Here’s The Woman Behind The Stunning Marigold Bridges In ‘Coco’ And Her Ofrenda Art
This weekend is sure to be a special time at the Hollywood Bowl as Disney and Pixar’s Coco will be screening a live-to-film concert experience like no other. Stars like Miguel, Eva Longoria, and Benjamin Bratt made appearances at both screenings and the iconic film was accompanied by a full, live orchestra.
However, there was one other star making her presence felt this weekend. While she might not be taking the stage or even be known to some, she is a legend in the world of Día De Los Muertos. Meet Ofelia Esparza, who for the last 40 years she has been behind hundreds of ofrendas, or alters, honoring loved ones who have past.
Her work has been featured in some of most famous museums including the Los Angeles County Museum of Art, the Japanese American National Museum, the National Museum of Mexican Art, internationally at the first Day of the Dead exhibit in Glasgow, Scotland. Just last week, Esparza and her daughter, Rosanna Esparza Ahrens, had an exhibit at the Smithsonian Museum in Washington D.C.
This weekend, Esparza and Ahrens showcased a three-level ofrenda right outside of the Hollywood Bowl venue. The ofrenda greeted guests attending the showings of “Coco.”
Esparza, 86, who was born and still lives in East L.A, has devoted most of her life to creating alters. She learned many of her craft skills from her mother in Mexico and in return has passed on these traditions to her nine children. For Esparza, alter making is more than just a form of expression but an obligation that has made its way through multiple generations to honor loved ones who are now gone.
While Esparza has never met her great-great-grandmother, she knows of her through years of alter-making. Without this craft being passed down through multiple generations, she says she might have never known much about her and credits this tradition for intimately connecting her.
“My mother passed this on to me at a very young age and it always stuck with me that I have to carry on these traditions because if we don’t then who will,” Esparza said.
Using an array of photos, candles and vibrant carnations, Esparza’s alters stand out for their use of giant multilevel structures. The alters range from personal, political and even spiritual. Her work has garnered her many awards including just last year when she was recognized by the National Endowment for the Arts (NEA) as a 2018 National Heritage Fellow.
“I’m touched that people look at my work and want to learn more about this. It goes beyond just Día De Los Muertos but celebrating and honoring those who have past,” Esparza said. “To me that’s the biggest honor, being able to teach people about what alter making is really about.”
Esparza has followed through with many of the traditions her mother taught her at a young age and continues to pass this on. In her 40s, she became a school teacher where she included Mexican culture into her curriculum, including Dia de Los Muertos celebrations. This has included speaking at schools, museums, community centers, prisons, and parks throughout LA county and across the country.
Her expertise and passion for alters led Esparza to be a cultural consultant for “Coco.” Many of the scenes, including the famous flower bridge, were ideas that came from her.
Esparza was approached by Disney and Pixar to be a cultural consultant for the Oscar-winning film. She says that many details and scenes seen throughout the movie came from some of her feedback including the famous marigold bridge scene where ancestors cross over into the land of the living on the Day of the Dead.
“I gave them a lot of feedback on certain things including what the bridge that connects the two worlds of the living and the dead represents,” Esparza said. “It was incredible to see that come to life and for people to resonate with that message of crossing over into two worlds.”
When asked about the popularity of the film and what it means for new generations to learn about Día de Los Muertos, she says it makes her happy and only asks of one thing.
“I want people to know that Día de Los Muertos is more than just putting on some skull paint but a true honoring of those who are no longer with us.”
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