We’re all tired, I know, of feeling like we’re the only ones who discuss Latinx representation, and the lack thereof, in Hollywood and across media in general. We’ve been bringing it up since our meetings in… let me see here… 1932, before we were even calling out gathering The Very Official Meetings of Latinx.
So let’s change tactics. Let’s create an actual, actionable plan on how to tackle this shit.
It’s not enough for everyone, from an executive to a casting director, to simply say “we couldn’t find” Latinx. You’re not looking hard enough, then. Look harder. Ask around. Make the effort. Look at how SNL hired Latinx talent (both in front of and behind the camera) from within Broadway Video’s Latinx-focused site, Más Mejor.
Pass the mic.
Of course, it’s not enough to simply have Latinx around (this is the difference between diversity and inclusion.) Don’t leave it to non-Latinx to speak on behalf of Latinx when there’s the opportunity to pass the mic along to people who can speak genuinely about their own experiences, from the writers’ room outward.
Hold the door open.
It is truly up to Latinx to champion their fellow Latinx. Time has proven that we can’t rely on others to do it for us. Leave the door open behind you so that others may enter.
Take a two-prong approach to representation.
It is important to hire and cast Latinx to tell specifically Latinx stories (like “East Los High“), as well as to allow Latinx to simply exist as people within the worlds created in television and movies (like Santiago and Rosa in “Brooklyn Nine-Nine“).
Vote with your money.
Latinx over-index pretty much across the board when it comes to media consumption. Which means we’re spending a ton of money on this stuff. Which means we’re paying for content that continues to represent us 1) barely and 2) stereotypically. Think about the projects and ideas you want to fund with your hard-earned cash, both when it comes to Hollywood blockbusters and crowd-sourced indie projects.
These are by no means mandates or the only means we have of making a difference, but it’s a start. And with that, this meeting is adjourned. Please meet us for hot dogs on white bread out on the patio. Thank you.
When it comes to interracial couples, this is certainly true. In 2017, The New York Times posed the question “where are all of the racial couples?” in an article about the representation of mixed-race couples on screen. The pieces pointed out that for many years, the entertainment industry “forbid depictions of interracial relationships. From 1930 until the late 1960s, the Motion Picture Production Code banned ‘vulgarity and suggestiveness’ so that ‘good taste may be emphasized.'” The piece put a bold underline under the fact that decades have passed since these codes were dismantled. In fact, the same year of the article’s release, the Pew Research Center revealed that the number rose to 10 percent, including 11 million interracial marriages in total.
These statistics oddly haven’t always extended to even our most innovative forms: texting to name just one. Up until recently, texters weren’t able to express their mix-raced love via iPhones.
Now thanks to a new update, they are!
New updates to Apple‘s iOS 14.5 are bringing interracial couples to your texts this Spring.
Apple is working to make our texting experience more inclusive and representative for all phone users. In a recent update from Unicode, the system that produces emojis, Apple has announced that they will be unveiling new designs and new options for emojis that already exist as part of iOS 14.5.
New designs for the emojis will be more representative of people with disabilities as well.
They include a person with a bird, flaming heart emoji, a healed heart, and new skin tone variants for kissing couples and couples with heart emojis. There will also be accessibility-themed emojis which include an ear with a hearing aid, a guide dog, a prosthetic leg, and a prosthetic arm.
Unless you live under a rock, you probably know that the movie biz is run by white folks. Yes, it sucks, but the good news is there are some truly kickass people of color out there paving the way for the rest of us.
It’s old news that Hollywood has a huge diversity problem (#Oscarsowhite, anybody?). Even beyond the Academy Awards, this year’s Cannes Film Festival left a LOT to be desired when it came to Latino representation.
But, thankfully, that is beginning to change and more and more directors claim their spot in the directors chair and we are so grateful for the representiaon they’re bringing younger audiences because representation matters.
Moreover, many Latin-American directors particularly are seeing success both with critics and at the box office with such movies as Alfonso Cuarón’s Gravity and Alejandro González Iñárritu’s The Revenant dominating the box office while also taking home numerous awards. Here are some of our favorite directors and a few lesser-known ones that you should add to your watch lists.
Adrian Molina has a breadth of experience under his belt, particularly in animation. He’s worked at Pixar Animation Studios on Toy Story 3 and in other capacities on Monsters University, Ratatouille and The Good Dinosaur. But it’s perhaps his work on Coco, which he co-wrote and co-directed, that e all know best.
Since Coco’s debut in theaters in Mexico, it has become the country’s highest-grossing movie in cinematic history. In the U.S., Coco, whose voice talent includes actors Gael Garcia Bernal, Edward James Olmos and Benjamin Bratt, has been a champion at the box office, coming in No. 1 three weekends in a row and garnering major Oscar buzz.
Born and raised in San Francisco to Mexican immigrant parents, director Aurora Guerrero graduated from UC Berkeley with a degree in Psychology and Chicano studies. She dabbled in shorts for several years before directing an episode of Ava DuVernay’s groundbreaking series Queen Sugar, continuing DuVernay’s promise to have every episode directed by a woman of color.
Guerrero is gearing up to direct a feature she’s writing entitled Los Valientes about a gay, undocumented immigrant who finds his life turned upside down after traveling to a conservative Pennsylvania town.
Though the Mexican director Alfonso Arau started out as an actor (some of his acting credits include The Wild Bunch, Three Amigos, and Romancing the Stone), he eventually transitioned to directing.
Arau’s two most well-known works are 1992’s Like Water for Chocolate and 1995’s A Walk in the Clouds. The former was based on the novel written by Arau’s then-wife Laura Esquivel, became the highest-grossing non-English-language film ever released in the United States at the time, and even got nominated for the Golden Globe Award for Best Foreign Language Film.
Gloria Calderon Kellett
Perhaps one of her biggest credits is her work on One Day at a Time, which she created, wrote, executive produced, and even acted as co-show runner for the Netflix series.
Kellett grew up in Beaverton, Oregon, and San Diego, California, and earned her degree in Communications and Theater Arts from Marymount University. She’s not stepping into directing without some experience. She directed two shorts a few years ago, Mouthbreather and Blind, and an episode of the webseries Misery Loves Company in 2017. Earlier this year, Kellett announced she is developing a new TV show for CBS, History of Them.
Mexican-Guatemalan-American filmmaker Marvin Lemus got his start in digital production, working on viral videos and marketing campaigns, including those utilized in the film Dear White People. After dabbling in shorts Lemus transitioned to creating his first series. The result was a web series titled Gente-fied.
Along with his countrymen, Alfonso Cuarón has distinguished himself as one of the greatest directors of our time. Working in different genres, Cuarón has been both critically and commercially successful as well as becoming the first Latin American to win the Academy Award for Best Director.
Cuarón’s directorial debut was 1991’s Solo con tu pareja, but his first success came with his second film – A Little Princess which was nominated for two Oscars. Y tu mamá también was a massive hit and got nominated for the Academy Award for Best Original Screenplay.
Cuarón followed these achievements with Harry Potter and the Prisoner of Azkaban which got two Oscar nominations and is still considered to be the best installment in the franchise. His latest films, Gravity and Roma, both received multiple award nominations winning seven and three Oscars respectively. For both films, Cuarón won the Best Director award just like Iñárritu did.
Guillermo del Toro
It’s no secret that Guillermo del Toro is close friends with the two other prominent Mexican directors working today (Alejandro González Iñárritu and Alfonso Cuarón) with the trio being collectively known as “The Three Amigos of Cinema”. And their acclaim and success stem from their immense talent and hard work.
Del Toro has directed big-budget movies like Blade II and Hellboy (for which he also directed a sequel later on) before directing critically-acclaimed Pan’s Labyrinth which went on to be nominated for multiple awards. del Toro also directed Pacific Rim, Crimson Peak, and the Academy Award-winning The Shape of Water.
Alejandro González Iñárritu
Undoubtedly, Alejandro González Iñárritu is among the most successful directors working today – not just in his own country but internationally. Moreover, this worldwide success is probably tied to the fact that Iñárritu loves telling international stories and his films always have diverse casts.
Iñárritu’s directorial debut was 2000’s Amores perros which was the first installment in his Trilogy of Death and was nominated for the Academy Award for Best Foreign Language Film. The two films that followed were also a part of the trilogy: 21 Grams which was nominated for two Oscars and Babel which won the Best Director at the Cannes Film Festival, won the Golden Globe Award for Best Drama, and got seven Oscar nominations.
But the most successful works of Iñárritu are definitely his two latest films: Birdman which won four Oscars and The Revenant which won three Oscars. In both cases, Iñárritu took home the Best Director award.