Things That Matter

A California Woman Is Considering Charges Against An Apple Employee After He Sent Photo From Her Phone To Himself

A Bakersfield woman is planning to press legal charges against an Apple store employee who allegedly texted himself a sexual image of the woman from her phone. Gloria Fuentes scheduled an appointment with Apple’s Genius Bar for Nov. 4. She instinctually knew to delete social media apps and bank apps from her phone, knowing her iPhone would be in the hands of a stranger paid to repair her screen. The Apple employee, who she believes is named Nic, messed around with her phone for “quite a while.” She assumed he was just doing his job. Nic tells her that Apple won’t repair the screen, and directs her to her phone provider for further help.

When Fuentes returned home, she noticed that an unknown number was listed in her most recent messages. She views the conversation and “instantly wants to cry.” A single image of a deeply personal nature was sent to the unknown number. Now, she’s pressing charges against the Apple employee.

Gloria Fuentes wants every woman to hear her story, to ensure they, and their daughters, are safe.

Credit: Gloria Elisa Fuentes / Facebook

“”*****PLEASE READ!!!!!!!!*****,” Fuentes shared in a viral Facebook post. “So last night, I went to Apple in the Valley Plaza (Bakersfield, CA) to get my phone screen repaired and I got a tech guy named Nic, although I’m not positive of the name because the workers there were being super unhelpful.” She recalled her intuition to protect her privacy. “So before I went I kind of had this feeling to delete things from my phone. I deleted any app that had any type of financial information or linked to my bank account in any way and also all of my social media apps because I didn’t want them going through them. I also did a backup before I went and then I was going to delete all the pictures from my phone too but forgot because they were texting me that they moved my appointment time up so I was trying to rush over there.”

The employee had asked for her passcode twice, and she didn’t think anything of it. She was there to have the screen’s hardware repaired. 

Fuentes describes how the violation has impacted her sense of safety.

Credit: Gloria Elisa Fuentes / Facebook

“I walk in my house turn on my phone about to text someone and realize there’s a message to an unsaved number!!!!! I open it and instantly wanted to cry!!!” she shared in the vulnerable Facebook post. “This guy went through my gallery and sent himself one of my EXTREMELY PERSONAL pictures that I took for my boyfriend and it had my geolocation on so he also knows where I live!!!” The employee is clearly tech-savvy, and would be aware of how geolocations work. If a man has the audacity to sexually violate a woman in this way, it’s reasonable to fear for her safety.

“AND THIS PICTURE WAS FROM ALMOST A YEAR AGO SO HE HAD TO HAVE SCROLLED UP FOR A WHILE TO GET TO THAT PICTURE being that I have over 5,000 pics in my phone!!!!” she exclaimed. “I could not express how disgusted I felt and how long I cried after I saw this!!”

Fuentes went back to the Bakersfield, California Valley Plaza Apple store to confront the man, who admitted that it was his personal number.

Credit: Apple Valley Plaza (2701 Ming Avenue, Bakersfield, CA) / Facebook

“I went back to the store and confronted him and he admits to me that this was his number but that “he doesn’t know how that pic got sent ????!!” she shared. There is no reason why an Apple employee’s personal number should ever be in a customer’s phone, let alone personal photos be shared without consent. “The manager just said he’d look into it,” she said. 

Later, Apple confirmed that the store “immediately launched an internal investigation” and fired the employee.

Fuentes has filed a police report with the Bakersfield Police Department, which is actively investigating grounds for criminal charges.

Credit: Bakersfield Police Department / Facebook

Fuentes makes it clear that she’s sharing her story “because iPhones are like a must-have for teens now and I could just imagine that I’m not the only person he’s done this to and what if he’s done this to someone’s teenage daughter or even any other woman at all!!” What’s worse, is that she isn’t sure how many images he sent himself, and that she has “NO CLUE WTH HES GOING TO DO WITH THEM!!!” 

The mother of three said that she’ll be “pressing legal charges against him.” “This makes me cry thinking about it but I think he needs to be held accountable and anyone else that has had him work on their phone should be aware of the fact that there’s a possibility that he’s done this to them!!”

Bakersfield women, you can call the Bakersfield Police Department at (661) 327-7111.

READ: Senior Border Patrol Officer Gets To Retire After Allegedly Kidnapping And Sexually Assaulting Another Agent

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‘For Rosa’ Unravels The Madrigal Ten’s Fight For Reproductive Justice After Forced Sterilizations In California

Entertainment

‘For Rosa’ Unravels The Madrigal Ten’s Fight For Reproductive Justice After Forced Sterilizations In California

It’s 1970. Groans of discomfort permeate a Los Angeles County Hospital hallway as a Mexican-American woman is in labor. This is going to be her first child.

Little does she know that it’ll also be her last.

Courtesy of Kathryn Boyd-Batstone.

“This is an example of erasure,” director Kathryn Boyd-Batstone told mitú.

For Rosa, details a harrowing reality for many women of color in 1970s California. Inspired by the 1978 Madrigal v. Quilligan case, the story follows Eva, a mother faced with the pivotal decision to join the Madrigal Ten after discovering she was unknowingly sterilized.

Wanting to highlight each individual experience, Boyd-Batstone described her heroine as “a fictional composite character” inspired by multiple plaintiffs from the Madrigal Ten.

At first glance, Eva’s story prominently resembles the experience of plaintiff Melvina Hernández.

Hernández, at 23, signed a document that allegedly consented to an emergency C-section. Fearmongering by doctors and nurses highlighted a perceieved risk of mortality, pressuring her to sign a document she couldn’t read.

Four years later, she was informed that she had actually signed for a tubal ligation.

The history of eugenics is an ugly one, acting as a form of silent genocide.

In Eva’s case, medical professionals take advantage of her. Doctors and nurses took advantage of her language barrier and the pain of child labor.

The story, while historical, is relevant in the current context of the Trump era’s immigration policies.

Last year, an ICE nurse whistleblower reported the nonconsensual mass hysterectomies of migrant women detained at the border.

In the U.S. and Canada, Indigenous women have continuously been sterilized despite pro-sterilization policies ending in the 1970s.

“Although the court case happened over fifty years ago, we are still in a time where reproductive rights are not respected,” Boyd-Batstone said. “This is not an issue of the past, and so the fight continues.”

California’s eugenics laws disproportionately targeted Latinas.

California was one of the leading states in eugenics-informed practices.

After passing a law in 1909 that allowed medical practitioners to sterilize patients, the motives of cultural erasure became clear.

Hiding behind “good medicine” were racist and xenophobic incentives aimed to eliminate potential “welfare” cases.

Under this discriminatory pretense, Latinas were 59 percent more likely to be forcibly sterilized.

The United States has an extensive history of nonconsensual medical experimentation on Black and Brown communities.

Studies like the “Tuskegee Study of Untreated Syphilis in the Negro Male,” which lasted over 40 years, in part, shaped the mistrust between the Black community and the medical industry.

A mistrust that remains prevalent in the 21st century.

The Madrigal Ten is a testament to the fight for reproductive rights and women of colors’ autonomy.

In 1975, Dolores Madrigal alongside nine other women filed a class-action lawsuit against L.A. County-USC Medical Center for the nonconsensual tubal ligations that occurred during child labor.

A complicated ordeal that received little funding, 26-year-old Chicana Civil Rights attorney Antonia Hernández impressively took on the case. Boyd-Batstone who read the court documents said, “it became obvious that at the time the hospital did not have adequate steps in place to make sure their patients could give informed consent.”

Dr. Karen Benker, the only physician to testify against the hospital, told the New York Times in 2016 that “voluntary informed consent” didn’t exist in the early 70s.

That is until after the National Research Act of 1974 following public outcry from the Tuskegee study.

Following Roe v. Wade, the Madrigal Ten case sought to end the forced sterilizations of women of color, define informed consent and provide consent forms in Spanish at a reading level individuals could understand.

In 2016 PBS released a documentary on the case called “No Más Bebes,” which greatly inspired Boyd-Batstone to create For Rosa.

“The main feeling that stuck with me after watching the documentary was how much strength it must have taken these women to face someone who tried to take their identity and demand accountability,” she said.

Validating women of color’s experiences was essential for Boyd-Batstone. While the film mirrors the malpractices of the medical industry, brought upon by systematic racism and bias, she also hopes that women who have felt “diminished or uneasy around doctors” find the courage to speak out.

For Rosa, sheds light on traditional themes of womanhood and Chicana feminism.

“Stop Forced Sterilization” poster by Rachael Romero, 1977. // Library of Congress Prints and Photographs Division

Simultaneously, the lawsuit took place during the rise in Chicana activism.

As tensions between mainstream white feminism and women of color peaked; Chicana activists put legislative reform and reproductive justice at the forefront. Furthermore, they brought awareness to discrimination as it intersects race, class, gender, and immigration.

Though on the sidelines, the case also harbored on the cultural question of defining femininity.

Worried for the state of her marriage, the correspondence of fertility with femininity felt dense. Heavily ingrained in machismo culture; the pain and frustration of no longer being able to conceive are palpable.

But the strength and courage to speak out defies all odds.

“As women, especially Latina women, I don’t think many stories show us how to do this,” Boyd-Batstone said. “So it was important to me to, one, honor the Madrigal Ten’s bravery but [to also] show young girls what it looks like to stand up and fight for your rights.” 

Though it has been nearly 50 years since the Madrigal Ten case, the fight for women’s autonomy and reproductive rights is ongoing.

Courtesy of Kathryn Boyd-Batstone

On June 7, 1978, the U.S. District Court ruled in favor of the USC Medical Center. Judge Jesse Curtis stated that miscommunication and language barriers resulted in unwanted sterilizations.

Nonetheless, the lawsuit’s impact was potent. The California Department of Health revised its sterilization guidelines to include a 72-hour waiting period and issued a booklet on sterilization in Spanish.

In 1979, California abolished its sterilization law after 70 years.

More than 20,000 people of various races and ethnicities were sterilized during this time.

For Rosa ends with archival footage of Dolores Madrigal and Antonia Hernández announcing the lawsuit. Nevertheless, its timely release is indicative of the continual demands for justice today.

Now more than ever we must remember the narratives of the Madrigal Ten, and other Black and Brown activists who continue to pave the way for change.

“My hope is that For Rosa humanizes the women so that whatever culture or race or gender you are, you can empathize with the women as human beings,” Boyd-Batstone said.

“My hope is that every person who watches understands that these Latina women are deserving of respect.” 

Para Rosa (For Rosa) is available to stream on HBO Max.

READ: Joe Biden Says ‘Healthcare is Not a Privilege, It’s a Right,’ Donald Trump and the GOP Disagree

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This Virgen de Guadalupe Mural Was Vandalized In Los Angeles And The Community Is Devastated

Things That Matter

This Virgen de Guadalupe Mural Was Vandalized In Los Angeles And The Community Is Devastated

La Virgen de Guadalupe means so much to so many. Especially the Latino community in Van Nuys, California, near Los Angeles, which is reeling after an important mural depicting La Virgen was vandalized overnight.

Although security cam footage captured an unknown man defacing the mural, the suspect is still at large and the community is asking for help in finding out who committed the vandalism.

A suspect was caught on camera destroying a mural with La Virgen de Guadalupe.

The community of Saint Elisabeth Church near Los Angeles is asking the community for prayers after a mural of Our Lady of Guadalupe was vandalized on church grounds. 

The parish’s security system recorded video footage of an unknown man dressed in black approaching the mural with a sledgehammer at 1:40 a.m. Wednesday morning. He can be seen smashing the tiles that make up Our Lady’s face several times before fleeing.

On Friday, April 23, Father Di Marzio led a prayer service, which was livestreamed on the parish Facebook page. Some 30 parishioners gathered to sing and pray a decade of the rosary in front of the mural, which is roped off with caution tape, while nearly 100 others joined online. In closing, Fr. Di Marzio encouraged parishioners to “continue to pray to the Blessed Virgin Mary to help us, and to touch the heart of the person who did this.” 

Also on Friday, a local artist, Geo Rhodes, was scheduled to visit the mural and discuss a plan for repair, arranged by the Archdiocese of Los Angeles. “We hope that soon we will restore the image, or have a new one more beautiful than the one we had before,” Fr. Di Marzio said.  

La Virgen de Guadalupe is extremely important to the church.

The hand-painted tile mural stands between the church and the rectory. It was installed over 35 years ago as a “symbol of community unity,” said business manager Irma Ochoa. Each square tile was sponsored by a parish family. Overlooking a small altar, the mural has become a popular place for parishioners to pray and light candles, asking Our Lady for special blessings. 

“I feel an unspeakable sadness,” said Fr. Antonio Fiorenza, who is in residence at the parish. “But I feel pity for the one who made this sacrilegious gesture. I pray for his conversion and for all those who show contempt to the Virgin Mary.”

To donate to the restoration fund, visit stelisabethchurch.org

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