Entertainment

Bad Bunny Goes Norteño: The Latin Trap Icon Joined Corrido Star Natanael Cano To Create The Wildest Mashup

Corrido is going from old-school abuelo music to a more urbano and trap-infused genre lately. The classic regional Mexican sound, known for its narrative folk ballads, is slowly but surely joining in on the ‘música urbana’ movement that has the whole world listening. And with Bad Bunny injecting his hip-hop and trap flair into the genre, we can confirm that corridos tumbados, are officially the new thing. 

After visiting Mexico for a run of tour dates in support of his latest album X 100Pre, Bad Bunny surprised us all with a unique project: a corrido. 

Credit: badbunnypr / Instagram

In his latest release, the trap-reggaeton star tapped the urban regional Mexican label, Rancho Humilde, for a collaboration that would bridge the gap between regional Mexican music and Puerto Rican música urbana —and surprise us all with the result. El Conejo Malo got in touch  with the urban corrido, or corrido tumbado artist, Natanael Cano.

Natanael Cano is part of a new school of Corrido, the ‘Corrido Tumbado’ which adds trap and urban influences to the classic genre.

Credit: natanael_cano / Instagram

Cano is part of a burgeoning movement of Mexican artists making trap corridos (or “corridos tumbados”) that incorporate hip-hop elements into the traditional corrido style. At just 18, Cano has turned into an internet sensation. His viral hits “El F1” and “El Drip” have more than 17 million views on Youtube. And his song “El de la Codeína” made it to #1 on Apple Music’s Latino chart.

With the remix to ‘Soy El Diablo’ Bad Bunny wants to promote unity among all Latinx communities.

Credit: natanael_cano / Instagram

Bad Bunny and Natanel Cano emerged with a remix of Cano’s gritty 2019 track, “Soy El Diablo” (“I Am the Devil”). Taking cues from the Sonora native, Bunny sings Cano’s lines in his unmistakably Caribbean accent, over strums of acoustic guitar.

“Para mi gente linda de Mexico, Puerto Rico, Latinoamerica/Eso es pa’ toda mi raza/ America es nuestra casa,” says one of Bad Bunny’s lines —using the song as a platform to promote unity among all Latinx communities. “This is for my beautiful people in Mexico, Puerto Rico, Latin America/This is for my race/America is our home!”

Bad Bunny had been teasing the collab for a few weeks.

The unlikely pair dropped the first official urbano/corrido collab in October, weeks after teasing at it with Benito posting videos of himself on Instagram singing along to the song and drinking tequila from the bottle. “It’s something I never imagined. Like, zero percent,” Cano said in an interview about the remix. But the Mexican artist is acutely aware of the important place that Latin urbano sounds hold in the global musical landscape of the moment. “We’re the new generation [of regional], and we have that other sound naturally inside of us. It’s organic.”

In the song Bad Bunny even uses regional Mexican slang and references.

The corrido opens with Bad Bunny’s “Ajuaaaa.” His delivery, and even his slang —which include shout outs to Canelo Álvarez and Rancho Humilde and words like “compa,” and “banda” are typical of the regional genre to refer to the people— show the importance that Benito gave this remix.

The collab was first suggested to both parties by Marissa Gastelum, who runs Latin artist relations at Apple Music.

Credit: ranchohumilde/ Instagram

“In September, Noah [Assad, Bad Bunny’s manager] called me and asked me what I thought of this kid,” recalls Gastelum in an interview with Billboard. “He told me Bad Bunny really loves this song ‘Soy El Diablo.’ And I said, wait, lets do something!”

Gastelum called Jimmy Humilde, the owner of indie Rancho Humilde  Records, to which Cano is signed. Humilde, who has worked to create an “urban regional” sound that appeals to a younger generation of regional Mexican fans, thought it was a great idea, and so the regional/urban remix was born.

Bad Bunny chased his tequila-fueled release with a string of New England tour dates — and a stint as guest lecturer at Harvard University. If we can count on Benito to do one thing, it’s to inject his cool-effect on anything he touches. 

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Camilo’s New Album ‘Mis Manos’ is Coming Next Month

Latidomusic

Camilo’s New Album ‘Mis Manos’ is Coming Next Month

Camilo announced the release date for his next album and it’s coming sooner than you think. The Colombian singer-songwriter’s Mis Manos album will be released at the top of next month.

Camilo says this album will be a gift to fans since he can’t tour right now.

“My album Mis Manos will be in your hands on March 5,” Camilo wrote in a post on Instagram. “If everything had happened according to my plans, at this moment I would be on tour, singing face to face with all of you. But the reality is different. I hope that Mis Manos is a flag of hope and joy in these moments when we need it the most.”

Mis Manos will most likely feature Camilo’s latest hits that have gone viral on TikTok, the cumbia-influenced “Vida de Rico” and the polarizing “Ropa Cara.” The latter has gone viral thanks to the booty-shaking dance challenge that Camilo started on TikTok. The pseudo perreo song has lodged itself into people’s minds, for better or worse, thanks to the challenge. Camilo is the most followed Latin music artist on TikTok with 21.9 million followers.

@camilo

Me babeo con mi esposa. Delicia! Guapa! Churro! ROPA CARA! 🛍💰👘

♬ Ropa Cara – Camilo

Another song that will most likely make the cut is Camilo’s “Bebé,” his bachata song with Dominican artist El Alfa. The two performed it for the first time at last week’s Premio Lo Nuestro. Camilo also joined his family, his wife Evaluna Montaner, his father-in-law Ricardo Montaner, and his brothers-in-law Mau y Ricky, to sing their hit “Amén.”

Camilo is currently nominated for a Grammy Award for his last album, Por Primera Vez. He faces competition like Bad Bunny’s YHLQMDLG and Kany García’s Mesa Para Dos in the Best Latin Pop or Urban Album category.

Read: These Are The Latin Artists That Dominated VEVO’s Most Watched Lists For 2020

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Bad Bunny Nearly Kissed Rosalía During His ‘Saturday Night Live’ Debut

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Bad Bunny Nearly Kissed Rosalía During His ‘Saturday Night Live’ Debut

Bad Bunny made his Saturday Night Live debut on Feb. 20 as a musical guest. As expected, he was joined by Spanish singer Rosalía for a steamy performance of their duet “La Noche de Anoche.”

Bad Bunny and Rosalía turned up the heat on SNL.

As we predicted, one of Bad Bunny’s two performances was for his latest El Último Tour Del Mundo hit “La Noche de Anoche” with Rosalía. Both artists stared into each other’s eyes as they performed the reggaeton bop. The crowd screamed when Rosalía sang, “Dime papi.” Benito and Rosalía took the embracing from the music video to the next level when they nearly kissed at the end of the performance. There was a lot of brushing of their cheeks that had the crowd screaming more.

Bad Bunny and Rosalía’s romance for “La Noche de Anoche” is just for on-screen purposes. Benito is in a relationship with his girlfriend Gabriela Berlingeri and Rosalía is rumored to be going out with Boricua singer Rauw Alejandro. She has uncredited backing vocals on Alejandro’s song “Dile a Él” from his Afrodisíaco album.

For his second performance, Bad Bunny opted for a ballad.

Currently Bad Bunny has the biggest hit Latin song in the world with “Dákiti” featuring Jhay Cortez. For his second performance, he opted to perform the heartbreaking ballad “Te Deseo Lo Mejor.” With that song he was able to show off the alternative rock edge to his El Último Tour Del Mundo album.

In the episode of SNL hosted by Bridgerton star Rége-Jean Page, Bad Bunny also acted in the digital skit “Loco.” He played a house plant that encouraged Ego Nwodim to “buss it down if you’re mentally ill.”

In other Bad Bunny news, he retained his 24/7 Championship belt during last night’s WWE Elimination Chamber special. He notably slapped his rival on the series, Mike “The Miz” Mizanin, in the face.

What can’t Bad Bunny do?

Read: Bad Bunny Is Going All In On Wrestling And We Ain’t Mad About It

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