Entertainment

Why Disney’s CEO Says That Disney’s Forgotten Movie “Song of the South” Wouldn’t “Sit Right” With Disney+ Viewers

When you think of “Disney”, chances are, your mind doesn’t automatically wander to a racist movie of yore that that has been buried due to an extensive campaign of damage control. 

But believe it or not, the House of Mouse is guilty of just that. We all know by now that on November 12th, Disney launched its much-anticipated streaming service Disney+, making a library of over 7,000 television episodes and 500 films available to its subscribers. 

And while some customers were excited about re-watching old classics like “Smart House” and “The Cheetah Girls”, others were busy frantically searching the archives for a title that is old, but not forgotten: “Song of the South”. 

Released in 1946, “Song of the South” was originally green-lit with the goal of capitalizing on the popularity of post-Civil War blockbusters like 1939’s “Gone With the Wind”. 

Song of the South is possibly the most problematic movie Disney has ever produced.

“Song of the South” revolves around the character of Johnny, a seven-year-old boy living in the Reconstruction-era South (the 1860s and 1870s). While visiting his grandmother’s plantation during a moment of familial strife, Johnny befriends a former slave named Uncle Remus who now works on the plantation. 

Seeing Johnny’s obvious unhappiness, Uncle Remus tries to cheer Johnny up by recounting fables starring Br’er Rabbit, Br’er Fox, and Br’er Bear–anthropomorphic animals that learn the lessons of life the hard way. Through Uncle Remus, Johnny learns how to deal with the difficulties of life from a more mature perspective. 

And while on its surface, the movie seems to be a straight-forward coming-of-age story combined with subtle messages of racial harmony, the thrust of the film is much more insidious than that.

The relationship between Uncle Remus and his white employers is a problematic picture of a subservient, docile old black man who is happy to live and work on the plantation in which he was formerly enslaved. 

Before singing the legendary ear-worm “Zip-a-Dee-Doo-Dah”, Remus waxes nostalgic about the unnamed good ol’ days when “every day was mighty satisfactual”. He then adds: “If you’ll excuse me for saying so, ’twas better all around”. It doesn’t take a genius to deduce that the moment in history Uncle Remus is referring to is when slavery was still a part of the American way of life.

Uncle Remus’s short soliloquy before the movie’s big number acts as sort of a thesis statement for the movie. As Scott Tobias from The Guardian astutely observed, the film suggest that “things are better for everyone” when black people “accept their subservience and benefit from the largesse of white plantation owners, even when they’re ostensibly free to leave at any time.” 

Or, in other words, according to Tobias: “The rotten heart of Song of the South is the implication that such carefree days were easier to come by in the idealized world of the pre-civil war south”.

Disney Studios, aware of how controversial the film is, has made it publicly known that they do not plan on making “Song of the South” available for streaming on Disney+ now, or ever.

Back in 2011, when faced with the question of whether Disney would consider re-releasing “Song of the South”, Disney CEO Bob Iger made his position very clear, saying that the movie “wouldn’t necessarily sit right or feel right to a number of people today”. 

“Even though we’ve considered from time to time bringing [Song of the South] back, I didn’t think it was the right thing for the company to do,” he said. “[We] just felt that it wouldn’t be in the best interest of our shareholders to bring it back, even though there would be some financial gain. Sometimes you make sacrifices on the financial side to do what you believe is right and that’s an example of that”.

But some people are wondering if Song of the South’s omission on the streaming platform is just a way for the media conglomerate to avoid taking responsibility for its past sins. 

Obviously, Twitter users have pretty strong opinions about Disney’s handling of the “Song of the South” controversy.

It’s surprising how starkly opinions differ on whether “Song of the South” should be available to the public.

Some people were happy that Disney decided to omit the title from their library:

Some people believe that the release of the movie would do more harm than good.

Others believe that Disney is shirking responsibility for leaving the movie off of Disney+.

 There is the argument that Disney is trying to re-write their past by hiding the movie.

Of course, others can’t help but make jokes about the entire debacle:

At this point, we wouldn’t put it past Disney to do just this in order to make an extra buck.

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A Florida Doctor Is Being Charged with a Hate Crime After Assaulting a Latino Man at a Supermarket

Things That Matter

A Florida Doctor Is Being Charged with a Hate Crime After Assaulting a Latino Man at a Supermarket

Photos via MIAMI-DADE CORRECTIONS, Getty Images

It’s an unfortunate reality that Latinos face immense amounts of racism in America. Case in point: a Florida doctor is facing hate crime charges after assaulting a Latino man at a supermarket.

According to police, a 58-year-old woman followed a Latino man out to the parking lot, keyed his car, smashed his phone, and punched him–all the while hurling racially-charged insults at him.

The altercation happened on Jan. 20th at a Publix supermarket in Hialeah, Florida–a town with a large Latino population. It all started when the victim, an unnamed Latino man, asked Dr. Jennifer Susan Wright to maintain social distancing in Spanish. After she ignored him, the man repeated the question in English.

It was at this point that Dr. Wright, who is an anesthesiologist at Mount Sinai Medical Center, became incensed and began muttering curse words under her breath. After the man left the grocery store, Dr. Wright followed him out to the parking lot.

She began to verbally berate him, calling him a “spic” and telling him “we should have gotten rid of you when we could.”

According to the police report, she also said: “This is not going to be Biden’s America, this is my America.” The woman then took her keys out an began to “stab the victim’s vehicle with her keys” while telling him to “go back to his country”.

The man took out his phone to call 911 and the woman allegedly punched him, causing him to drop his phone. When he bent over to pick his phone up, she allegedly kicked him and tried to stomp on his phone.

The woman fled before the police came, but she was arrested on Feb 12th at her home in Miami Springs.

The woman was initially charged with tampering with a victim, criminal mischief and battery with prejudice. The “hate crime” charge was later added, elevating the crime to a felony.

According to reports, Wright posted her $1000 bail and is now awaiting trial. Mount Sinai Medical Center released a statement saying that Dr. Wright is “no longer responsible for patient care” after assaulting a Latino man.

According to the Miami Herald, neighbors know Dr. Jennifer Wright as an ardent Trump supporter. Her social media pages are riddled with far-right, Pro-Trump memes and photos of her posing in a MAGA hat. She even uploaded a post that read: “It’s Okay To Be White.”

We can all agree that it’s “okay” to be white. It’s okay to be any race. We cannot, however, all agree that it’s okay to be a violent, racist bigot. We hope the victim has recovered and we hope Jennifer Wright will face justice.

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Sasha Calle Is Officially The DC Universe’s First-Ever Latina Supergirl

Entertainment

Sasha Calle Is Officially The DC Universe’s First-Ever Latina Supergirl

The DC Universe just got a heck of a lot more Brown.

This week, it was announced that 25-year-old actress Sasha Calle is poised to be the franchise’s newest superstar. Known for portraying Lola Rosales on “The Young and the Restless,” the actress will take on the role of Supergirl in the DC film franchise.

Her first appearance as Supergirl expected to debut in the upcoming movie “The Flash.”

Calle, who is of Colombian heritage, is set to become the first Latina ever to play the role of Supergirl.

Calle earned her first breakout role in 2018 after being cast in the long-running CBS daytime drama “The Young & The Restless” as a food truck owner and the youngest sister of brothers in the midst of a toxic rivalry.

Calle earned a Daytime Emmy nomination in the Outstanding Young Performer in a Drama Series category last year for her part in the series.

“On behalf of everyone at ‘The Young and the Restless,’ we’d like to congratulate Sasha Calle on making history and being chosen to play the first Latina Supergirl,” the daytime drama’s executive producer Anthony Morina and co-executive producer/head writer Josh Griffith shared in a statement. “The role of Supergirl is a perfect fit for someone of Sasha’s immense talent, and we wish her all the best as she takes on this groundbreaking role.”

According to Deadline, Calle beat out 425 actresses for the part of Supergirl.

Andy Muschietti director of The Flash gave Calle the good news about her role over Zoom.

“Can I freak out for a second?” Calle asked before announcing the news to someone offscreen. “I got it,” she said to the person off-camera while doing a dance in her chair. Turning back to Muschietti, Calle admitted “I’m probably not going to stop crying all day.”

Calle shared the moment to her Instagram admitting she was still processing the big news.

“A Latina superhero?!” Calle wrote of the news in Spanish. “On what planet?! Well, on this planet! What joy and what pride.” Thanking her mom, Calle wrote, “I adore you with everything I have. You are an example of a superhero.”

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