I’m not complaining. Not. At. All.

And now, he’s making history yet again. This time on the cover of Rolling Stone.

Bad Bunny has become the first Latino Urbano artist on the cover of the famed magazine. I know, crazy right?!

Credit: badbunnypr / Instagram

Benito shot the Rolling Stone interview with his partner, Gabriela, and had an interview with the magazine’s Latin music editor via Zoom. He started off his chat addressing the pandemic: “The fucking coronavirus arrived, and it sealed me up,” he says in Spanish, deadpanning like a sullen teen banished to his room for the summer. “People think I’m spending quarantine in a huge mansion, with a really awesome pool…”

Also, real quick – can we just take a moment to admire the beauty that graced this cover…

I mean I’ve always had a crush on El Conejo Malo, but the boy is looking mighty fine in the last few months. Like you’ve seen his Instagram photoshoot right?

And Bad Bunny himself is so grateful and proud!

Bad Bunny only emerged four years ago, but he’s already become iconic.

“The little boy from Vega Baja, Puerto Rico, the little naive boy that worked at the supermarket, the son of Tito and Lysaurie, that’s the same guy on the cover of Rolling Stone,” Bad Bunny wrote on his Instagram in Spanish. “Nobody, nobody, nobody, nobody but nobody, can ever tell me what I can or cannot do.”

The Bad Bunny Rolling Stone cover also made history for who produced and created it – two Latinas!

As the writer Suzy Exposito explained on Twitter, she’s the first Latina to write a Rolling Stone cover story, Benito’s girlfriend Gabriela Berlingeri is the first Latina to shoot the cover image, and Alex Douglas-Barrera transcribed and translated the interview.

“THIS COVER WAS BROUGHT TO YOU BY LATINAS,” Exposito tweeted.

Catriona Ni Aolain, Rolling Stone’s director of creative content, said they tapped Berlingeri for help to shoot the magazine cover despite not being a professional photographer due to the coronavirus pandemic. Berlingery shot all the photos documenting our beloved Bad Bunny’s days in quarantine using an iPhone and everything was shot at an Airbnb in Puerto Rico, where the couple have been living.

“It wasn’t planned. It was very random,” Berlingeri told Rolling Stone.”I thought obviously that it was going to be a very cool photoshoot but it’s difficult for me to accept that is going to be the cover for Rolling Stone.”

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A San Francisco Mural Is Honoring An Undocumented Guatemalan Immigrant Who Was Unarmed And Killed By Police

Things That Matter

A San Francisco Mural Is Honoring An Undocumented Guatemalan Immigrant Who Was Unarmed And Killed By Police

cialuart / Instagram

The people of San Francisco have a lot of heart. Yes, the wealthy thrive there, and the homeless community continues to grow, but somewhere in the middle is an empowering group of fighters for justice. They do not back down but instead make their voices heard loud and clear. It’s a tight-knit alliance that is responsible for forcing change on all fronts of authority. San Franciscans are also incredibly beautiful at honoring fallen residents. 

Almost five years after 20-year-old Amilcar Perez-Lopez was gunned down by police in San Francisco, artists are honoring him with a massive mural in the Mission District.

Credit: crashgrammy / Instagram

The mural was designed and directed in community and collaboration by Carla Elana Wojczuk with, Homies Organizing the Mission to Empower Youth (HOMEY), Justice4Amilcar Coalition, Mission community, Lucía González Ippolito, and assisted by Flavia Elisa Mora; Lead Muralists: Carla Elana Wojczuk, Lucía González Ippolito, Cristian Muńoz, Anna Lisa Escobedo, Adrianna Adams, Flavia Elisa Mora (painting and poetry), Pancho Pescador; lettering: Sonia G Molin. The mural is titled “Alto al Fuego en La Misón” and the most prominent subject on the mural is Perez-Lopez, the undocumented young man from Guatemala.

On Feb. 26, 2015, Perez-Lopez was fatally shot by the SFPD, who were in plainclothes in the Mission District. The officers reported that they “opened fire to protect themselves and others from a man who was acting erratically and was armed with a knife,” the SFGate reports. Witnesses told a different story. They said Perez-Lopez was running for his life, which is why he was shot in the back. 

The Perez-Lopez investigation went on for years, and in the end, the SFPD was never charged, but Police Chief Greg Suhr did resign from his post. However, it wasn’t just because of the pushback from the Perez-Lopez investigation but from multiple fatal shootings of unarmed people at the hands of the police. His parents eventually won a settlement from the SFPD

Aside from the artful depiction of Perez-Lopez, the mural also pays tribute to Black and brown people who have died as a result of police brutality as well as people who have died on the southern border.

Credit: amaya_papaya28 / Instagram

During the year in which he was killed, Perez-Lopez “was one of the 67 Latino people killed,” the Guardian reports. The publication adds that Perez-Lopez was also one of the 58 percent who was killed and unarmed. 

“‘Why didn’t you put in Jessica Williams?’ Or, ‘Why didn’t you put in this person?’ The truth of the matter is that we just didn’t have enough space,” Ippolito told the SFWeekly. “And I wish we could include a lot more.”

Ippolito said she and the rest of the mural team were confronted with the fact they didn’t have enough space to put every person that lost their life because of the SFPD. The mural is already one of the largest murals “to be painted in the Latino Cultural Corridor in a decade,” according to the local publication. 

“That was the hardest part,” Anna Lisa Escobedo, another artist on this project, said to SF Weekly. “From the community, a lot of people were saying, ‘We are missing this person, this person, this person.’ We could do five more murals and focus on people who had the same circumstances, and that is sad.”

This isn’t the first artwork that has honored Perez-Lopez.

Credit: msmichellemeow / Instagram

His painted portrait was seen throughout the streets of San Francisco when residents demanded justice in his death. A couple of months after he was killed, artist YESCKA painted a mural that included Perez-Lopez. The mural was painted on the sidewall of the gallery Red Poppy Art House, which is located just blocks two from where Perez-Lopez was shot and killed. 

The mural by Ippolito is pretty remarkable because of its use of bright colors, and the inclusion of Mexican motifs, both the Guatemalan and San Francisco landscape, and Perez-Lopez in his signature Giants baseball cap. But the mural is also representative of an altar of sorts. Perez-Lopez is pictured inside an altar, and the rest of the people that are honored in the painting are seen on prayer candles. 

The other deceased individuals on the mural include Roxana Hernandez, Claudia Patricia Gomez Gonzalez, and Oscar and Valeria Martinez, who died either on the southern border or in ICE custody. 

Credit: cialuart / Instagram

This mural is a perfect addition to the many outstanding paintings that the city of San Francisco has to offer. 

One of my favorite things to do when I am back in the Mission is to go on a walking tour to gaze at the stunning murals that depict the people of San Francisco, but also the history of our community.  

READ: One Of The Major Artists In The Chicano Art Movement Has Died At 75

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