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The Documentary ‘Nana’ is Showing How Far Mothers Go to Care for Their Children

Imagine going years without seeing your mother and knowing she’s in a different country taking care of other people’s children. That is the truth for lots of children in the Dominican Republic. Nana, a documentary by Tatiana Fernández Geara, explores the heartbreaking journey Dominican nannies must take so they can send money to their children back home.

The documentary focuses on the Dominican women who work as nannies in the US.

Credit: Tatiana Fernandez Geara / YouTube

The women are usually hired to be live-in nannies by affluent families the U.S. Some, like Clara, go several years without seeing their own children and end up becoming surrogate parents for the children they nanny.

One of the mothers in Nana says she had no choice but to leave her children behind in search of better opportunity.

Credit: Tatiana Fernandez Geara / YouTube

“I have to work to support them,” Fina says in the documentary. “Or have everyone starve to death back home. It’s one or the other.”

READ: A New Documentary Tells the Story of Latinas Who Were Sterilized Without Knowing It

Despite finding better paying jobs, the mothers constantly worry about their own children.

Credit: Tatiana Fernandez Geara / YouTube

“Sometimes you’re eating and you don’t know if your kids have eaten,” says Leidy, one of the nannies featured in the doc. The nannies must rely on their family members back home to care for their children.

Leidy’s two children are back in San Juan, DR where they are being looked after by their grandmother.

Credit: Tatiana Fernandez Geara / YouTube

Leidy’s grandmother says she’s used to it. “The only grandkids I haven’t raised are the ones in San Francisco,” Leidy’s grandmother says. “I’ve had up to 12 grandkids at once here in this shack.”

Back in the US, the nannies form such a strong bond with the children they take care of, that the kids see them as their own mothers.

Credit: Tatiana Fernandez Geara / YouTube

“I feel like Leidy is my mom and I feel like mom is Leidy,” says one of the children being taken care of by Leidy.

Their choice to raise other people’s children has brought up some questions about motherly love.

Credit: Tatiana Fernandez Geara / YouTube

“It would be love, dedication, devotion,” Fina says in response to the question. “And many other things.”

READ: A Documentary Shows There’s More than Two Sides to the Mexican Drug War

And despite being so far from their kids, they still think motherly love is a beautiful thing.

Credit: Tatiana Fernandez Geara / YouTube

“The most beautiful feeling.”

You can check out the full trailer below:

Credit: Tatiana Fernandez Geara / YouTube

(H/T: Remezcla)

Did you find the story interesting? Share it with your friends so they get a chance to see a different form of motherhood.

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Chris Pérez Discusses Selena’s Death in New E! Documentary, ‘Death of Innocence’

Entertainment

Chris Pérez Discusses Selena’s Death in New E! Documentary, ‘Death of Innocence’

via YouTube

A new documentary on Selena Quintanilla’s death appeared on E! Entertainment television on Monday night. The documentary, called “True Hollywood Story: Death of Innocence”, takes a true-crime approach to Selena Quintanilla‘s death at the hands of Yolanda Saldívar.

The “Death of Innocence” series is meant to explore the “lives and legacies” or superstars whose lives were negatively impacted by obsessed fans who were “convinced they shared an intimate bond”. The “Death of Innocence” series will also have episodes devoted to singer Christina Grimmie and actress Rebecca Schaeffer.

This isn’t the first E! True Hollywood story dedicated to the Queen of Tejano music. In 1996, the celebrity news network aired a documentary called “The Selena Murder Trial” that focused on the aftermath of Selena’s death.

In “Death of Innocence”, Pérez detailed the trauma that he experienced because of Selena’s death. “It was traumatic, it was the hardest thing up until that point that I had ever had to go through,” Pérez, who was 25 at the time of Selena’s death, explained.

He went on to describe how he still experiences grief due to the loss of his wife. “I [still] miss her face, her laughter. She was just an amazing soul, an amazing spirit,” he said.

He also revealed how his short time with Selena changed his life forever. “She taught me a lot,” he said. “I used to never tell people I love them, you know? Or I miss them, or just give them gifts just because. I learned those things and many, many other things from her.”

Chris Pérez also explained that he has bared the brunt of fans’ grief and anger over the tragic way that Selena was taken from this earth.

“I heard fans that are like, ‘How could we let that happen?'” he revealed in “Death of Innocence”. “Come on now, you think that I would let anything happen to her, like seriously? None of us thought that [losing her] was even a possibility.”

He went on to explain that Selena’s loved ones believed they had done everything they could to keep her safe. “On the road, we had security so I never really feared for her safety,” he said. “You know, especially the way it happened to her. The fact that one of her friends did that, it’s just unbelievable.”

But as Martin Gomez, Selena’s designer, explained in the documentary, “evil can creep up into your home, and you don’t know that evil is there.”

The film also touched on the excitement that Selena had about releasing her upcoming English-language album.

As “Death of Innocence” explained, while Selena was a superstar in the American Spanish-speaking community, she wasn’t a mainstream star yet. But those around her had high hopes for her.

“Doing the English record, that was always the next big goal for her,” Pérez said. And after her death, it “felt like we had to finish it.” But completing the album when Selena wasn’t there was a painful struggle for her widower.

“Them pushing play for me to record the guitar tracks and to hear her voice coming out the speakers in the studio, it was just painful to go in [the recording booth] and have to create parts and make them sound a certain way, when really inside you’re just dying,” he explained

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HBO’s ‘Allen v. Farrow’ Documentary Sparks Potential Lawsuit

Entertainment

HBO’s ‘Allen v. Farrow’ Documentary Sparks Potential Lawsuit

Updated Feb. 24, 2021.

Dylan Farrow’s name has been tightly linked to the story she has been telling since 1992.

For three decades her account of being molested by her adoptive father, director Woody Allen, while in her mother Mia Farrow’s attic in Connecticut and molested her when she was seven years old has not wavered. She first told the story at the time of the incident to therapists, then she told police, and years later in 2014, she wrote an oped to the New York Times and again in 2017 for the Los Angeles Times. In 2018 she spoke about the incident in a televised interview with CBS and now she’s telling the same story, which many have cast doubt on in a four-part documentary from HBO titled Allen v. Farrow.

Allen v. Farrow investigates the abuse allegations and subsequent custody battle that gravely affected Farrow’s career but has only recently begun to create problems for Allen.

The new documentary series aired its first episode which examined the ways in which Allen’s behavior toward Dylan struck family, friends, and even a psychiatrist as inappropriate. The episode details how Allen took up an obsessive interest in Dylan after her adoption.

“I was always in his clutches,” Dylan remembered in the first episode. “He was always hunting me.” Dylan goes onto recall instances in which Allen would “direct” her on how to suck his thumb and what to do with her “tongue.” At one point a family friend backs up this behavior saying she’d seen Dylan doing this one time while other family members and acquaintances said they’d also witnessed Allen’s oddly sexual treatment of Dylan.

Allen has always denied the allegations brought forth by Dylan and has largely gotten away from the stain of such claims to continue his career based on the “woman scorned” trope.

Allen has proven to be the exception to the #MeToo movement in Hollywood despite many who claim to support the efforts to end sexual abuse in the industry. Prominent actresses like Scarlett Johansson, Blake Lively, Kate Winslet, Cate Blanchett, and even Selena Gomez worked with Allen in the decades after he was accused of abuse. Gomez starred alongside Timothée Chalamet in Allen’s 2017 film A Rainy Day in New York, which was eventually shelved by the movie’s production company, Amazon Studios after Dylan reiterated her claims in the 2017 op-ed.

Since the 90s, Allen has maintained that Farrow, his former partner of 12 years, conducted a smear campaign against him after she discovered his affair with her 21-year-old adopted daughter, Soon-Yi Previn.

At the time of their tumultuous divorce, which came as a result of the affair, Allen claimed that Dylan had been coached by Farrow. In response to the documentary, Allen denied interview requests for the documentary and described it after the fact as a “hatchet job riddled with falsehoods” and a “shoddy hit piece.”

As a result, Allen v. Farrow v. Skyhorse v. HBO might be up next. 

Skyhorse Publishing, the publisher behind Allen’s latest book, “Apropos of Nothing,” has threatened to sue the makers of the new docuseries for sampling excerpts from the famous director’s audiobook. 

“Neither the producers nor HBO ever approached Skyhorse to request permission to use excerpts from the audiobook,” Tony Lyons, president of Skyhorse said in a statement to the Los Angeles Times. “[W]e believe that its unauthorized use of the audiobook is clear, willful infringement under existing legal precedent . . . We will take the legal action we deem necessary to redress our and Woody Allen’s rights in his intellectual property,” the statement went on. 

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