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Laurie Hernandez Totally Stole The Show From Her Expert Dance Partner

This is what a perfect performance looks like.

Laurie Hernandez has been killing it on “Dancing with the Stars” week after week and it finally paid off. This week, she and her partner, Valentin Chmerkovskiy, earned the first perfect score for this season. The duo, who are favored to win it all, rocked out to Michael Jackson’s “The Way You Make Me Feel” and it was EVERYTHING. Here is how they wowed the judges, and the crowd, to earn the title of first perfect score for season 23.

Their lifts were on point!

Dancing with the Stars / YouTube

Meanwhile, we can barely get out bed without falling over.

There were also some expert leaps of faith.

Dancing with the Stars / YouTube

And despite her partner’s experience as a dancer, Hernandez totally stole the show.

Dancing with the Stars / YouTube

Get it, Laurie!

Check out her after performance interview below!

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READ: Laurie Hernandez Invaded The White House, Met President Obama And It Was Absolutely Adorable!

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Olympian Laurie Hernandez Is Back And Just Gave A Powerful “Hamilton” Inspired Performance

Fierce

Olympian Laurie Hernandez Is Back And Just Gave A Powerful “Hamilton” Inspired Performance

She’s back! After an almost five-year hiatus, Olympic gymnast Laurie Hernandez made her big return to competition at Saturday’s 2021 Winter Cup meet with moves to remember — set to some pretty unforgettable music, too.

The 20-year-old gold and silver medalist hit the mat with a “Hamilton”-inspired floor routine.

Laurie Hernandez just gave a stunning floor routine at the 2021 Winter Cup.

Please welcome Laurie Hernandez back to the floor! After a four-and-a-half-year hiatus, the 20-year-old Olympian showed off her strength, proving, like Lin-Manuel Miranda wrote, she is inimitable and an original.

“My first priority [at Winter Cup] is to go in and hit clean routines and show that I can be consistent,” Hernandez told NBC News. “But my next one is to enjoy myself.” It sure looks like she accomplished her goal, with nonstop energy and a smile on her face throughout her entire choreography.

As “The Room Where It Happens” played in the background, Hernandez flipped and danced her way to a 12.05 score in the event, good for an 11th-place finish in the floor exercise.

And after the USA Gymnastics Winter Cup in Indianapolis wrapped up, the noted theater fan shared her routine on Twitter and asked for feedback from “Hamilton” creator Lin Manuel Miranda and actor Leslie Odom Jr. — who sang “The Room Where It Happens” as Aaron Burr in the original cast.

This weekend’s performance was her first since stealing hearts during the 2016 Rio games.

Hernandez was part of the Team USA “Final Five” squad that won gold at the 2016 Rio Olympics. But following those games she took a step back from competition, later revealing that former coach Maggie Haney was emotionally and verbally abusive toward her. The gymnast dealt with depression and eating disorders as a result.

Hernandez said it wasn’t until years later that she realized her love of the sport could be separated from the trauma she experienced. “I thought I hated gymnastics, and it wasn’t until mid-2018 I realized that it was the people that made the experience bad, not the sport itself,” she explained on Instagram.

Though she already has a gold medal from the team all-around and a silver medal from her 2016 individual performance on the beam, Hernandez is now ramping up for more challenging competitions over the next several months with the hopes of qualifying for the Olympics this summer. But with a crowded field vying against her for just four roster spots, securing a bid to Tokyo will undoubtedly be an uphill battle.

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It’s Finally Justina Machado’s Time to Shine

Entertainment

It’s Finally Justina Machado’s Time to Shine

Photo: Getty Images

On Monday, beloved (and not to mention, underrated) actress Justina Machado sat down for a wide-ranging interview with the Los Angeles Times.

In it, Machado covers everything from her lengthy career, to the sad state of Latinx representation in Hollywood, to the offensive phone call she had with a tone-deaf TV exec in the ’90s.

Finally, after almost 25 years of hard work in Hollywood, Machado is dominating America’s Monday nights with two high-profile gigs: a spot on “Dancing With the Stars” and the return of “One Day At a Time” to CBS after it was unceremoniously dropped by Netflix.

Naturally, with so much on her plate, the Puerto Rican actress in not only mentally, but physically exhausted. After all, “Dancing With the Stars” is notorious for its grueling practice and shoot schedules. “Every day when I come home, my routine is dunking my feet in [an ice bath],” she told the LA Times. “The first week and a half of rehearsals, forget about it–I was crying.”

But Machado is glad that she took the DWTS opportunity for what it means in terms of Latinx representation on network television.

“The thing about ‘Dancing With the Stars’ is it reaches so many more homes than [‘One Day at a Time’]…,” she told the publication. “I know they’ve had Latinas on the show, but they need a whole lot more. And so I was like, ‘I’m going to do that. I’m going to be that Puerto Rican woman that’s on that show.’”

Throughout the interview, Machado gets candid about what it’s like to be a Latina in the American entertainment industry–which is an unforgiving business.

She described the beginning of her career as plagued by insecurity. Before she began a professional acting career, Machado was convinced she couldn’t make it as an actor because professional acting “wasn’t a part of [her] world.” “Nobody was an actor in Chicago that I knew, in my neighborhood, in the inner city of Chicago,” she explained.

After she finally established her footing in Hollywood, she was then met with further doors slammed in her face in the form of racism and anti-Latino sentiment.

Like when an executive called her to tell her why her TV show wasn’t moving forward, back in the ’90s.

“He literally called my house, nice man… and said, ‘My God, your pilot is so great. Everybody loves you, everybody. But we don’t think America is ready for a Latino family.’”

What’s depressing about this story is that Latino representation onscreen still hasn’t gotten much better over 20 years later. But Machado is hopeful that the tides of change are turning

“That was acceptable for him to say…Like, what? And that was the ’90s! And look at today. How many Latino families do you see on television? So America better get ready because we’re here. We’re here.” We know that if Machado has anything to do with the future of TV, we’ll be seeing Latino families more and more often.

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