The world cannot get enough of Beyoncé’s pregnancy announcement. Not only is she bringing new life into the world, her fans are ecstatic that she is going to be having twins. But what about the person who made the photographic magic happen? Well, that is none other than Daniela Vesco, a Costa Rican photographer who has been by Beyoncé’s side for a year.
If you’ve already given up on 2020, you’re wrong. This year will mark 25 years since beloved Tejano singer Selena Quintanilla was murdered by Yolanda Saldivar. Of course, knowing the singer would have turned 49 years old this year is horribly tragic. However, the legal magic of ’25’ means that copyright law from her last year of life is about to expire. For the first time, some of the last photos taken of Selena are on public display at a San Antonio art museum. Photographer John Dyer had the privilege of photographing Selena for her cover shoot for Más Magazine in 1992 and again for Texas Monthly in 1995. Dyer has allowed for both sets of photographs to be put on display, and the contrast in her mood is striking.
The second set of photographs was taken just months before her murder.
Book your flights to Texas, and buy your tickets, mi gente!
There isn’t a look or photograph of Selena that a child hasn’t dressed up as for Halloween, that a Guarcado plushie hasn’t donned, or that the public hasn’t revered. From Selena’s purple jumpsuit to her fire red lipstick, everything the artist has done has become part of the Mexican-American zeitgeist. And yet… Selena is still giving us more to take in. The signature piece of the exhibit features the 23-year-old star wearing a sequined bustier and high waisted black pants, black patent leather heels firmly planted on a black and white tile checkered floor with a red curtain in the backdrop.
The photo is so iconic that the museum has reconstructed a look-a-like set for visitors to take their own Selena-inspired photos.
The exhibit, named in both English and Spanish “Selena Forever/Siempre Selena,” is on view at the McNay Art Museum, San Antonio’s first modern art museum. “The exhibition pays tribute to ’90s icon, singer, designer, and Texas legend—Selena Quintanilla-Pérez—with a series of five photographs by award-winning San Antonio photographer John Dyer. Selena was the subject of Dyer’s photo assignments for the cover of Más Magazine in 1992 and again for Texas Monthlyin 1995, just months before she was tragically killed at age 23,” the museum states.
The photographer noticed how much more muted Selena was in the shoot months before her death compared to three years prior.
In an interview with Heidi Vaughan Fine Art, Dyer recalls how “she drove up by herself in her little red hatchback and parked in front of my studio” the first time they met in 1992, as Selena’s career was beginning to take off. “She jumped out of her car with a big smile,” and brought in her hand-made, self-designed performance costumes. The checkered floor print was taken during that first shoot. He recalls that “Selena’s quick smile, infectious laugh, and unending energy made her a pleasure to work with. This was in 1992.”
By early 1995, Selena was at the peak of her international fame when Texas Monthly hired Dyer to do another photoshoot. “She had just finished two exhausting days of shooting TV commercials for a corporate sponsor. She was tired. I had brought a beautiful hand-made jacket for her to wear. I posed her in the alcove on the mezzanine of the theater where the light is particularly nice. She was subdued and pensive. A far cry from the ebullient, excited young singer I’d photographed 3 years earlier. Later I thought her mood might have been an eerie harbinger of what was to come,” Dyer concluded. We may never know what was going on in the emotional world of Selena on that day — if tensions were rising with Saldivar, or if she was simply an exhausted superstar.
Between the time of the shoot and the magazine cover release, Selena was murdered.
The magazine decided to use “one of the more somber shots” Dyer captured for the magazine cover which ended up becoming a story that chronicled her death. “It’s a cover I would rather not have had,” Dyer recalled. Tejanos and Selena superfans alike, Selena is waiting for you.
The “Selena Forever/Selena Siempre” exhibit is on display at San Antonio’s The McNay Modern Art Museum for the price of general admission ($20). The exhibit dates are Jan. 15, 2020, to July 5, 2020. Selena Forever/Siempre Selena is organized by the McNay Art Museum, curated by Kate Carey, Head of Education.
Pro tip: The museum is open for free on Thursdays from 4 p.m. – 9 p.m.
We’ve come to a moment in our culture where we’re reckoning with the mistakes our ancestors made in the past. The fallout from widely-accepted historical practices of misogyny, racism, and colonialism is persistent. It’s up to people in positions of power to use their privilege to better society. Colonialism, in particular, has an especially negative lingering global impact–largely because it has been so insidious. Only recently have colonists like Christopher Columbus been widely condemned for the violent and inhumane methods they employed to conquer and oppress indigenous peoples.
English photographer Jimmy Nelson has spent his entire career travelling the world and documenting the unique lifestyles of various indigenous tribes across the globe. In his book “Homage to Humanity”, he compiles his photographs in a vibrant and informative tome that shows its reader the commonalities among all of us.
Throughout his 30-year career, Nelson traveled to countless countries, including Peru, Ecuador, Thailand, Mexico, Sudan, China and Papua New Guinea.
While travelling, Nelson had the opportunity to take portrait photographs of people from indigenous ethnic tribes throughout Latinidad, like the Oaxaca, the Zapotecs, and the Chichimeca. The portraits are stunning for their detailed and tender depictions of various cultures in full ceremonial garb, the beauty of their unique traditions on proud display for the camera.
One photograph shows a woman from the Zapotec tribe in Mexico, her face painted as the “Lady of the Dead”. Another shows a young girl from the the last Inca community in Peru, the Q’eros tribe, wrapped in K’eperina blanket, staring defiantly at the camera. “[My job] is about being open to the world,” says Nelson. “With no judgement, no basis and nothing but love for other places and other human beings”.
Nelson’s life goal is to document the lives of indigenous tribes throughout the world before their ways are permanently eradicated through modernization.
Indigenous peoples are defined as “ethnic groups who are the original or earliest known inhabitants of an area,” before the land has been “settled, occupied or colonized” by other inhabitants. Indigenous tribes are rare because of how pervasive and all-consuming colonialism has been in recent history–particularly in North and South America. Philosophies like “manifest destiny” convinced (largely white) populations that it was their duty and right to settle lands that native populations had been living on for centuries.
According to worldbank.org, there are 370 million indigenous peoples living in over 90 countries throughout the world. And although they only make up 5 percent of the global population, their numbers account for 15 percent of those living in extreme poverty. Not only that, but due to the wealth of generational knowledge they have about how to tend to their lands, indigenous peoples are estimated to safeguard 80 percent of the world’s biodiversity.
According to the United Nations, the UNDRIP “emphasizes the rights of Indigenous peoples to maintain and strengthen their own institutions, cultures and traditions, and to pursue their development in keeping with their own needs and aspirations”. The declaration was a necessary step in righting the wrongs of the colonizing forces of the past who believed that Western and European ideals were superior to the ways of native populations.
In an interview with The New York Post, Nelson describes how spending time with people who are not as deeply exposed to the hustle and bustle of modernization has changed his outlook on life. “We’re always thinking about the future.” he said. “But [these tribes] very much live in the present and in the moment, it’s wonderful.”
Nelson hopes that his book of photographs will humanize the people of indigenous tribes so that his readers recognize that they are no different from the rest of the world.
Nelson’s photos are not only featured in a book, but also digitally in the form of his “Jimmy Nelson” app. Readers can use the app to scan over every image in his “Homage to Humanity” book, which will give the reader access to exclusive behind-the-scenes content that includes interviews and short videos. He hopes this feature will give viewers an insight into his process behind creating his artwork. You can see more of his artwork here.
As for the rest of the world it would be wise for everyone to take a page out of Nelson’s book when it comes to his views on humanity. The photographer is passionate about connecting with humans from all colors, creeds, and walks of life. “I think it’s amazing how close you can get to people without talking to them,” he says. “We speak different languages but that doesn’t seem to matter. We are all the same.” Never have there been truer words to live by.
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