Entertainment

The Prosecutor In The Central Park Five Case Says ‘When They See Us’ Is The Most Unfair Thing To Happen And LOL

Netflix \ Amy Sussman / Stringer Getty Images

If you have yet to see the Netflix series “When They See Us” stop reading and go watch it asap.

That said, by now we’re sure that you are at least somewhat familiar with the case of the Central Park Five about the five Black and Latino young men that were wrongly accused of raping a woman in Manhattan in 2019. While the boys were between the ages of 15 and 16 when they were pressured to confess to the crime, which resulted in their imprisonment for years until they got exonerated as adults. The city awarded them millions of dollars for their illegal sentence.

While all of that information is on record, one of the main culprits of the case is not happy with her portrayal as the villain of the film.

Linda Fairstein, the prosecutor that convicted the five young men, said Ava DuVernay showed a work of fiction in her Netflix film “When They See Us.”

@whentheyseeus / Instagram

Fairstein, who was played by Felicity Huffman (who coincidently committed crimes to get her daughter into college), wrote an op-ed in The Wall Street Journal and said that DuVernay lied in her portrayal of the case and of her.

“Ms. DuVernay’s film attempts to portray me as an overzealous prosecutor and a bigot, the police as incompetent or worse, and the five suspects as innocent of all charges against them. None of this is true,” she wrote.

She went on to say that despite the charges dropped against the men, she knows they were involved in crimes the night of the 1989 rape.

@whentheyseeus / Instagram

“There were more than 30 rioters, and the woman known as the ‘Central Park jogger,’ Trisha Meili, was not their only victim. Eight others were attacked, including two men who were beaten so savagely that they required hospitalization for head injuries.”

She also said that even though Matias Reyes confessed to the crime, and the DNA supported that, Fairstein noted all of the charges against them should not have been dropped.

“I agreed with that decision, and still do. But the other charges, for crimes against other victims, should not have been vacated.”

People on social media let her have it by saying she’s been lying about this case since day one.

So true!

DuVernay made a film with facts only.

But the one liar is saying someone else lied? Make so much sense.

Claiming to be a victim when you ruined the life of others is truly reaching.

This lady has so much nerve.

DuVernay did so many of us a favor by informing us about what happened so many years ago.

Fairstein has been living her life, writing books, speaking all over the country and now she’s mad because of this movie.

At least Fairstein is inspiring others to fight for real justice.

Other lives will be saved because of her mistakes.

Now, the prosecutor is finally getting what she deserves.

What’s next?!

DuVernay did have the last word on the matter and told Oprah how she feels about Fairstein.

“I think that it’s important that people be held accountable,” DuVernay told Oprah on June 10. “And that accountability is happening in a way today that it did not happen for the real men 30 years ago. But I think that it would be a tragedy if this story and the telling of it came down to one woman being punished for what she did because it’s not about her. It’s not all about her. She is part of a system that’s not broken, it was built to be this way. It was built to oppress, it was built to control, it was built to shape our culture in a specific way that kept some people here and some people here. It was built for profit. It was built for political gain and power.” It sure was.

An Ex-ICE Attorney Is Calling Out The Agency For Using False Evidence To Deport And Detain Innocent Migrants

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An Ex-ICE Attorney Is Calling Out The Agency For Using False Evidence To Deport And Detain Innocent Migrants

A former Immigration and Customs Enforcement (ICE) lawyer has revealed that in several cases ICE agents corroborated against immigrants in order to achieve their deportation. In an in-depth interview with ProPublica, a nonprofit newsroom that investigates those on power, Laura Peña revealed many of the behind the scenes details of the how the government agency pursued the deportation of migrants and asylum seekers. The investigative piece highlights some of the trials and tribulations that Peña has lived through as a legal assistant to the agency where, in different cases, there was a common factor: lack of evidence to accuse immigrants of any fault that prompts their deportation.

Now she’s getting to tell her side of the story. 

Who is Laura Peña and how did she end up working for ICE?

Credit: @ProPublica / Twitter

Growing up in Harlingen, Texas, which is close to Mexico, Peña was immersed in the migrant community. Living so close to the U.S-Mexico border gave her a unique perspective on what many Latino migrants endured. She went to school with friends who were undocumented and friends whose parents also worked for the Border Patrol. After graduating high school she left the area and would get a job in the State Department. 

She would eventually take her career path in the same footsteps as her father to become a lawyer. After graduating from Georgetown Law, she saw that ICE was looking for trial attorneys but the opportunity wasn’t as easy as it seemed. Peña wasn’t sold on the concept of helping see migrants get deported, especially growing up in a migrant community herself. Family and friends were in disagreement with the thought of her working on behalf of ICE. 

 But her father, who himself was a struggling attorney, consoled her and reassured her not to pass up an opportunity like this. “Do what you need to do,” he counseled her. “Don’t worry about what others think.”

 A fellow mentor, who was also an immigration attorney, also encouraged her to take the position. He said this could be an opportunity to take the job and try to make the government agency more humane. “We need people of your mindset working on the government’s side,” she told Peña.

Peña was hired in 2014 as an ICE attorney which would be the start of a turbulent and controversial time working on behalf of the agency. These are some of the stories she told ProPublica about her experiences. 

Credit: @HispanicCaucus / Twitter

One of the mentioned cases in the investigative piece was that of Carlos, a migrant who applied for political asylum. As soon as he made his request, border and immigration agents accused him of being a member of the notoriously famous MS-13 gang in El Salvador, so this made Carlos not eligible to enter to the United States. 

This is where Peña, who followed the case, started to see the ugly true side of ICE. She did not find any semblance of a connection between Carlos and the gang, not even tattoos, that are a key part of the gang’s look or even criminal record in his own country. To the contrary, Carlos even carried an official letter from the Ministry of Justice of El Salvador certifying and clearing him of ever setting foot in a jail cell. Peña demanded proof from immigration agents that he was connected to the gang but did not obtain any. Despite the lack of any evidence of his gang affiliation, Carlos did not obtain his asylum.

Another case she revealed was that of a 6-month-old baby who was scheduled to be deported because he had been separated from his mother. Peña would eventually reunite the child with his mother but the woman was accused of carrying a false document. The immigration judge used that against her and would then order her child’s removal from the country.

This would all lead to Peña taking a step back from the agency. She now works pro bono with clients seeking asylum at the border. 

Credit: @bykenarmstrong / Twitter

All of this immigration work would overwhelm Peña over time, especially during the Trump administration’s family separation policy went into effect in Spring 2018. “Everything was stacked against the immigrants. Most couldn’t afford to hire an attorney. Few would ever win their cases.”

Peña would go on to acknowledge that the immigration system refuses to provide due process to an immigrant. but also realizes that there’s not much that could be done there. She is now working pro bono as a visiting attorney for the Texas Civil Rights Project, helping migrants with asylum cases. She now hopes she can properly bring justice to the countless of people that have been wrongly deported or separated at the hands of ICE. 

READ: This New Border Wall Mural Features QR Codes That You Can Scan To Hear Emotional Stories Of Deported Migrants

Netflix Is Bringing Latinidad To The Fantasy Realm And LOTR Fans Gear Up

Entertainment

Netflix Is Bringing Latinidad To The Fantasy Realm And LOTR Fans Gear Up

Streaming services like Netflix have become our go-to place for fresh media. So, whenever we hear of a new project coming from the streaming service, we’re all in. Last November, Netflix announced a huge 6 project animated deal that will bring even more cartoon goodness to our screens. One, in particular, has us especially excited because it comes from animator and director Jorge Gutierrez. You might remember him from Nickelodeon’s “El Tigre: The Adventures of Manny Rivera” and the gorgeously animated “The Book of Life.”

Now, we’re seeing the first looks of Gutierrez’s new Netflix project, “Maya and the Three.”

Twitter / @mexopolis

Described as a Mesoamerican fantasy epic, the director sat down with VARIETY to share the origins of the project and the journey to get it made. Gutierrez was approached by Netflix with an alluring challenge: share his dream project with executives; the one he didn’t believe anyone would ever allow him to make. It only took him one pitch to win the streaming giant over and “Maya” was greenlit for production.

“So I sat down on Jan. 25th of [2018] and that was the first time I ever pitched ‘Maya,’” he shared with VARIETY. “No art, no writing, just an idea. And here I am 11 months later, knee-deep in production.”

It was Gutierrez’s goal to portray a “bad-ass female Mesoamerican hero” in a fantasy world of his own creation.

Twitter / @zette16

“I started seeing a lot of things I didn’t like as far as not having any lead females, especially in Mesoamerican mythology,” he explained. “So I said I want to have a hero who is a half-god half-human warrior princess.”

In the Netflix series, a demigod warrior princess named Maya embarks on a quest to recruit three legendary fighters. With their help, she hopes to save the worlds of god and man from destruction. The intention was to show Maya as a strong female lead and, to do so, Gutierrez pulled from his real-life heroes. The director credits his sister, mother and his wife, Sandra Equihua for inspiring the mythical heroine. Equihua is also a talented animator and acts as a character designer for the female characters in her husband’s work.

With his female lead in place, Gutierrez focused on the mystical world that “Maya” would be set in.

Twitter / @mexopolis

The setting for the Netflix limited series has been growing in Gutierrez’s mind since he was a boy growing up in Mexico City. He would wander the halls of the Museum of Natural History and makeup stories about what he saw. These stories would later help to mold the setting. Even now, the director has fun teasing his Twitter followers with hints about what the new series could look like. However, it’s the architecture from his boyhood explorations, Gutierrez’s fondness for skulls and the pantheon of Mesoamerican gods that have helped to create Maya’s world.

Due to the mystical quest and the fantasy setting of “Maya and the Three,” Gutierrez has taken to calling the series the Mexican “Lord of the Rings.” Still, it’s a fantasy first and foremost. The director wants everyone to understand that “Maya” is inspired by Mesoamerican culture but is not meant to be an accurate representation.

“I tell everybody that while it’s inspired by Mesoamerica, this will be as accurate (to that world) as ‘Rocky’ was to boxing,” Gutierrez shared with VARIETY. “It’s all fantasy and I’m having a blast playing with the history.”

The series will feature a number of talented Latinx writers, producers and voice actors to bring Maya to life.

Instagram / @thraxisjr

Silvia Olivas from “Elena of Avalor” is acting as a co-writer and co-producer for “Maya and the Three.” From Disney’s “Moana,” Jeff Ranjo is the head of story. Paul Sullivan, who worked with Gutierrez on “The Book of Life,” is the production designer.

Despite these important hires, animators were in short supply so the producer had to get creative.

“Especially in L.A., we are all fighting for basically the same people, so now we’re looking outside. Before we announced Maya, I would go online and look for artists who were already inspired by Mesoamerica and say to them ‘You already love this stuff, we love it too! Come to our team.’”

Gutierrez used Instagram, Twitter, and Tumblr to find animators that could do justice to the project. This modern-day recruiting system allowed Gutierrez and his team to find fresh artists with untapped talent to animate “Maya.” The results promise to be unique and beautiful.

The series is still a long ways away; it won’t debut on Netflix until its 2021 worldwide release. While it’s a long wait, the director promises fans that it is well worth it.

“Please have patience,” he told fans through his VARIETY interview. “This is gonna take a while, but we hope it’s unlike anything anyone has ever seen. We are so giddy every day and still can’t believe this is happening.”

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