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Diego Huerta Is Capturing The Most Amazing Photos Of Indigenous Mexicans

Diego Huerta Photographer / Facebook

Diego Huerta is a photographer on a mission to capture the essence of Mexican beauty, one indigenous population at a time. His photos are truly something to be admired.


It all started four years ago when Diego Huerta decided to embark on an epic journey of photographing all of Mexico’s indigenous populations.

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Credit: Diego Huerta Photographer / Facebook

There are about 60 such indigenous populations in Mexico and, so far, Huerta is producing some amazing photos.


According to Mic, Huerta was inspired by his own curiosity of seeing what Mexico was before the country was conquered by the Spaniards.

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Credit: Diego Huerta Photographer / Facebook

“It is a way of reliving history in the actual moment. Not in a book,” Huerta told Mic. “And that is the feeling that I look forward to transmitting to others, Mexican or not, since the native cultures should be part of the world heritage.”


The Austin-based photographer does more than just take photos of the people in the tribes. He completely immerses himself within the group.

Credit: Diego Huerta Photographer / Facebook

After witnessing the Guelaguetza, a parade and celebration of traditional Oaxaqueño customs, Huerta knew that he needed to go deeper into the group to truly capture the beauty that he saw in the parade.


“I was struck by all the colors and by the faces of the various delegations, and I wanted to know where they came from,” Huerta told The Huffington Post. “It was at that moment that I knew I had to go to their place of origin to know more about their traditions and customs and document them via my portraits.”

Credit: Diego Huerta Photographer / Facebook

Huerta has dedicated his time and energy in the photo project to photograph thousands of indigenous Mexicans, from children playing…

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The Tarahumara word for themselves, Rarámuri, means "runners on foot" or "those who run fast". With widely dispersed settlements, these people developed a tradition of long-distance running up to 200 miles (320 km) in one session, over a period of two days through their homeland of rough canyon country, for inter-village communication and transportation and hunting. The Tarahumara's use of huaraches, a traditional form of minimal footwear, when running has been the subject of scientific study as well as journalistic discourse. In his book, Born to Run, author Christopher McDougall argues in favor of the endurance running hypothesis and the barefoot running movement based on his time with the Tarahumara people and their running in huaraches. Los conocemos como Tarahumaras, pero lo correcto es Raramuris, que significa "los que corren a pie" o "aquellos que corren rápido". El pueblo Raramuri es por naturaleza corredores de largas distancias, pueden llegar a correr 320kms en una sola carrera que dura por dos dias a través de los cañones, esto como parte de sus tradiciones.

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Credit: @diegohuertaphoto / Instagram

…to the men and women dressed in their traditional clothing.

Credit: Diego Huerta Photographer / Facebook

His photos show a very intimate portrayal of indigenous life in Mexico that many rarely see.


“I know it may sound like a fantasy, but when I look at the people’s eyes, that’s when I know they are the right person to photograph,” Huerta told Instagram.

Credit: Diego Huerta Photographer / Facebook

And for him, it’s all about the physical and cultural connection he can forge with the people — a connection that inspires the photos he captures.

READ: Significant Win For This Indigenous Group

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This Sexist Article from 1933 Patronized THE Frida Kahlo

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This Sexist Article from 1933 Patronized THE Frida Kahlo

frida article
CREDIT: @CERDIWENMCCARTHY / FACEBOOK

In this day in age, no one would dare describe Frida Kahlo as a painter who “gleefully dabbled” on anything without some very serious backlash. But in 1933, at 26 years old, that’s exactly how she was described. Yes, THE Frida Kahlo.

The article title, “Wife of Master Mural Painter Gleefully Dabbles in Works of Art,” both glorifies Diego Rivera and patronizes Frida Kahlo in just a few words. While the article does acknowledge that Kahlo was a talented painter, saying that “the fact remains that she has acquired a very skillful and beautiful style,” it all goes to sh*t when it continues with, “painting in the small with miniature-like technique… far removed from the heroic figures of Rivera,” connoting lack of any serious skill.

“[W]hile her husband paints with large brushes on a huge wall surface,” the article continues, Kahlo is described as “a miniature-like little person with her long black braids wound demurely about her head and a foolish little ruffled apron over her black silk dress…”

Never mind that Kahlo is one of the most important painters to come out of Mexico and was a revolutionary feminist. The article’s writer certainly did not imagine Kahlo would become a style icon for the ages. Showed her.

Kahlo, being her amazing self, set the record straight with just one quote: Diego “does pretty well for a little boy, but I’m the big artist.” That’s right.

Read more about Frida Kahlo here

READ: Frida Kahlo Shows Her Love for Diego Rivera in Rare Home Video

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