Entertainment

These Spanish-Language Albums Changed The Face And Feel Of The Music Industry

Whenever anyone dares to write a list of the most influential albums of all time, there are generally detractors who come up in arms. We do not wish to upset anybody with this selection of amazing albums, though. We just want to show you the depth and breath of the music that has come out of Latin America and out of the Latino diaspora in the United States. It is pretty easy to listen to all of these, so fire up your Spotify, get your headphones on and just let yourself go.

Música maestro.

“Re” by Cafe Tacvba

Year released: 1994

Genre: rock mexicano

Credit: R-4391373-1363636582-9482.jpeg.jpg. Digital image. Discogs

Widely regarded as the best Mexican rock album ever released, this masterpiece has been appreciated by people like Madonna. The album borrows from genres such as danzon and Tex-Mex music and produces indelible sounds that will make you laugh, dance and cry.

“Dónde están los ladrones?” by Shakira

Year released: 1998

Genre: Rock en español

Credit: R-5843968-1439639530-5572.jpeg.jpg Discogs. Digital image.Discogs.

Before she told us that her hips don’t lie and became a world phenomenon, Shakira released this mellow album that revealed her talent as a songwriter. She was young, beautiful and intelligent, a true example of the power of Latina women.

“Siembra” by Willie Colón y Rubén Blades

Year released: 1978

Genre: Salsa

Credit: Siembra-Colón-Blades. Digital image. Revista Replicante

It is not often that true legends collaborate. The New York native Willia and Blades from Panama released this album, which includes the classic “Pedro Navajas,” a true masterpiece that is violent and joyful at once.

“Una década” by Rubén Blades

Year released: 2003

Genre: Salsa

Credit: Una-década-Blades. Digital image. Revista Replicante

This is an amazing collection with Blades’ recordings from the 1990s. What makes him special is the skillful combination of musical skill and social commentary in the poignant lyrics.

“Tijuana Sessions Vol. I” by Nortec Collective

Year released: 2001

Genre: Electronic

Credit: 64. Digital image. Lado B.

This duo from the border city of Tijuana really got what it means to live in a liminal zone that is equally influenced by Anglo and Latino cultures. The result is as enigmatic as, say, Radiohead’s “OK Computer.” A real masterpiece that will make you fly.

“Leche” by Fobia

Year released: 1993

Genre: Latin Rock

Credit: 81. Digital image. Lado B.

The intellectual offspring of the likes of Lou Reed and David Bowie. The front singer Leonardo de Lozane held an enigmatic, androgynous vibe. This album is like a shot of tequila: kitsch, yet punchy. 

“Mucho barato” by Control Machete

Year released: 1997

Genre: Hip Hop

Credit: 41. Digital image. Lado B.

The precursors of hip hop south of the Border. This album was revolutionary: as angry as Rage Against the Machine, yet using Spanglish in newfound ways that touched the vulgar and poetic.

“Chavela Live at Carnegie Hall” by Chavela Vargas

Year released: 2003

Genre: Ranchera

Credit: MI0001307534. Digital image. All Music

Chavela Vargas was a revolutionary on many fronts. She was one of the first openly queer personalities in Latin American music, and she revived her career well into her golden years. This album is a live performance in the legendary Carnegie Hall in New York: it is the stuff legends and dreams are made of.

“Adios Nonino” by Astor Pizzolla

Year released: 1969

Genre: Tango

Credit: 50-latin-albums-46.-astor-piazolla-y-su-quinteto-adios-nonino-1969-billboard-500×500 (1). Digital image. Billboard

After Carlos Gardel, Astor Piazzolla is perhaps the most representative tango musician in history. He revolutionized tango by giving the classic Argentinian and Uruguayan genre a modern twist. His accordion is damn sexy, the stuff that makes the blood and passions pump.

“Buena Vista Social Club” by Ry Cooder, Compay Segundo, Ruben Gonzalez, Eliades Ochoa and Ibrahim Ferrer

Year released: 1997

Genre: Son cubano

Credit: 50-spanish-language-albums-18.buena-vista-social-club-buena-vista-social-club-billboard-500×500. Digital image. Billboard

This is the soundtrack for Wim Wenders now-legendary film that follows a group of Cuban musicians. The album smells of rum, cigars and sunset at Havana. The album is groundbreaking because it helped Western countries get acquainted with the complexity of Latin music.

“El circo” by La Maldita Vecindad

Year released: 1991

Genre: Urban rock / danzon

Credit: 18. Digital image. Lado B.

One of the great ways in which Latin American culture has pushed back against foreign cultural influence is of course music. This album tells everyday sad, courageous and unbelievable stories from Mexico City. From kids who live in the sewers to a bar where the saddest souls in the city dance, this is a true joya that mixes traditional and modern genres. “Kumbala” is one of the best songs ever written, period.

“Mundo Colombia” by Celso Piña

Year released: 2002

Genre: Cumbia

Credit: 51OKb1oU4CL._SX466_. Digital image. Amazon.

The great Celso is a musician from Monterrey, Mexico, who has nevertheless become one of the leading cumbia musicians. The genre is originally from Colombia, so in this album Celso offers an homage to the ritmos sabrosos of Colombian lands.

“Nada personal” by Soda Stereo

Year released: 1985

Genre: Rock argentino

Credit: 65. Digital image. Lado B.

We could argue that this band led by the late Gustavo Cerati was even better than Anglo groups like Duran Duran. This album is all energy and 1980s vibe. New Wave sounds that are still listed to by Latin American youth.

“Suavemente” by Elvis Crespo

Year released: 1998

Genre: Merengue

Credit: 50-spanish-language-albums-17.elvis-crespo-suavemente-billboard-500×500. Digital image. Billboard

Suavemente, besame…. we are sure you have listened to this song at a wedding or at unos quince. Crespo brought Merengue to the mainstream and that is something that will never be taken away from him.

“Cielo de tambores” by Grupo Niche

Year released: 1990

Genre: Cumbia/salsa

Credit: R-5071556-1454493188-1038.jpeg. Digital image. Discog.

Perhaps the most influential Colombian album of all time. This album is energetic and sounds like the dark roast of Colombian coffee. Con sangre y con sudor su historia escribio.

“Secretos” by José José

Year released: 1983

Genre: Ballad

Credit: 50-spanish-language-albums-27.-jose-jose-secretos-billboard-500×500. Digital image. Billboard.

The Mexican Frank Sinatra. This album is the epitome of his estilo llegador: songs like “El Amor Acaba” and “Lagrimas” will play in the late hours of the night while you sip a tequila and think of amores perdidos.

“En cico en la cárcel de Santa Martha” by El Tri

Year released: 1989

Genre: Rock mexicano

Credit: 19. Digital image. Lado B.

Just like Johnny Cash did in Saint Quentin and other prisons, the legendary band El Tri (think of a Mexican version of The Ramones) played for the inmates, creating one of the most lively records in the history of Latin American rock.

“Celia & Johnny” by Celia Cruz and Johnny Pacheco

Year released: 1974

Genre: Salsa

Credit: 50-spanish-language-albums-14.celia-cruz-celia-johnny-billboard-500×50. Digital image. Billboard

Every legend has a beginning, and this was it for Celia Cruz, the absolute queen of salsa. Azuuuuuuucar!

“Bachata Rosa” by Juan Luis Guerra y sus 4.40

Year released: 1990

Genre: Bachata

Credit: 94756091. Digital image. Toda coleccion.

This Dominican legend took pop music by storm with songs like “Burbujas de amor”. Quisiera ser un pezzzzz.

“Los de atras vienen conmigo” by Calle 13

Year released: 2008

Genre: Raeggeton

Credit: 50-spanish-language-albums-5.-calle-13-los-de-atras-vienen-conmigo-billboard-500×500. Digital image. Billboard.

Residente and Visitante poured it all in this album, which is fun to listen to, but also contains some very punchy and politically incendiary lyrics.

“La espada y la pared” by Los Tres

Year released: 1995

Genre: Rock chileno

Credit: 56. Digital image. Lado B.

This Chilean band mixes rock, jazz, and cueca, a traditional genre of the indigenous peoples of Chile. This album was one of the first to be produced after Pinochet’s dictatorship and the energy is palpable: a new era of freedom was coming.


READ: Country Music Is Losing Steam As Latin Music Experienced Major Growth In Popularity Last Year

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Kali Uchis’ “Telepatía” is Becoming a Global Hit Thanks to TikTok

Latidomusic

Kali Uchis’ “Telepatía” is Becoming a Global Hit Thanks to TikTok

Through the power of TikTok, Kali Uchis is taking her song “Telepatía” to the top. The Colombian-American singer is sitting comfortably in the top 10 of Spotify’s Top 200 chart in the U.S. thanks to a TikTok trend.

This isn’t the first time that TikTok brought new fame to songs.

TikTok has proven to be quite the catalyst for today’s top hits. The app assisted in getting Olivia Rodrigo’s “drivers license” to the top of Billboard Hot 100 chart, where it remains. TikTok also reinvigorated interest in Fleetwood Mac’s “Dreams” last year thanks to Doggface’s viral video. Now Uchis is getting her long overdue shine with “Telepatía.”

“Telepatía” is becoming a global hit thanks to the same phenomenon.

At No. 7 on the Spotify U.S. chart, “Telepatía” is the highest-charting Latin song in the country. Bad Bunny’s “Dákiti” with Jhay Cortez is the next closest Latin song at No. 14. “Telepatía” is also making waves across the globe where the song is charting on Spotify’s Viral Charts in 66 countries and in the Top Songs Charts of 32 countries.

There’s also plenty of “Telepatía” memes.

Uchis is turning the viral song’s success into strong sales and streaming. On this week’s Billboard Hot Latin Songs chart, “Telepatía” debuts at No. 10, marking her first top 10 hit on the chart. There are also memes circulating on other social media apps that are contributing to the song’s virality.

“Telepatía” is one of the key cuts on Uchis’ debut Latin album, Sin Miedo (del Amor y Otros Demonios). It’s the best example of her translating that alternative soul music that she’s known for into Spanish. The song is notably in Spanglish as Uchis sings about keeping a love connection alive from a distance. It’s timely considering this era of social distancing that we’re in during the COVID-19 pandemic.

Uchis is currently nominated for a Grammy Award. She’s up for Best Dance Recording for her feature on Kaytranada’s “10%” song.

Read: You Have To Hear Kali Uchis Slay This Classic Latino Song

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Kehlani Dresses as Both Prom King and Queen on Cover of ‘Playboy’, Talks Feeling Comfortable in Both Gender Roles

Entertainment

Kehlani Dresses as Both Prom King and Queen on Cover of ‘Playboy’, Talks Feeling Comfortable in Both Gender Roles

Photo via kehlani/Instagram

Kehlani has long been open about the fluid nature of her gender expression. That’s why it’s exciting that the R&B star is experimenting with different facets of her personality on the most recent cover of Playboy.

In a bold move, Kehlani appears on Playboy‘s latest cover dressed in both (traditionally) women and (traditionally) men’s clothing.

And as if one Kehlani isn’t exciting enough, the magazine cover treats us to two versions of this Oakland native. On the left side of the magazine, Kehlani is dressed up as a Prom Queen, complete with a resplendent gown and a tiara. On the cover’s right side, Kehlani is dressed in Prom King drag: her tie undone, her collar open, her crown askew.

She shared the picture to her personal Instagram page with the cheeky caption: “I always wanted to date me.”

In the accompanying interview, Kehlani talks about gender identity and expression, motherhood, and owning her sexuality.

When Kehlani was asked how she defines masculinity and femininity, Kehlani got refreshingly candid. “I’ve discovered that I’ve run from a lot of femininity,” she admitted. “I was way more comfortable in a more masculine space. I feel more masculine when I am in my stillness and I’m grounded in a quiet, contemplative mode.”

She then explained that she feels “most feminine” when she’s “being the mother of my house.” (Kehlani had a baby girl named Adeya Nomi in 2019). She also explained that she “feels her femininity” when she ‘s indulging in self-care, like soaking in a flower-filled bath, or doing a hair mask.

“My femininity makes me feel soft and gentle and tender and careful in a different way than my masculinity makes me feel,” she said. “I’m trying not to let it fall into the gender norms of feminine and masculine, but for me it does a tiny bit. But I also am very fluid in both of those settings.”

Kehlani has always been open about her fluid sexuality and gender identity.

In 2018, she tweeted: “Not bi, not straight. I’m attracted to women, men, REALLY attracted to queer men, non-binary people, intersex people, trans people”.

But of course, haters on the internet accused her of “queer-baiting”–that is, pretending she’s queer to get more LGBT fans and attract attention. In an interview with The Guardian last year, she revealed why the accusation frustrates her.

“I’ve had girlfriends in front of people’s faces, right under their noses, and they weren’t famous and so nobody cared to make it public,” she said. “So they automatically assume that I must like men more than women.”

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