If you’ve been trying to find a way to combine your two favorite things (getting fit and breaking it all the way down), peep this banger from the Puerto Rican reggaetón superstar, Mr. Gasolina himself, Daddy Yankee! According to Billboard, Daddy Yankee has partnered with Zumba to create the song “Hula Hoop” for use in their classes.
The bass-heavy reggaetón track has a lyric video featuring flashing neon hula hoops and classic Zumba moves .
It’s got everything you’d expect from a Daddy Yankee Zumba video: hip shaking, hand-punching, lasers and a packed VIP section. What else do you need to work out and feel like you’re getting your life together? Yasss!
The video even shows you how to do the exercise on beat with a dancing cursor.
The 2020 Billboard Latin Music Awards have finally come and gone after being postponed because of the Coronavirus pandemic earlier this year. So many of us were anticipating the night asa chance to escape from all the worldwide drama – even if only for one night. And the awards show definitely delivered.
Going into the night, Bad Bunny and Ozuna were expected to win big with 14 nominations each including Artist of the Year. But it was Bad Bunny and Daddy Yankee who went home with seven awards each. And when the awards weren’t being handed out, Pitbull, Paulina Rubio and Ozuna, along with many others artists, delivered stunning performances.
Much of the show’s success is owed to Venezuelan actress Gaby Espino who served as the show’s host with help from Nicaraguan co-host Nastassja Bolivar.
Reggaetón artists stole the show at this year’s Billboard Latin Music Awards and we couldn’t be more proud.
Although reggaetón artists were expected to win big this year, many were still surprised at just how well some of the biggest artists ended up doing. Both Bad Bunny and Daddy Yankee triumphed with seven trophies each at last night’s Billboard Latin Music Awards.
Of course, the night was about celebrating all the incredible music these artists have brought us this year – perhaps a git more important than ever as we all struggle amid a pandemic and other global issues. But so many artists shined a light on front-line workers, victims of Covid-19 and violence against women – it was a very powerful evening.
One of the first groups to speak out was Wisin y Yandel. The duo sent a powerful message through their acceptance speech, with Yandel ending it with a resounding “no more abuse against women.” Wisin urged Latinos to get out and vote on Nov. 3 with his second message. “Go out and vote because we’re voting for our future. And vote for that person that will actually care about our community.”
And to top it all off, Maluma accepted the Billboard Spirit of Hope Award, in honor of his foundation, El Arte de los Sueños, which protects youth in pursuit of their dreams.
Bad Bunny is our reigning Artist of the Year.
After last night’s award ceremony, we have a new reigning Top Artist of the Year in Bad Bunny. Although the reggaetónero didn’t attend the award ceremony, he was definitely a highlight of the night.
San Benito took home seven awards (from his 14 nominations) including the top honor, as well as top Latin Album for “X 100PRE” and Songwriter of the Year.
Daddy Yankee, Karol G and several other top artists won big as well.
Daddy Yankee won six of his awards for his hit “Con Calma,” which featured the 1990s artist Snow. His honors included the hot Latin song “Aware.” During his acceptance speech, he acknowledged these have been tough times and dedicated his award to those who have lost their loved ones due to COVID-19.
“These have been challenging times and I want to share this award with those who have been perseverant and those who have lost a loved one. Music continues to be the best medicine,” he said.
Karol G also won big with prizes for Top Latin Albums Artist of the Year, Female, and Hot Latin Songs Artist of the Year, Female.
Ozuna gave us two incredible live performances.
About an hour into the show, Ozuna and the Black Eyed Peas heated up the stage with their smash hit “Mamacita.” Practicing social distancing, Ozuna sang from one stage while Taboo, apl.de.ap and J. Rey Soul danced away to the catchy tune and will.i.am was in another stage delivering the catchy hook “Mamacita, Mamacita, que bonita.”
In his second performance of the night, Ozuna returned to the stage for an intimate performance of “Gracias.” Surrounded by candles and dressed in angelic white, a thankful Ozuna slowed things down for this stripped-down acoustic track. Making the performance even more special and personal, the superstar’s kids joined him onstage. By far one of the most beautiful performances of the night. “Let’s take care of our families,” Ozuna said. “Let’s take care of women. There are too many femicides around the world and they are the ones who gave us life.”
Another standout moment was the special tribute in honor of Mexican singer-songwriter Armando Manzanero.
Artists Pablo Alborán, Luis Fonsi, Jesús Navarro (Reik) and Joy (Jesse & Joy) sang a medley of Manzanero classics including “Contigo Aprendí” and “No Sé Tu.”
“I have no words to express what my heart is feeling right now after singing with this new generation of artists that is so grand, strong and talented in a special stage like this one,” Manzanero said following his performance.
Meanwhile, the ear worm “Despacito” was named Song of the Decade.
It seems we can’t escape this 2017 hit featuring Luis Fonsi and Daddy Yankee. We won’t mention the other version that also had an appearance by Justin Bieber – although I guess I just did.
But it was inducted into Billboard Latin Music history as it took home the evenings Song of the Decade award – marking another win for Daddy Yankee.
Did you watch the awards show? What did you think?
So much of this year has been spent inside our apartments singing and dancing to Bad Bunny hits like “Safaera” and “Yo Perreo Sola” or looking through countless magazines that made him their cover boy.
It seems that 2020 is peak Bad Bunny, as the reggaetónero takes over the world bringing us hit after hit while bringing perreo into the mainstream.
Now, in his latest cover story in The Culture Issue of the New York Times, San Benito gives us insight into what his 2020 has been like, what we can expect from him in the not so distant future and what being a Puerto Rican super star means to him.
Bad Bunny is taking over the world and his latest interview with the New York Times details just how he plans to do it.
‘The World According to Bad Bunny’ – that is what graces the cover of the New York Times’ latest Culture Issue. And it catches your eye – his full face, including his now signature mustache – force you to do a double take to soak in all of his glory. Or maybe that was just my reaction…
Benito Antonio Martínez Ocasio — more popularly known as Bad Bunny, San Benito, El Conejo Malo — is the reggaetónero we’ve all fallen in love with and who is topping charts throughout the world.
His latest feature story covers everything from his love for Puerto Rico to his next album, but it’s also another major step for the artist in putting both is home and the Latino community on the world stage.
His profile begins with Bad Bunny discussing his album YHLQMDLG, which begins with the song “Si Veo a Tu Mamá”, which has a verse we can all relate to in 2020: “maldito Año Nuevo” (or “this damn new year”). But despite all the BS that 2020 has thrown our way, Bad Bunny has managed to shine through by being an advocate when it comes to so many issues.
Bad Bunny says he feels like an “athlete representing his Puerto Rico at the Olympics.“
San Benito has made it his mission to put his homeland on the map and to showcase to the world the problems that Boricuas face on the island. In the interview, Bad Bunny describes himself as an athlete representing Puerto Rico in the Olympics.
Those problems he speaks of include the island’s status as a commonwealth territory of the U.S. which means its citizens on the island cannot vote for president or have any voting representatives in Congress.
The natural disasters of Hurricane Maria, Irma and the earthquakes that rung in 2020 also add to the laundry list of problems, and also came with little financial help from Trump’s federal government, which has left Puerto Rico in a vulnerable state to this day.
In language, Caribbean Spanish like that of Puerto Rico is heavily criticized by the so-called sophisticated Latin Americans, but they all bop their heads to Bad Bunny tunes like “Safaera,” “La Romana,” and more.
So many of us love Bad Bunny for his constant activism and he doesn’t disappoint in this NYT piece.
Bad Bunny is known for breaking cultural stereotypes, shattering boundaries others couldn’t dream of, and advocating for women. He’s even openly talked about depression, and shown the world it is okay not to feel okay.
His activism has also shown support for the trans community with the video “Yo Perreo Sola,” dressed in drag, or when he’s done public appearances wearing a skirt and a shirt that read “mataron a alexa, no a un hombre en falda.”
However, in the wake of George Floyd’s murder, Benito was suspiciously mute — no posts on social media, no interviews. He seemed to have disappeared at a moment that so many of us could of benefited from his compassion. Many criticized the singer for his silence.
But on June 12, a TIME article was published about him speaking out, through email exchanges, and how he did not want to just send a basic message, but rather go deeper to “support the fight against a systematic monster that’s been [around for] centuries.”
Bad Bunny also speaks out about reggaetón’s black roots – which so often go unmentioned.
As for inspirations, Benito called out the prominent Black stars who helped shape reggaetón into the phenomenon that is it today. He admits that’s something he’s still learning about. “As a child, for better or worse, I always lived in my bubble,” Benito says. “Now, I could say – and people do say – it’s a form of privilege. But it’s always been my way of being. Me, in my house and in my bubble, imagining a better, more magical world.”
As he ascends into the pop mainstream, Bad Bunny also opens up about returning reggaetón to its Puerto Rican roots on his album YHLQMDLG. “Since reggaetón went pop all over the world, I don’t feel like people really know the sound that raised me, that I grew up studying,” he says. “This is the album I would’ve wanted to release when I was 15 and dreamed of being a singer.” Benito also hints to the next project, adding, “My next album doesn’t have anything to do with YHLQMDLG.”
It’s a long interview but, come on, it’s with Bad Bunny so the entire interview is worth the read. You can check out the NYT piece here.