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After Two Months, We Finally Know The Fearless Girl’s Purpose And Ethnicity

By now you may have seen the Fearless Girl statue that appeared on Wall Street on March 7, 2017. She appeared quietly that night, but is inspiring hundreds of thousands of women and men throughout the country. The statue depicts a young girl with her hands on her hips in defiance as she faces the iconic Charging Bull statue. While the sculptor of the Charging Bull is so insulted by the Fearless Girl that he is trying to have her removed from her spot despite her ever-growing popularity among the public, waves of people continue to be influenced by this brave little girl. But brace yourselves, a new bit of information was just revealed from the sculptor and it may bring a new wave of excitement.

The brains behind the Fearless Girl has expressed some things people might not have known about the statue: the Fearless Girl is Latina.

We have finally learned that the Fearless Girl is Latina and there’s a major reason behind that decision.


Devika Bulchandani, the president of McCann XBC and managing director of McCann New York, told Advertising Age that they wanted Fearless Girl to be Latina so that she was universal and so she could “be an inspiration for everybody – fathers who have little girls and husbands who have wives [people who are] white, black, Indian – it should speak to the broadest audience,”

The Fearless Girl is promoting the increase of more women to corporate boards.

@RethinkingEve / Twitter
CREDIT: @RethinkingEve / Twitter

Basically, McCann New York partnered up with State Street Global Advisors and created the Fearless Girl as an ad directed at the 3,500 companies they invest their client’s money into, according to Advertising Age. But, just because she might have been created as an internal ad of sorts doesn’t mean she isn’t inspiring women and girls to go after their dreams.

The Fearless Girl literally showed up in the middle of the night facing the Charging Bull on Wall Street. Her popularity and inspiration are not slowing down.

@mattragas / Twitter
CREDIT: @mattragas / Twitter

According to The New York Times, the Fearless Girl was supposed to be a temporary installation for one month but the growing popularity and demand by the public prompted Mayor Bill de Blasio to announce that the statue will stay put until International Women’s Day in 2018. The Charging Bull sculptor has claimed that the appearance of the Fearless Girl violates his rights as an artist and has been trying to get the statue removed. Never mind that he dropped his sculpture in the middle of the night in 1987 and public demand is what made his sculpture a permanent staple in the Financial District.

Fans of the Fearless Girl have started a petition to make the statue a permanent part of Wall Street.


As of the post of this article, the Change.org petition has received more than 37,000 of the 50,000 necessary signatures.

And Mayor de Blasio seems to understand the importance of Fearless Girl “taking up space” on Wall Street.


Mic drop.


READ: The Little Girl From Bomba Estereo’s “Soy Yo” Video Has Bomb Life Advice: Be Yourself

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Yes, Someone Created An Actual Honest To God 108-Foot Vulva Statue In Brazil

Fierce

Yes, Someone Created An Actual Honest To God 108-Foot Vulva Statue In Brazil

BUDA MENDES / GETTY IMAGES

There’s no denying the fact that the female form, and it’s bits, in particular, have inspired artwork the world over. Tarsila do Amaral was inspired by it. Frida Kahlo and artists like Zilia Sánchez and Marta Minujín too. Women’s bodies are inspired and so they inspire. Still, a recent unveiling of vulva artwork has become so controversial and made people so besides themselves that it seems many have forgotten these truths about our bodies.

Over the weekend, Brazilian visual artist Juliana Notari revealed her latest sculptureDiva, on a hillside at Usina del Arte. The art park is located in the Brazilian state of Pernambuco and is described by Notari as “a massive vulva / wound excavation.”

The massive sculpture created on the hillside located in northeastern Brazil features a bright pink vulva and has fueled what is being described as a cultural war.

Notari created Diva, a colorful 108-foot concrete and resin sculpture on the site of a former sugar mill. The mill was converted into an open-air museum in Pernambuco state. Last week, when Notari debuted the installation she revealed it was meant to depict both a vulva and a wound while questioning the relationship between nature and culture in a “phallocentric and anthropocentric society.”

“These issues have become increasingly urgent today,” Notari wrote in a post shared to her Facebook page which was shared alongside a series of photos of the sculpture. According to NBC, it took a team of 20 artisans 11 months to build the entire concept.

No surprise, the piece of art sparked a wave of controversy on social media, with critics and supports debating its message and significance.

Over 25,000 users have commented on Notari’s Facebook post so far including leftists and conservatives. On the far-right, supporters of President Jair Bolsonaro have also been vocal about their views of the product.

“With all due respect, I did not like it. Imagine me walking with my young daughters in this park and them asking … Daddy, what is this? What will I answer?” one user wrote in the Facebook section of the post.

“With all due respect, you can teach your daughters not to be ashamed of their own genitals,” a woman replied.

Olavo de Carvalho, an advisor to Bolsonaro, vulgarly criticized the piece on Twitter.

Notari, whose previous work has been displayed at various galleries explained on her Facebook page that she created the piece to comment on gender issues in general.

“In Diva, I use art to dialogue with…gender issues from a female perspective combined with a cosmopocentric and anthropocentric western society,” Notari shared on her post to Facebook. “Currently these issues have become increasingly urgent. After all, it is by changing perspective of our relationship between humans and nonhuman, that will allow us to live longer on that planet and in a less unequal and catastrophic society.”

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The ‘Sistine Chapel Of The Amazon’ Was Just Discovered In Colombia And It’s One Of The Largest Rock Art Collections Ever Found

Culture

The ‘Sistine Chapel Of The Amazon’ Was Just Discovered In Colombia And It’s One Of The Largest Rock Art Collections Ever Found

Robert Alexander / Getty Images

All too often artists from Latin America – particularly Indigenous artists – are overlooked for their contribution to the world’s art scene. This isn’t just true of today’s artists but also dating back hundreds of years.

White-centric art critics have praised the works of artists like Rembrandt and Van Gogh, while ignoring the immense contributions that artists on the other side of the Atlantic were making hundreds or even thousands of years earlier.

Now, as a nearly 13,000-year-old rock art collection is discovered by researchers deep in the Colombian Amazon, this long lost history of Indigenous art is finally having its moment in the spotlight.

Researchers discovered one of the world’s largest and oldest collections of ancient rock art.

One of the world’s largest collections of prehistoric rock art has been discovered in the Amazon Rainforest. Researches are hailing it as the “Sistine Chapel of the Ancients,” and it’s guaranteed to bring a new level of attention on both the art and civilization of ancient America.

The rock art paintings, which number in the tens of thousands, are said to have been created up to 12,500 years ago. Perhaps even more staggering, they’re painted on well-worn cliff faces that stretch across nearly eight miles deep in the Colombian jungle. Experts say that because of the size of the site, it will take generations to study.

Although news of the rock art is just being released to the public, it was actually discovered last year as part of a film by the BBC: Jungle Mystery: Lost Kingdoms of the Amazon.

The site is in the Serranía de la Lindosa where, along with the Chiribiquete national park, other rock art had been found. The documentary’s presenter, Ella Al-Shamahi, an archaeologist and explorer, told the Observer: “The new site is so new, they haven’t even given it a name yet.”

The discovery highlights the lives of some of the very first people who called the Americas home.

The team who made the discovery is a joint British-Colombian group, funded by the European Research Council. Its leader is José Iriarte, professor of archaeology at Exeter University in the U.K. and a leading expert on the Amazon and pre-Columbian history.

He said: “When you’re there, your emotions flow … We’re talking about several tens of thousands of paintings. It’s going to take generations to record them … Every turn you do, it’s a new wall of paintings.”

The team found it hard to keep it a secret given the level of excitement and emotion they felt upon the discovery.

“We started seeing animals that are now extinct. The pictures are so natural and so well made that we have few doubts that you’re looking at a horse, for example. The ice-age horse had a wild, heavy face. It’s so detailed, we can even see the horse hair. It’s fascinating.”

The images include fish, turtles, lizards and birds, as well as people dancing and holding hands, among other scenes. One figure wears a mask resembling a bird with a beak.

It’s estimated that the thousands of pieces of rock art are nearly 13,000 years old.

Although no official carbon dating has been carried out to gauge the age of the art, experts are estimating its age based partly on the depictions of long-extinct ice age animals, such as the mastodon, a prehistoric relative of the elephant that hasn’t roamed South America for at least 12,000 years. There are also images of the palaeolama, an extinct camelid, as well as giant sloths and ice age horses.

These animals were all seen and painted by some of the very first humans ever to reach the Amazon. Their pictures give a glimpse into a lost, ancient civilization that many of our ancestors call on as part of our history.

The site is deep in rebel-controlled territory so it’s unlikley to become a tourist hotspot anytime soon.

Credit: Luis Acosta / Getty Images

The site of the discovery, the Serranía La Lindosa, sits deep in the rebel-controlled Colombian rainforest. As the documentary notes, Colombia is a land torn apart after 50 years of civil war that raged between FARC guerrillas and the Colombian government, now with an uneasy truce in place.

The territory where the paintings have been discovered was completely off limits until recently and still involves careful negotiation to enter safely.

Al-Shamahi said: “When we entered Farc territory, it was exactly as a few of us have been screaming about for a long time. Exploration is not over. Scientific discovery is not over but the big discoveries now are going to be found in places that are disputed or hostile.”

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