Spain Has Colonized The 2019 Latin Grammys And Latino Twitter Has Some Serious Thoughts
The Latin Recording Academy continued to dismiss valid criticism from the Latinx community by nominating Spanish artists Alejandro Sanz and Rosalia. The two European artists received the most nominations, in the most prestigious categories of the bunch, while urbano artists were shut out our relegated to niche categories.
“The Latin Recording Academy is privileged to see so many talented and diverse artists join the milestone 20th Annual Latin GRAMMY Awards season,” writes Gabriel Abaroa Jr., President and CEO of The Latin Recording Academy.
“Since our inception, our international membership continues to be our driving force in the pursuit of excellence. Whether they are a sound engineer, a performer, a songwriter, or a music arranger — regardless of their gender, age, national identity, or musical genre — the nominees are the product of a voting process where every vote counts. Latin music continues to grow internationally and we’re excited to celebrate the music that unites us all.”
Justifying whitewashing by calling it diversity is really something.
Rosalia and Alejandro Sanz: the conquistadors of music.
Two white Europeans from Spain, Alejandro Sanz and Rosalia, have swept the Latin Grammys. Sanz received the most nominations of anyone with eight nods, while Rosalia received five.
Sans was nominated for Album of the Year and Best Contemporary Pop Album for #ELDISCO. He and Rosalia were both nominated for Song and Record of the Year. Many artists and actual Latinxs are fuming.
What makes these artists Latinx other than that they descended from the folks that colonized the Americas, raped and ethnically cleansed indigenous people, initiated that Trans-Atlantic Slave route, created the casta system, then subjugated the resulting multi-ethnic communities they denied self-determination from for centuries? That is a rhetorical question.
This is like white people saying they’re African American because both groups speak English and share some cultural elements while ignoring why that cultural diffusion occurred (slavery and oppression).
Rosalia feels 100 percent Latina
Earlier this year, Billboard featured Rosalia in their “Growing Up Latino” series where she says she feels a hundred percent Latina and that she is at home visiting countries like Panama and Mexico. Except Rosalia is from Barcelona.
This is cultural appropriation: a member of the dominant culture (Spain) is stealing elements of the oppressed culture for profit. In this case, it is her use of Colombian rhythms, guajira, and rumba — which no one was even really upset about until Rosalia began identifying as Latina. The United States census would not identify Rosalia as anything but white or European so why should Latinxs?
Rosalia says she is representing her culture
Rosalia courted controversy by stepping into Latinx spaces again when she won a Best Latin VMA this year. She further alienated Latinxs by accepting the award but also saying she was representing her culture when the reality is she is appropriating ours.
“I come from Barcelona. I’m so happy to be here representing where I come from, and representing my culture,” she said in her speech.
Artists call out the conquistadors
Artists like Nicky Jam, Karol G, and J Balvin have posted a photo reading “Sin reggaeton, no hay Latin Grammy,” to call out the nominations and disregard for reggaeton and urbano artists. Artists like Bad Bunny, Ozuna, Daddy Yankee, Sech and De La Ghetto received nominations but they are standing in solidarity with real Latinxs.
“Despite being nominated, I don’t agree with the way they treated the genre and a lot of my colleagues. Remember one very important thing: Their platform was not the one that created this movement. This goes beyond a prize. This is culture, credibility, relevance, and RESPECT,” Daddy Yankee wrote on Instagram.
Maluma was also upset that he did not receive a single Latin Grammy nomination for this album 11:11.
“It is a disappointment to not even have one Latin Grammys nomination. So much effort, the best album I’ve ever made in my LIFE,” Maluma said.
The Latin Grammys now must justify why they have excluded real Latinxs while including white Europeans. Urbano music is basically some of the most popular on the entire planet, artists like Bad Bunny, Ozuna, and J Balvin have had explosive chart numbers and broken world records yet they were relegated to Urban categories.
This is not unusual in the Grammys either — Beyonce and Kendrick Lamar have both had culturally monumental albums snubbed from major categories. It is clear Grammy voters have their own caste system where white people deserve the highest recognition. One where black and brown people are consistently sent the message they should “stay in their lane” and that their music cannot speak to universal themes (despite the numbers indicating otherwise).
If Macklemore can win Best Rap Album, then, of course, they will justify Spanish artists winning Latin Grammys. This is what colonizers do.
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