Protests Against ICE Detention Centers Reached New Heights As Airplanes Typed Messages In The Sky Across The U.S.
A global pandemic is still gripping the United States – along with much of the world. But still many Americans headed outside over the long holiday weekend and, before the evening fireworks, were greeted by powerful anti-ICE messages written in the skies.
The skywriting campaign comes as much of the world’s attention is focused on Covid-19 and organizers hope to redirect some attention on the thousands of migrants who remain locked up in detention centers across the country.
Activists took to the skies at more than 80 sites across the country with a powerful message against U.S. immigration policy.
Over the July 4th weekend, two fleets of skytyping airplanes created artist-generated messages across the U.S. The fleet of aircraft targeted 80 different ICE detention facilities, immigration court houses, processing centers, and former internment camps. Written with water vapor, the messages are designed to be seen and read for miles.
Each message ended with #XMAP, which, when plugged into social media, directs users to an online interactive map that offers a view of the closest ICE facilities to the user.
Visitors to the event’s website are encouraged to donate to local funds like the Black Immigrant Bail Fund and join the #FreeThemAll campaign, which advocates for the release of detainees from crowded facilities, where social distancing is often impossible right now.
The ambitious project took a year to plan, and is one component of an artist-led protest against immigrant detention and America’s mass incarceration problem. With “In Plain Sight,” organizers are hoping to educate viewers—and to encourage the abolition of facilities such as these.
“I think the public is somewhat aware of what’s happening in detention centers—they’ve seen the images of kids in cages—but they don’t know the full scale,” said Cassils, in an interview with Quartz.
The team aimed to set a national record with its #XMAP campaign.
The artists reached out to the only skywriting company in the country (which owns the patent on skywriting) and learned that the largest campaign executed over U.S. soil involved about 80 sites and three fleets of planes. That established the project’s framework, and from there they went about the task of bringing on collaborators, many of whom have experiences with immigration and the detainment of oppressed minority groups.
The artists they tapped vary in age, gender identity, and nationality; some are formerly incarcerated, or are descended from the descendants of Holocaust survivors. Black, Japanese-American, First Nations and Indigenous perspectives are present, speaking to the historical intersections of xenophobia, migration, and incarceration.
The protests were seen throughout Southern California – from LA to San Diego.
In Southern California, the demonstration kicked off on the 4th of July at 9:30 a.m. above the Adelanto Detention Center, before traveling to downtown L.A., where 15-character messages will be left in the late morning airspace above immigration facilities, county and federal lockups and courthouses. The planes then traveled to the Arcadia and Pomona locations of internment camps where Japanese Americans where held prisoner during World War II.
Later in the afternoon, planes were seeing typing messages in the sky above the Terminal Island detention center, before traveling further south to Orange County and San Diego, where messages were left above courts and immigration offices.
The campaign also popped up in El Paso, TX, where a massacre last year left many Latinos dead.
Binational, El Paso-based artist Margarita Cabrera activated the El Paso-Juárez portion of the performance with her message “UPLIFT: NI UNX MAS” at the Bridge of the Americas.
“Uplift” refers to uplifting immigrant communities, as well as the border fence and other immigration detention facilities. “Ni unx más” was inspired by Mexican poet and activist Susana Chávez’s 1995 phrase “ni una muerta más,” or “not one more [woman] dead.” The phrase protests femicides in Mexico, particularly in Juárez. Cabrera used X to be gender-neutral.
“This is a call to abolish this systematic violence and the incarceration and detention of our immigrants,” Cabrera told the El Paso Times. “We’re creating a sky activation, but we’re also grounding it with local events.”
Across the border in New Mexico, “ESTOY AQUI” and “SOBREVIVIRE” were respectively written over the Otero County Processing Center and Otero County Prison Facility. The messages draw from songs respectively by Shakira and Mexican pop star Monica Naranjo. Designed by artists Carlos Motta and Felipe Baeza, the full message, “I am here, I will survive,” is intended for both detainees and outside onlookers.
“We wanted to address those in the detention sites and acknowledge the fact that they are there, that we know they are there, and that they will be fine eventually even if their conditions are precarious and they are going through a difficult time right now,” Motta told the El Paso Times.
And in New York City, several major monuments became canvases for the activists’ message.
In New York City, the words “My pain is so big” were written over a detention center in downtown Brooklyn.
“To be human,” wappeared over Rikers Island and “Carlos Ernesto Escobar Mejia,” the name of the first immigrant to die from Covid-19 in detention was projected at the Statue of Liberty monument in Ellis Island.
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