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This Seahawks Fan Won’t Let Haters Stop Him from Dressing Up for Games

The Seattle Seahawks, like most teams in the NFL, have plenty of HARDCORE fans.

Credit: Otto Greule Jr. / Getty

Look at this guy. He literally has the team’s logo painted across his face.

Efrain Lopez is one of those fans.

Credit: KING 5 News

Except Lopez doesn’t paint his face. He goes to games dressed in a custom-made charro outfit.

Credit: Charro Hawk / Facebook

He calls himself “Charro Hawk.” Dude isn’t playing. Just look at the detail on his sombrero.

Credit: KING 5 News

Earlier this in the season, ESPN reporter Darren Rovel tweeted this photo of Lopez, and it spread like wildfire.

Several fans thought Lopez’s get-up was awesome.

Credit: @Ole_Overholser / Twitter

https://twitter.com/HooliganHawk/status/648298181432729600

As usual, there were some trolls among the bunch.

Credit: @johntmitch / Twitter

Lopez, who also had to deal with a few racial slurs online, says he has NO TIME for haters.

Credit: KING 5 News

“I can’t allow that to really affect me. However, by sharing my story, I can maybe inspire individuals that have the time to be negative to take a look at who I am and who I represent,” said Lopez to Seattle’s KING 5 News.

Who is he? A proud Mexican who also loves the Seahawks.

Credit: KING 5 News

Lopez, who was born in Mexico, moved to the US and eventually became a naturalized citizen. He began dressing up as “Charro Hawk” in 2008. If you’re paying close attention, you probably noticed that Lopez owns both a navy charro suit and a lime green charro suit. That’s dedication.

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This Artist Has Been Breaking Barriers As A Non-Traditional Mariachi

Entertainment

This Artist Has Been Breaking Barriers As A Non-Traditional Mariachi

On a recent episode of ABC’s game show To Tell The Truth, three celebrity panelists were tasked to uncover the identity of a real mariachi singer.

Each contender embodied “non-traditional” attributes of mariachi culture either through physical appearance or language barriers, leaving the panelists stumped.

When it came time for the big reveal, with a humble smile 53-year-old Timoteo “El Charro Negro” stood up wowing everyone. Marveled by his talents, Timoteo was asked to perform unveiling his smooth baritone voice.

While not a household name in the U.S., his career spans over 25 years thriving on the catharsis of music.

Timoteo “El Charro Negro” performing “Chiquilla Linda” on Dante Night Show in 2017.

Originally from Dallas, Texas, Timoteo, born Timothy Pollard, moved to Long Beach, California with his family when he was eight years old. The move to California exposed Pollard to Latin culture, as the only Black family in a Mexican neighborhood.

As a child, he recalled watching Cantinflas because he reminded him of comedian Jerry Lewis, but musically he “got exposed to the legends by chance.”

“I was bombarded by all the 1960s, ’70s, and ’50s ranchera music,” Timoteo recalls to mitú.

The unequivocal passion mariachi artists like Javier Solis and Vicente Fernandez possessed heavily resonated with him.

“[The neighbors] always played nostalgic music, oldies but goodies, and that’s one thing I noticed about Mexicans,” Timoteo says. “They can be in their 20s but because they’ve grown up listening to the oldies it’s still very dear to them. That’s how they party.”

For as long as he can remember, Pollard “was born with the genetic disposition to love music,” knowing that his future would align with the arts.

After hearing Vicente Fernandez sing “Lástima Que Seas Ajena,” an awakening occurred in Pollard. While genres like hip-hop and rap were on the rise, Pollard’s passion for ranchera music grew. It was a moment when he realized that this genre best suited his big voice.

Enamored, Pollard began to pursue a career as a Spanish-language vocalist.

El Charro Negro
Photo courtesy of Timothy Pollard.

At 28, Timoteo began learning Spanish by listening and singing along to those artists he adored in his youth.

“When I decided that I wanted to be a mariachi, I didn’t think it was fair to exploit the culture and not understand the language,” he says. “If I’m going to sing, I need to be able to communicate with my audience and engage with them. I need to understand what I’m saying because it was about honor and respect.”

Pollard began performing local gigs after picking up the language in a matter of months. He soon attracted the attention of “Big Boy” Radio that adorned him the name Timoteo “El Charro Negro.”

Embellishing his sound to highlight his Black heritage, Pollard included African instruments like congas and bongos in his orchestra. Faintly putting his own spin on a niche genre, Pollard avoided over-saturating the genre’s sound early in his career.

Embraced by his community as a beloved mariachi, “El Charro Negro” still encountered race-related obstacles as a Black man in the genre.

“There are those [in the industry] who are not in the least bit thrilled to this day. They won’t answer my phone calls, my emails, my text messages I’ve sent,” he says. “The public at large hasn’t a problem with it, but a lot of the time it’s those at the helm of decision making who want to keep [the genre] exclusively Mexican.”

“El Charro Negro” persisted, slowly attracting fans worldwide while promoting a message of harmony through his music.

In 2007, 12 years into his career, Pollard received a golden ticket opportunity.

El Charro Negro
Pollard (left) seen with legendary Mexican artist Vicente Fernandez (right) in 2007. Photo courtesy of Timothy Pollard.

In a by-chance encounter with a stagehand working on Fernandez’s tour, Pollard was offered the chance to perform onstage. The singer was skeptical that the offer was legit. After all, what are the chances?

The next day Pollard went to his day job at the time and said, “a voice in my head, which I believe was God said, ‘wear your blue velvet traje tonight.'”

That evening Pollard went to a sold-out Stockton Area where he met his idol. As he walked on the stage, Pollard recalls Fernandez insisting that he use his personal mic and band to perform “De Que Manera Te Olvido.”

“[Fernandez] said he did not even want to join me,” he recollects about the show. “He just was kind and generous enough to let me sing that song on his stage with his audience.”

The crowd applauded thunderously, which for Pollard was a sign of good things to come.

El Charro Negro
Timoteo “El Charro Negro” with Don Francisco on Don Francisco Presenta in 2011. Photo courtesy of Timothy Pollard.

In 2010, he released his debut album “Me Regalo Contigo.” In perfect Spanish, Pollard sings with great conviction replicating the soft tones of old-school boleros.

Unraveling the rollercoaster of relationships, heart-wrenchingly beautiful ballads like “Me Regalo Contigo” and “Celos” are his most streamed songs. One hidden gem that has caught the listener’s attention is “El Medio Morir.”

As soon as the track begins it is unlike the others. Timoteo delivers a ’90s R&B love ballad in Spanish, singing with gumption as his riffs and belts encapsulate his unique sound and story.

Having appeared on shows like Sabado Gigante, Don Francisco Presenta, and Caso Cerrado in 2011, Timoteo’s career prospered.

Timoteo hasn’t released an album since 2010 but he keeps his passion alive. The singer has continued to perform, even during the Covid pandemic. He has high hopes for future success and original releases, choosing to not slow down from his destined musical journey.

“If God is with me, who can be against me? It may not happen in a quick period of time, but God will make my enemies my footstool,” he said.

“I’ve continued to be successful and do some of the things I want to do; maybe not in a particular way or in particular events, but I live in a very happy and fulfilled existence.”

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Dad Of Julio Urías Got A Tattoo Honoring His Son’s World Series Win

Entertainment

Dad Of Julio Urías Got A Tattoo Honoring His Son’s World Series Win

Parents always find new ways to be proud of their children and how to tell the world how proud they are. This includes Julio Urías’ father who recently unveiled his newest tattoo in honor of his World Series-winning son.

Julio Urías’ dad is showing off just how proud he is of his son.

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A post shared by Andres Ortega Rojas (@ortega_ink)

Tattoo artist Andres Ortega Rojas posted photos on Instagram showing off the tattoo. Carlos Urías forever enshrined his sons victorious lunge after Game 6 against the Tampa Bay Rays while a tattoo on his left arm.

Rojas told TMZ that the tattoo took nine hours to complete and that is was Carlos’ first tattoo. The moment captured on Carlos’ arm is one that is etched into the brains of Dodgers fans. It was the first time the Dodger has won the World Series since 1988 ending a decades-long dry spell.

The tattoo is catching everyone’s attention.

People are loving the tribute made to his son with a tattoo. It being his first tattoo is even sweeter. We all know how much our parents are anti-tattoos so seeing this happen is extra touching. Julio is framed by the flags of the Commissioner’s Trophy in the tattoo marking what is clearly Carlos’ most proud moment.

The moment marks a culmination of a long journey to athletic stardom.

Julio first pitched for the Dodgers in 2015. The Mexican baseball player was called up to join the famed baseball team. Carlos and the family made a 13-hour road trip from the Mexican state of Sinaloa to Maryvale Park in Phoenix, Ariz. It was after that long trip that Carlos got to see Julio on the field pitching against the Milwaukee Brewers.

It just goes to show you that anything is possible and that, if you work towards your goals, they can come true.

READ: Dodgers Win First World Series Championship Since 1988 And It’s Great To Be An Angeleno

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