Entertainment

Netflix Is Bringing Latinidad To The Fantasy Realm And LOTR Fans Gear Up

Streaming services like Netflix have become our go-to place for fresh media. So, whenever we hear of a new project coming from the streaming service, we’re all in. Last November, Netflix announced a huge 6 project animated deal that will bring even more cartoon goodness to our screens. One, in particular, has us especially excited because it comes from animator and director Jorge Gutierrez. You might remember him from Nickelodeon’s “El Tigre: The Adventures of Manny Rivera” and the gorgeously animated “The Book of Life.”

Now, we’re seeing the first looks of Gutierrez’s new Netflix project, “Maya and the Three.”

Twitter / @mexopolis

Described as a Mesoamerican fantasy epic, the director sat down with VARIETY to share the origins of the project and the journey to get it made. Gutierrez was approached by Netflix with an alluring challenge: share his dream project with executives; the one he didn’t believe anyone would ever allow him to make. It only took him one pitch to win the streaming giant over and “Maya” was greenlit for production.

“So I sat down on Jan. 25th of [2018] and that was the first time I ever pitched ‘Maya,’” he shared with VARIETY. “No art, no writing, just an idea. And here I am 11 months later, knee-deep in production.”

It was Gutierrez’s goal to portray a “bad-ass female Mesoamerican hero” in a fantasy world of his own creation.

Twitter / @zette16

“I started seeing a lot of things I didn’t like as far as not having any lead females, especially in Mesoamerican mythology,” he explained. “So I said I want to have a hero who is a half-god half-human warrior princess.”

In the Netflix series, a demigod warrior princess named Maya embarks on a quest to recruit three legendary fighters. With their help, she hopes to save the worlds of god and man from destruction. The intention was to show Maya as a strong female lead and, to do so, Gutierrez pulled from his real-life heroes. The director credits his sister, mother and his wife, Sandra Equihua for inspiring the mythical heroine. Equihua is also a talented animator and acts as a character designer for the female characters in her husband’s work.

With his female lead in place, Gutierrez focused on the mystical world that “Maya” would be set in.

Twitter / @mexopolis

The setting for the Netflix limited series has been growing in Gutierrez’s mind since he was a boy growing up in Mexico City. He would wander the halls of the Museum of Natural History and makeup stories about what he saw. These stories would later help to mold the setting. Even now, the director has fun teasing his Twitter followers with hints about what the new series could look like. However, it’s the architecture from his boyhood explorations, Gutierrez’s fondness for skulls and the pantheon of Mesoamerican gods that have helped to create Maya’s world.

Due to the mystical quest and the fantasy setting of “Maya and the Three,” Gutierrez has taken to calling the series the Mexican “Lord of the Rings.” Still, it’s a fantasy first and foremost. The director wants everyone to understand that “Maya” is inspired by Mesoamerican culture but is not meant to be an accurate representation.

“I tell everybody that while it’s inspired by Mesoamerica, this will be as accurate (to that world) as ‘Rocky’ was to boxing,” Gutierrez shared with VARIETY. “It’s all fantasy and I’m having a blast playing with the history.”

The series will feature a number of talented Latinx writers, producers and voice actors to bring Maya to life.

Instagram / @thraxisjr

Silvia Olivas from “Elena of Avalor” is acting as a co-writer and co-producer for “Maya and the Three.” From Disney’s “Moana,” Jeff Ranjo is the head of story. Paul Sullivan, who worked with Gutierrez on “The Book of Life,” is the production designer.

Despite these important hires, animators were in short supply so the producer had to get creative.

“Especially in L.A., we are all fighting for basically the same people, so now we’re looking outside. Before we announced Maya, I would go online and look for artists who were already inspired by Mesoamerica and say to them ‘You already love this stuff, we love it too! Come to our team.’”

Gutierrez used Instagram, Twitter, and Tumblr to find animators that could do justice to the project. This modern-day recruiting system allowed Gutierrez and his team to find fresh artists with untapped talent to animate “Maya.” The results promise to be unique and beautiful.

The series is still a long ways away; it won’t debut on Netflix until its 2021 worldwide release. While it’s a long wait, the director promises fans that it is well worth it.

“Please have patience,” he told fans through his VARIETY interview. “This is gonna take a while, but we hope it’s unlike anything anyone has ever seen. We are so giddy every day and still can’t believe this is happening.”

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‘The Tax Collector’ Director Denies That Shia LeBeouf Is In Brownface

Entertainment

‘The Tax Collector’ Director Denies That Shia LeBeouf Is In Brownface

Phillip Faraone / Getty Images

Shia LeBeouf is in the new movie “The Tax Collector” and people are accusing him of brownface for this role. The actor takes on the accent for the role and got a chest tattoo to do the role authentically. For some, it is cultural appropriation and it has started a debate.

Shia LeBeouf is the man in “The Tax Collector” and people have questions.

The pulse-pounding trailer has all of the action you can handle so you can only imagine what the full movie is like. The movie is all about the tax collector having to fight to protect his family when a rival takes over his turf. LeBeouf is ready to do whatever it takes to save his family.

Some people are very upset about the role for LeBeouf.

The tattoos and the accent are too much for people. Some have argued that the role was not at all a way of cultural appropriation. Instead, LeBeouf is playing a white role that happens to have grown up in a neighborhood where he picked up the accent and a certain way of dress.

The argument is going both ways with people fighting to defend him.

While the role could be really problematic for some, others see themselves reflected in it. There are many people defending LeBeouf because they too grow up in a neighborhood and took on the culture of the neighborhood.

The director of the film, David Ayer, spoke out saying that LeBeouf is not in brownface.

“He’s a white guy playing a white guy. He’s not taking anyone’s work away,” Ayer told the LA Times to calm the critics.

What do you think?

READ: Bon Appétit Editor Adam Rapoport Resigns Over Brownface Scandal

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Daisy Coleman, The High School Sexual Assault Survivor Featured In A Netflix Documentary, Has Died By Suicide

Fierce

Daisy Coleman, The High School Sexual Assault Survivor Featured In A Netflix Documentary, Has Died By Suicide

Netflix

In 2016, Netflix debuted the heartwrenching documentary Audrie & Daisy a film that examined the tragic experiences of two high school students. Audrie Pott and Daisy Coleman were two teens at the time of their sexual assaults. Both women were subjected to cyberbullying and abuse after their assaults and forced to heal with little support. But soon after her assault, Audrie Pott was driven to suicide by hanging.

The film showed that Coleman also struggled with suicide ideation after the assault.

Four years after the film’s debut, Coleman (who had become a sexual assault victim advocate) has died by suicide.

In a post to her Facebook page on Tuesday, Coleman’s mother shared the news: “My daughter Catherine Daisy Coleman committed suicide tonight,” Melinda Coleman wrote. “If you saw crazy messages and posts it was because I called the police to check on her. She was my best friend and amazing daughter. I think she had to make it seem like I could live without her. I can’t. I wish I could have taken the pain from her! She never recovered from what those boys did to her and it’s just not fair. My baby girl is gone.”

At the time of her assault, Coleman was 14 years old. She was sexually assaulted by a high schooler named Matthew Barnett and was dumped outside of her home wearing only a T-shirt in the dead of winter. The documentary film said Coleman had been left behind in sub-freezing temperatures and that her hair had stuck to the ground.

Barnett was eventually subjected to a felony sexual assault charge for what he did to Coleman but the charge was later dropped.

After, Coleman became a target for bullying.

Filmmakers followed Coleman for two years watching the ways in which Coleman and members of her family were subjected to the trauma of her assault.

“I definitely feel like people have certain views and perceptions about me and about cases like this because they’re uneducated,” then-19-year-old Coleman told People in a 2017 interview. “That’s exactly why I’m going out and trying to educate people on what’s going on in our society.”

Speaking about her experience, Coleman said that she didn’t hold any animosity against her attacker. “I honestly don’t have any vindictive feelings toward him,” Coleman told People. “I feel like all of that negativity that he put onto me was passed down to him at one point, so I felt the need to stop that kind of transaction of negativity and hate… I went through a lot of years of self-loathing and asking myself, Why me? So much ‘woe is me’… I just decided one day that I was done being negative about it. I needed to forgive myself for what happened.”

In 2017, Coleman worked to help others from being subjected to sexual violence for the national campaign SafeBAE — Safe Before Anyone Else.

If you or someone you know might be considering suicide, please contact the National Suicide Prevention Lifeline: 1-800-273-TALK (8255). Or text “STRENGTH” to the Crisis Text Line at 741-741.

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