The Trump administration and Jeff Sessions have doubled down on their attack on “sanctuary city” policies. “Sanctuary city” policies are policies designed and implemented to limit the scoop of which local and state law enforcement can cooperate with federal immigration authorities. The latest tactic by the Sessions led Department of Justice (DOJ) is a lawsuit against California for passing such measures. In fact, California recently passed the California Value’s Act, which limits who and how law enforcement can detain people based on immigration violations, according to the LA Times.
California officials have taken a strong stance against President Trump and his administration’s immigration policies and rhetoric. The California Values Act is the most significant move in that fight. The law was likely to end up in court just after it was passed. Sessions held a press conference today in Sacramento to announce the lawsuit that was filed earlier this week.
“We are going to fight these irrational, unfair, and unconstitutional policies that have been imposed on you and our federal officers,” Sessions said in a press conference about the lawsuit. “We are fighting to make your jobs safer and to help you reduce crime in America. We are fighting to have a lawful system of immigration that serves Americans. And we intend to win.”
California officials are being very vocal about their desire to fight against the lawsuit.
Our nation’s Atty. Gen. Jeff Sessions is suing CA because we refuse to help the Trump administration tear apart honest, hardworking immigrant families. To that, I say BRING IT ON! CA will not be intimidiated.
Kevin de León is currently running against Dianne Feinstein for her seat in the Senate.
California’s Attorney General Xavier Becerra left his position as representative to come back to California to fight back against Trump’s immigration policies. When he first took the position, Becerra hinted that he knew that he would have to legally fight the Trump administration and that he was ready. According to The Washington Post, that sentiment has not changed.
“States and local jurisdictions have the right to determine which policies are best for their communities,” Becerra told The Washington Post. He added: “Our track record so far when it comes to any dispute with the federal government has been pretty good on this count.”
This past March, according to El Pais, migrants crossed the Rio Grande at an all-time high not seen in the past 15 years. US government reports underlined that a total of 171,000 people arrived at the southern border of the United States in March. Eleven percent were minors who made the journey by themselves.
Reports say that this vulnerable group will continue to grow in size with recent shifts in the Biden administration child immigration policies. Five migrants girls recently found by the river recently became part of this group.
An onion farmer in Quemado recently reported that he found five migrant girls on his land.
The girls were each under the age of seven, the youngest was too small to even walk. Three of the girls are thought to be from Honduras, the other two are believed to have come from Guatemala. Jimmy Hobbs, the farmer who found the girls, said that he called the Border Patrol gave the children aid by giving them water and food and putting them in the shade.
“I don’t think they would have made it if I hadn’t found them,” Hobbs told US Rep. Tony Gonzalez (R-Texas) in a New York Post. “Because it got up to 103 yesterday.”
“My thoughts are that it needs to stop right now. There are going to be thousands. This is just five miles of the Rio Grande,” Hobbs’ wife added in their conversation with Gonzalez. “That’s a huge border. This is happening all up and down it. It can’t go on. It’s gonna be too hot. There’ll be a lot of deaths, a lot of suffering.”
“It is heartbreaking to find such small children fending for themselves in the middle of nowhere,” Chief Border Patrol Agent Austin Skero II explained of the situation in an interview with ABC 7 Eyewitness News. “Unfortunately this happens far too often now. If not for our community and law enforcement partners, these little girls could have faced the more than 100-degree temperatures with no help.”
According to reports, the Customs and Border Protection stated that the five girls will be processed and placed in the custody of the Department of Health and Human Services.
It’s 1970. Groans of discomfort permeate a Los Angeles County Hospital hallway as a Mexican-American woman is in labor. This is going to be her first child.
Little does she know that it’ll also be her last.
“This is an example of erasure,” director Kathryn Boyd-Batstone told mitú.
For Rosa, details a harrowing reality for many women of color in 1970s California. Inspired by the 1978 Madrigal v. Quilligan case, the story follows Eva, a mother faced with the pivotal decision to join the Madrigal Ten after discovering she was unknowingly sterilized.
Wanting to highlight each individual experience, Boyd-Batstone described her heroine as “a fictional composite character” inspired by multiple plaintiffs from the Madrigal Ten.
At first glance, Eva’s story prominently resembles the experience of plaintiff Melvina Hernández.
Hernández, at 23, signed a document that allegedly consented to an emergency C-section. Fearmongering by doctors and nurses highlighted a perceieved risk of mortality, pressuring her to sign a document she couldn’t read.
Four years later, she was informed that she had actually signed for a tubal ligation.
The history of eugenics is an ugly one, acting as a form of silent genocide.
In Eva’s case, medical professionals take advantage of her. Doctors and nurses took advantage of her language barrier and the pain of child labor.
The story, while historical, is relevant in the current context of the Trump era’s immigration policies.
Last year, an ICE nurse whistleblower reported the nonconsensual mass hysterectomies of migrant women detained at the border.
“Although the court case happened over fifty years ago, we are still in a time where reproductive rights are not respected,” Boyd-Batstone said. “This is not an issue of the past, and so the fight continues.”
A mistrust that remains prevalent in the 21st century.
The Madrigal Ten is a testament to the fight for reproductive rights and women of colors’ autonomy.
In 1975, Dolores Madrigal alongside nine other women filed a class-action lawsuit against L.A. County-USC Medical Center for the nonconsensual tubal ligations that occurred during child labor.
A complicated ordeal that received little funding, 26-year-old Chicana Civil Rights attorney Antonia Hernández impressively took on the case. Boyd-Batstone who read the court documents said, “it became obvious that at the time the hospital did not have adequate steps in place to make sure their patients could give informed consent.”
Dr. Karen Benker, the only physician to testify against the hospital, told the New York Times in 2016 that “voluntary informed consent” didn’t exist in the early 70s.
That is until after the National Research Act of 1974 following public outcry from the Tuskegee study.
Following Roe v. Wade, the Madrigal Ten case sought to end the forced sterilizations of women of color, define informed consent and provide consent forms in Spanish at a reading level individuals could understand.
In 2016 PBS released a documentary on the case called “No Más Bebes,” which greatly inspired Boyd-Batstone to create For Rosa.
“The main feeling that stuck with me after watching the documentary was how much strength it must have taken these women to face someone who tried to take their identity and demand accountability,” she said.
Validating women of color’s experiences was essential for Boyd-Batstone. While the film mirrors the malpractices of the medical industry, brought upon by systematic racism and bias, she also hopes that women who have felt “diminished or uneasy around doctors” find the courage to speak out.
For Rosa, sheds light on traditional themes of womanhood and Chicana feminism.
Simultaneously, the lawsuit took place during the rise in Chicana activism.
As tensions between mainstream white feminism and women of color peaked; Chicana activists put legislative reform and reproductive justice at the forefront. Furthermore, they brought awareness to discrimination as it intersects race, class, gender, and immigration.
Though on the sidelines, the case also harbored on the cultural question of defining femininity.
Worried for the state of her marriage, the correspondence of fertility with femininity felt dense. Heavily ingrained in machismo culture; the pain and frustration of no longer being able to conceive are palpable.
But the strength and courage to speak out defies all odds.
“As women, especially Latina women, I don’t think many stories show us how to do this,” Boyd-Batstone said. “So it was important to me to, one, honor the Madrigal Ten’s bravery but [to also] show young girls what it looks like to stand up and fight for your rights.”
Though it has been nearly 50 years since the Madrigal Ten case, the fight for women’s autonomy and reproductive rights is ongoing.
On June 7, 1978, the U.S. District Court ruled in favor of the USC Medical Center. Judge Jesse Curtis stated that miscommunication and language barriers resulted in unwanted sterilizations.
Nonetheless, the lawsuit’s impact was potent. The California Department of Health revised its sterilization guidelines to include a 72-hour waiting period and issued a booklet on sterilization in Spanish.
In 1979, California abolished its sterilization law after 70 years.
More than 20,000 people of various races and ethnicities were sterilized during this time.
For Rosa ends with archival footage of Dolores Madrigal and Antonia Hernández announcing the lawsuit. Nevertheless, its timely release is indicative of the continual demands for justice today.
Now more than ever we must remember the narratives of the Madrigal Ten, and other Black and Brown activists who continue to pave the way for change.
“My hope is that For Rosa humanizes the women so that whatever culture or race or gender you are, you can empathize with the women as human beings,” Boyd-Batstone said.
“My hope is that every person who watches understands that these Latina women are deserving of respect.”
Para Rosa (For Rosa) is available to stream on HBO Max.