Things That Matter

These Milk Cartons Are Bringing Attention To The Number Of Children Detained By The U.S.

During the 1980s and ’90s, photos would be put on milk cartons to raise public awareness about children who’d gone missing. 72U, a creative residency within agency 72andSunny, is now doing the same by installing a larger-than-life milk carton on Venice Beach to represent the more than 14,000 children who are currently detained by the U.S. government. The non-profit chose to highlight this issue because of the alarming number of detained children had risen from 2,400 in 2017 to over 14,000 in 2018.

The two-story polycarbonate Plexiglas milk carton is made up of 14,000 smaller cartons to represent each missing child.

CREDIT: CREDIT: Javier Rojas

The art piece titled “14,000 Missing Childhoods and Counting” is a project that took more than 2 months to build and was a collective work of eight different artists. Traecy Smith, 72U Residency Director, says immigration is one of the most contentious issues of our time and felt that art could be a way to shine a light on how drastic things really are. 72U has highlighted various social issues in the past and the agency felt this was appropriate considering the mass attention immigration received this year.

“Once I saw the number of separated children grew I knew we had to do something,” Smith said. “Society took their eyes off the issue but it was still happening and we knew if art could do anything is magnify the reality of the situation.”

The art piece was created from artists around the world including Mexico, Ecuador, and India.

2U residents Ginger Quintanilla, Taylor Alley, Tyler Hicks, Daniel Kim, Federico Zoppei, Jacqueline Miller, Raja Man, Wale Agboola, and Cristina Marquez came together to create the art piece. They hail from across the globe in places like Mexico, Ecuador, India, Africa, Italy, and Los Angeles. Many of the artists have seen similar social issues back home but were emboldened to create something after the Trump administration began separating families earlier this year. 

Smith says having a global collective of artists helped bring in various ideas and perspectives when creating the work. She says the issue of separated families isn’t just exclusive to America.

“By giving the art installation a global perspective, we acknowledge that the work and message isn’t just something that’s affecting people here in the U.S. but around the world,” Smith said.

Artists also consulted with many immigration organizations like the ACLU and Immigrant Defenders who gave input on the art piece. Smith says the art piece is part of a pending documentary on art and immigration as a whole.

Every milk cartoon inside the art structure has etchings on each box that represent aspects of children taken from detained immigrant youth.

CREDIT: CREDIT: Javier Rojas

Words like “Dad, “Freedom,” “Home” and “Future” are etched into the milk cartons to represent the wants of the children. Smith says she wants people to think of the reality for many of the children being detained and what they might be going through.

“We chose the milk carton for a specific reason,” Smith explained. “This is an item on every table and every family is aware of the milk carton and what it symbolizes, so that’s why we made this choice.”

The reaction to the art installation has been positive and has already gotten attention from the city of LA to possibly move the piece somewhere else in town for a longer stay. Smith says nothing is finalized but she sees the art piece finding a permanent home where more people can see the message.

The art installation has even gotten attention from people outside the U.S.

CREDIT: CREDIT: Javier Rojas

People from outside the U.S. have come to see the art piece because of its importance. It serves as a reminder of the lives for many in the immigrant community. Emilio Rosales came from Guatemala after he heard about the art piece on social media. He says the Trump administration’s policies are a humanitarian issue and feels that art like this highlights what’s really going on.

“What’s going on in America is sad and I see it all over the news and it makes you wanna do something about it,” Rosales said. “I look at this art and it makes me sad to know these children will never get to relive their childhood again. That’s the reality here.”

The art piece encourages people to engage via a QR code that links to a website created for the project. Visitors to 14000andcounting.org can sign an electronic petition and share campaign artwork on social media. The artwork is currently installed in Windward Plaza at the Venice Beach boardwalk.


READ: These Organizations Are Working For Our Community So Why Not Donate To Them This Holiday Season

Recommend this story to a friend by clicking on the share button below

Notice any needed corrections? Please email us at corrections@wearemitu.com

The ‘Sistine Chapel Of The Amazon’ Was Just Discovered In Colombia And It’s One Of The Largest Rock Art Collections Ever Found

Culture

The ‘Sistine Chapel Of The Amazon’ Was Just Discovered In Colombia And It’s One Of The Largest Rock Art Collections Ever Found

Robert Alexander / Getty Images

All too often artists from Latin America – particularly Indigenous artists – are overlooked for their contribution to the world’s art scene. This isn’t just true of today’s artists but also dating back hundreds of years.

White-centric art critics have praised the works of artists like Rembrandt and Van Gogh, while ignoring the immense contributions that artists on the other side of the Atlantic were making hundreds or even thousands of years earlier.

Now, as a nearly 13,000-year-old rock art collection is discovered by researchers deep in the Colombian Amazon, this long lost history of Indigenous art is finally having its moment in the spotlight.

Researchers discovered one of the world’s largest and oldest collections of ancient rock art.

One of the world’s largest collections of prehistoric rock art has been discovered in the Amazon Rainforest. Researches are hailing it as the “Sistine Chapel of the Ancients,” and it’s guaranteed to bring a new level of attention on both the art and civilization of ancient America.

The rock art paintings, which number in the tens of thousands, are said to have been created up to 12,500 years ago. Perhaps even more staggering, they’re painted on well-worn cliff faces that stretch across nearly eight miles deep in the Colombian jungle. Experts say that because of the size of the site, it will take generations to study.

Although news of the rock art is just being released to the public, it was actually discovered last year as part of a film by the BBC: Jungle Mystery: Lost Kingdoms of the Amazon.

The site is in the Serranía de la Lindosa where, along with the Chiribiquete national park, other rock art had been found. The documentary’s presenter, Ella Al-Shamahi, an archaeologist and explorer, told the Observer: “The new site is so new, they haven’t even given it a name yet.”

The discovery highlights the lives of some of the very first people who called the Americas home.

The team who made the discovery is a joint British-Colombian group, funded by the European Research Council. Its leader is José Iriarte, professor of archaeology at Exeter University in the U.K. and a leading expert on the Amazon and pre-Columbian history.

He said: “When you’re there, your emotions flow … We’re talking about several tens of thousands of paintings. It’s going to take generations to record them … Every turn you do, it’s a new wall of paintings.”

The team found it hard to keep it a secret given the level of excitement and emotion they felt upon the discovery.

“We started seeing animals that are now extinct. The pictures are so natural and so well made that we have few doubts that you’re looking at a horse, for example. The ice-age horse had a wild, heavy face. It’s so detailed, we can even see the horse hair. It’s fascinating.”

The images include fish, turtles, lizards and birds, as well as people dancing and holding hands, among other scenes. One figure wears a mask resembling a bird with a beak.

It’s estimated that the thousands of pieces of rock art are nearly 13,000 years old.

Although no official carbon dating has been carried out to gauge the age of the art, experts are estimating its age based partly on the depictions of long-extinct ice age animals, such as the mastodon, a prehistoric relative of the elephant that hasn’t roamed South America for at least 12,000 years. There are also images of the palaeolama, an extinct camelid, as well as giant sloths and ice age horses.

These animals were all seen and painted by some of the very first humans ever to reach the Amazon. Their pictures give a glimpse into a lost, ancient civilization that many of our ancestors call on as part of our history.

The site is deep in rebel-controlled territory so it’s unlikley to become a tourist hotspot anytime soon.

Credit: Luis Acosta / Getty Images

The site of the discovery, the Serranía La Lindosa, sits deep in the rebel-controlled Colombian rainforest. As the documentary notes, Colombia is a land torn apart after 50 years of civil war that raged between FARC guerrillas and the Colombian government, now with an uneasy truce in place.

The territory where the paintings have been discovered was completely off limits until recently and still involves careful negotiation to enter safely.

Al-Shamahi said: “When we entered Farc territory, it was exactly as a few of us have been screaming about for a long time. Exploration is not over. Scientific discovery is not over but the big discoveries now are going to be found in places that are disputed or hostile.”

Notice any needed corrections? Please email us at corrections@wearemitu.com

Trump Finally Gave The Green Light To Start The Transition But Many Immigration Policies Are Already Affected

Things That Matter

Trump Finally Gave The Green Light To Start The Transition But Many Immigration Policies Are Already Affected

JONATHAN NACKSTRAND/AFP via Getty Images

Ever since election night, President Trump has been sowing discord and disinformation while showing himself to be the big sore loser he always has been. Basically, he’s been showing his true colors.

But his actions have real consequences. As he instructs many in his administration to avoid any contact with President-Elect Biden’s transition team, he is doing damage to the peaceful transfer of power. He’s also risking the lives of hundreds of thousands of Americans as the country continues to struggle to fight the Covid-19 pandemic.

Now, his actions are impacting the future of immigration reform.

Trump has instructed his immigration department to avoid working with the Biden transition team.

As Trump’s General Services Administrator refuses to provide the Biden transition team with much-needed funds to begin preparing for office come January 20th, his immigration department is also keeping the transition team in the dark.

According to Buzzfeed News, an official that oversees US immigration and naturalization services told employees not to communicate with President-elect Joe Biden’s transition team until a Trump appointee “deems the results ‘clear’” and recognizes the winner.

”It’s disturbing and disheartening that the agency is not permitting staff to aid the Biden transition team to ensure a smooth transfer,” said one USCIS employee who spoke on condition of anonymity. “These delays could hamper the new administration’s ability to hit the ground running on important issues facing the agency and our country.”

But the transition delay has also caused concern among officials in other agencies, especially those responsible for dealing with the coronavirus pandemic.

As president, Biden plans to undo many of Trump’s immigration reforms.

Credit: Natalie Sounders / Getty Images

President-Elect Biden has made it very clear that we will govern very differently that his predecessor. One of the areas where he’s looking to truly separate himself from Trump is on immigration.

Already, the transition team has promised to unroll Donald Trump’s legacy on immigration, but it faces an uphill battle to make good on that promise.

When it comes to DACA, the administration plans to reinstate protections DREAMers, but also to expand protections for their health care and education. A threat to the DACA program is making its way through the courts, so the Biden camp is under pressure to act quickly to make good on its promise.

For Trump’s “Remain in Mexico” policy, Biden plans to bring that to an end as well. It is estimated that 20,000 migrants are waiting in northern Mexico in cities like Matamoros while seeking asylum in the U.S. But the exact number is not known for certain, in large part because the Department of Homeland Security has not yet shared such data with the Biden transition team.

Another big change would come in the form of revamping the country’s seasonal worker program. Biden wants to make it easier for both employers and workers to hire and find jobs while providing much-needed legal protections and fair pay to workers.

Biden has also committed to increase the number of refugees admitted to the U.S. annually to 125,000, a historic high and a dramatic increase from the historic low of 15,000 set by the Trump administration.

Biden can use executive action on many fronts but others will require congressional action.

Credit: JONATHAN NACKSTRAND/AFP via Getty Images

Although Biden can accomplish many of these immigration reforms through executive action, he’ll need to work with Congress to achieve many others.

His platform outlines larger goals to work on with Congress, such as increasing the number of employment-based visas, providing a path to legalization for the 12 million undocumented immigrants in the country and creating a new, decentralized immigration stream for foreign workers that is based on local employers’ needs as well as a new visa option for entrepreneurs. 

These plans will be contingent on which party controls the Senate—to be decided in January by two runoff elections in Georgia—and the course of the coronavirus pandemic, which continues to spike across the country, leaving millions of workers unemployed.

Dreamers are celebrating President-Elect Biden’s plans but remain cautious.

Credit: Steve Marcus / Getty Images

While they aren’t eligible to vote, DACA recipients found ways to harness their political power ahead of the election. And it very much worked.

Over the course of the campaign, many politicans – including President-Elect Joe Biden – made serious promises to the nation’s immigrant population. And Dreamers show up, so if promises were made but progress isn’t, then DREAMers aren’t afraid to go show up in someone’s office and say, ‘Hey, I thought you were on our side.’

“Those are promises that would literally change my life,” said Mariana Castro, 26, a DACA recipient from Peru living in a mixed-status family in Florida.

So although much of the stress and weight has been lifted off immigrant communities shoulders with the results of this election, so much work remains to be done.

Notice any needed corrections? Please email us at corrections@wearemitu.com