Garza Cevera believes that gang members have become scapegoats for societal problems created by “others.” His art attempts to present how minorities are depicted as “uncapable of thinking or feeling.” By turning them gang members into bear rugs, Garza Cevera is saying if we see people as scary animals, we dehumanize them.
Few artists have reached the level of fame as Frida Kahlo. The Mexican painter is more than an artist. Kahlo is a point of cultural pride that transcends nationality within the Latino community and unites Latino art lovers in their le of Latin American art. Now, Google, in the time of self-isolation, is giving everyone a chance to learn about the iconic painter.
Google wants to give everyone a chance to learn about Frida Kahlo with its online “Faces of Frida” exhibit.
Anyone who visits the “Face of Frida” exhibit can browse through the artist’s incredible paintings. Kahlo is one of the most influential artists the world has ever known. Her fame and people’s admiration continue to this day with tributes still appearing around the world for the Mexican artist.
Viewers can decide which museum’s Frida Kahlo collection they want to explore.
The exhibit is made possible by 32 museums from around the world collaborating to show Frida Kahlo’s impressive and iconic works of art. Museums across four continents shared Kahlo piece from their exhibits with Google to create an exhibit showing more than 800 paintings. Some of the museums include Museo Frida Kahlo in Mexico, Los Angeles County Museum of Art in the United States, Nagoya City Art Museum in Japan, Fundación MAPFRE in Spain, and Buenos Aires Graffiti in Argentina.
The interactive exhibit is perfect for all Frida Kahlo and art lovers alike. While 3.4 billion people in the world are on lockdown orders, the incredible virtual exhibit of Kahlo’s work gives people a chance to see works of art they haven’t been able to visit yet.
The exhibit is easy to navigate and some of Kahlo’s works have been collected into their own themed galleries.
Kahlo is most famous for using her own life as the inspiration for her works of art. The artist often played with the themes of pain and death due to her own near-death experiences. Her tumultuous relationship with Diego Rivera influenced Kahlo’s work depending on where they were in their relationship. The couple was notorious for taking extra-marital lovers throughout their marriage.
“Faces of Frida” also offers art fans a chance to learn about Kahlo through editorial features.
Kahlo was one of the most revolutionary women in the world. She moved through space unimpeded by society’s views on her gender and place in society. She was politically engaged and held onto a list of values that many still argue over today. Namely, there have been discussions and think pieces about the sudden commercialized usage of Kahlo’s image and what she might have to say about it. As someone who was opposed to capitalism, it seems safe to say she might not have appreciated herself being used for capitalistic gains.
Brazil’s President Jair Bolsonaro fired his Secretary of Culture after he published a video that paraphrased a well-known Nazi speech at Adolf Hitler’s favorite opera. Former Secretary of Culture Roberto Alvim’s posted the video to his Twitter account Thursday evening and the overnight public outcry resulted in his firing the following day. Even the setting of the video bore so much resemblance to Nazi Germany propaganda minister Joseph Goebbel’s own desk, both with framed photographs of their elected leaders in the background. Alvim played music from the Wagner opera, Hitler’s favorite opera, in the background of his paraphrased speech from the Nazi leader’s propaganda leader.
At first, Alvim tried to chock up the viral outcry as leftist sensitivities. Eventually, he admitted that he asked his aides to Google speeches on “nationalism and art,” which inevitably led to the infamous speech by Goebbel.
Both Joseph Goebbel and Roberto Alvim said that their country’s art will be “heroic” and “national” or “it will be nothing.”
Goebbel delivered his speech in 1933, the same year Nazis seized control of Germany, as an impassioned invitation for artists to join the nationalist movement. Goebbel was intensely anti-Semitic and eventually rose in ranks to become Hitler’s second-hand man. Hitler’s will left Goebbels as the new Chancellor of Germany, for which Goebbels accepted for just one day. The next day, Goebbels and his wife poisoned their six children with cyanide and committed suicide. Twelve years earlier, at the start of the Nazi regime, Goebbels became known for his speech that would but unwittingly plagiarized nearly a century later by Alvim.
“German art of the next decade will be heroic, will be wildly romantic, will be objective and free of sentimentality, will be national with great pathos and equally imperative and binding, or else it will be nothing,” Goebbels became known to say.
“Brazilian art of the next decade will be heroic and it will be national… and imperative because it will be rooted in the urgent aspirations of our people, or it will be nothing,” Alvim similarly said in an address meant to announce a $4.8 million investment in Brazil’s national arts program.
Several top officials suspected that Alvim “may not be of sound mind,” but others disagree.
The speaker of the House called for Alvim’s removal from office while the Supreme Court’s highest office said that his speech must be “repudiated with vehemence.” Meanwhile, Olavo de Carvalho, a radical right YouTuber (think the Stephen Miller to Donald Trump), suspected that “it may be too early to judge, but Roberto Alvim may not be of sound mind. We’ll see,” in a Facebook post. Carvalho has since landed on a conspiracy theory that Alvim had a secretly liberal employee that sabotaged his reputation by paraphrasing Goebbel and overlaying his speech with Hitler’s favorite opera.
“Roberto Alvim couldn’t be more lucid. Had it not been for the controversy, the pressure of networks, society and the wear and tear on the political environment, it is quite likely that Bolsonaro would have kept him in office since it’s a fascist government,” tweeted another Brazilian.
Bolsonaro’s administration has decided to distance itself from Alvim regardless.
The day after the speech, Germany’s embassy declared, “The period of National Socialism is the darkest chapter in German history, bringing infinite suffering to humanity….We oppose any attempt to trivialize or even glorify the era of National Socialism.” Israel’s embassy issued a statement that put it bluntly: “Such a person cannot command the culture of our country and must be removed from office immediately.” Only after Israel called for Alvim’s ouster did Bolsonaro make what he called an “unfortunate pronouncement” that Alvim would be removed from office. The video is shockingly similar to Goebbel’s, stylistically, but the core nationalistic sentiments are one and the same. Alvim accepted his position as Secretary of Culture only after one of the previous title holders resigned when Bosonaro cut funding to LGBTQ+ artists.
Meanwhile, some Americans are taking the news with a soberingly dark sense of humor: “Former Brazilian culture minister Alvim should apply for immigration status here from @realDonaldTrump, @GOP, and bosom buddy @LindseyGrahamSC. I’m sure that they will welcome another like-minded Nazi sympathizer into the USA,” one American tweeted. Others are saying that an elected official who has to paraphrase other speeches shouldn’t be in office anyway.