“The riders need to drink alcohol so that they don’t feel afraid.”
Dude, drunken horse racing is a legit thing in Guatemala.
Let’s back up for a second. It’s right around the Day of the Dead and the townspeople of Todos Santos celebrate with a three-day festival culminating in this sometimes deadly race. The history of the festival dates back to when the Spanish conquistadors invaded Guatemala and enslaved and killed all the Mayans in their path. Those who were enslaved were not allowed to touch anything that belonged to the Spanish, especially not the horses.
Once the Spanish arrived in Todos Santos, one brave Mayan stole a horse and raced it around the town until he was caught and executed. So every year since then, the residents of the town honor this courageous Mayan.
So what better way to celebrate this brave Mayan than with traditionally colorful outfits, horses and alcohol…lots of alcohol? We don’t know either. Oh, there’s a chicken too. Check out Vice’s video above.
As the world comes to an inflection point on race and history, several communities are working to tear down long-standing memorials to racism, enslavement and other human rights abuses.
Monuments to European conquerors and colonists around the world are being pulled down amid an intense re-examination of racial injustices in the wake of George Floyd’s death at the hands of police.
In a video of the rally, shots could be heard as protesters tried to remove a statue of conquistador Juan de Oñate.
As protests take place across the country demanding statutes honoring blatant racists be taken down, the calls have been met with controversy for many. It’s no different in New Mexico, where protesters had gathered to remove a statue honoring a brutal Spanish conquistador. The protesters were met by a group of armed counter-protesters who were there to “protect” the statue.
Video taken at the scene shows protesters attempting to topple a statue of Juan de Oñate using a rope tied around the statue’s neck before four gunshots are heard. Additional footage shows a physical altercation between protesters and a man in a blue shirt before gunshots.
The scene turned into chaos as people ran for cover. Police in riot gear could be seen taking at least two people into custody as some protesters heckled the officers. It was more than two hours before the area was cleared.
In the end, one protester is in the hospital with critical injuries but is expected to make a full recovery.
Several videos of the shooting have popped up on social media – but it’s unclear who is guilty of firing the shot.
On Tuesday, a police statement said detectives arrested Stephen Ray Baca, 31, and that he was held on suspicion of aggravated battery. Authorities previously said several people were detained for questioning.
However, a militia group known as the New Mexico Civil Guard had reportedly arrived at the scene to protect the statue from protesters – and they were heavily armed. The Albuquerque Police Department (APD) has not confirmed whether the shooter was a member of the militia.
“We are receiving reports about vigilante groups possibly instigating this violence,” said APD Chief Michael Geier in a public statement. “If this is true will [we] be holding them accountable to the fullest extent of the law, including federal hate group designation and prosecution.”
But who was Juan de Oñate?
Juan de Oñate was born in Mexico (then part of New Spain) and set out to govern the New Mexico region for Spain in 1598, crossing north into the Rio Grande Valley through what is now El Paso, Texas with several hundred settlers.
To Native Americans, Oñate is known for having the right feet cut off of tribal members. After Oñate tried to force the Acoma to pay taxes, the tribe fought back, but were beat by Oñate’s men and enslaved for the following twenty years. Oñate was later charged with war crimes in Mexico City and banished from New Mexico
The protest in New Mexico is the latest in growing calls for racial justice.
The protest against the Oñate statue is just one of dozens taking place throughout the country as thousands call for racial justice after the police officer-involved killing of George Floyd on May 25. Statues symbolizing the Confederacy have been either removed by public officials or toppled or disfigured by protesters calling for their removal. Additionally, protesters have toppled statues of Christopher Columbus, and officials in Dallas have removed a statue of a Texas Ranger with a well-documented racist history.
Several politicians have already come out in support of removing the controversial statue.
Albuquerque Mayor Tim Keller announced late Monday after the shooting that the Oñate statue will be removed. “The shooting tonight was a tragic, outrageous and unacceptable act of violence and it has no place in our city. Our diverse community will not be deterred by acts meant to divide or silence us,” Keller said on Twitter. “Our hearts go out the victim, his family and witnesses whose lives were needlessly threatened tonight. This sculpture has now become an urgent matter of public safety.”
Other New Mexico officials have also spoken out since Monday night. “Historical trauma can carry weight for centuries. Juan de Oñate’s violent colonization and brutal enslavement of Pueblo people was not heroic,” wrote New Mexico Sen. Martin Heinrich on Twitter. “Removing a statue glorifying this man is only one important step in coming to terms with our state’s fraught history and building a stronger sense of reconciliation and understanding between all New Mexicans today.” Heinrich also called on the U.S. Department of Justice to investigate the shooting, noting that armed civilian militias have appeared at other New Mexico protests in recent weeks.
Award-winning Guatemalan film ‘José’ is about to make its US theatrical premiere in L.A. and New York. But thanks to US travel restrictions, its leading actor Enrique Salenic won’t be allowed to enter the country for the film’s release.
The Guatemalan actor is the star of the award-winning film “José”
“José,” directed by Chinese-born American filmmaker Li Cheng, won multiple awards internationally during the international film festival season in 2018-2019, including the prestigious Queer Lion award at the 75th Venice Film Festival.
Guatemalan actor Enrique Salanic has been blocked from entering the United States ahead of the U.S. premiere of the film in which he is the star.
The fast-rising, U.S.-educated actor earned strong reviews for his lead performance in the Venice 2018 premiere as an impoverished 19-year-old gay man who lives with his mother and falls in love for the first time.
Made in a neorealist cinematic tradition, the film is described in a press release as “a nuanced and vivid look at being gay in Central America.”
‘José’ follows the eponymous character of the film, a closeted 19-year-old who lives an impoverished life with his mother, a street vendor, in Guatemala City. Guatemala, and most of Latin America for that matter, is a place dominated by conservative Catholic and Evangelical Christian religious values. When he meets an attractive migrant from the Caribbean coast, he finds himself falling in love for the first time; the relationship pushes him to rethink his repressed life, and before long he is contemplating a drastic change that will require a leap of faith he is still reluctant to take.
The film premiered in New York on Jan. 31.
And it’s premiered in Los Angeles one week later. Salanic has traveled widely in support of “José,” attending the Lido and festivals in Spain and Panama but the U.S. appears to be a step too far.
The U.S. embassy rejected his visa application twice.
Efforts to bring Salanic to the U.S. have proved fruitless after the U.S. embassy in the Central American country rejected his non-immigrant visa applications. The embassy argued Salanic, who lives with his parents in Guatemala, could be a flight risk were he to enter the U.S. as he does not have a residence in Guatemala.
The premiere should have been a celebratory occasion for the film’s star.
The young newcomer named Enrique Salanic, should be celebrating the great success of his debut appearance. But instead it has become a senseless bureaucratic nightmare, the latest demonstration on the world stage of the current draconian stance on immigration and travel.
The actor’s first application was denied in November.
Salanic’s first visa application was made in November according to Paul Hudson, head of the film’s U.S. distributor, Los Angeles-based Outsider Pictures; the embassy rejected it, arguing that Salanic could be a flight risk if he were to enter the US.
Hudson then sought the aid of Congressman Ted Lieu.
Congressman Lieu, wrote a personal letter on behalf of the young actor which was submitted with a second application. That request was also denied, with no apparent consideration of the congressman’s letter. According to Screen Daily, a copy of the embassy’s original rejection letter states that a requirement of a successful visa application is a residence in a foreign country which the applicant “has no intention of abandoning,” before going on to write, “You have not demonstrated that you have the ties that will compel you to return to your home country after your travel to the United States.”
Hudson, head of the film’s U.S. distributor, had something to say.
“Denying Enrique Salanic his entry visa to promote his work in a film produced, financed and distributed by American citizens and companies represents just one way in which the current administration’s immigration rules impact U.S. businesses, and it perpetuates the negative impression the world has of America. Denying entry to a man who has already successfully studied in the U.S. just because he is from Guatemala is unjust and cruel,” Outsider Pictures’ Paul Hudson told The Wrap.
Robert Rosenberg of Outsider Pictures also had an issue with the rejection of Salanic’s entry visa.
“It broke my heart that such a talented young actor like Enrique, who is the star of our movie, is being thwarted in pursuing his career by our own government in the U.S.,” Rosenberg told The Wrap. “Our policies should encourage this kind of ambition and success, not trap Central Americans in their countries, as if they were less than human.”
In a statement on the creation of the film, director Li Cheng discussed the movie’s cultural relevance.
“‘José’ is really a page ripped from today’s news headlines,” he said. “The crises of young people, single mothers and dark-skinned peoples in Guatemala frames the film’s story. Guatemala has become an increasingly violent and dangerous place, where more than half the people live in poverty. Indeed most of the children separated from their parents and locked in dog-like cages in Texas (shocking people around the world) are Guatemalan, not Mexican, as is often claimed.”