YA Novel by Elizabeth Acevedo is About Family, Food, and Embracing Big Dreams
When you turn the pages of Elizabeth Acevedo’s books you need to do so quickly cause the fire from the passion she puts into every word heats up the pages. The Dominican writer/poet’s third book, With the Fire on High, comes out May 7 about Afro-Boricua teenager Emoni as she embarks on her senior year of high school being a single mom with a big dream.
Her YA debut, The Poet X, follows Xiomara Batista as she discovers slam poetry and uses it as a way of express herself when she has no other outlet. The book won the National Book Award for Young People’s Literature and the Pura Belpré Award for a work that affirms the Latinx cultural experience, it quickly became a bestseller.
Acevedo began making a name for herself in the world of slam poetry, using language to paint a picture of her truths and triumphs. From “Afro-Latina,” where she dissects what this blended identity means while embracing its beauty, to “Hair” where she confronts the stigma of pelo malo and proudly exclaims “you can’t fix what was never broken.” She’s made it a point in her career to uplift the Latinx community and through her work carve a space where there aren’t many people of color telling these stories.
From the cover featuring a curly-haired Afro-Latina to Emoni’s exploration of her bi-cultural roots, With the Fire on High is a glimpse into the everyday existence of a young girl of color. Here Acevedo talks about exploring that feeling of living in-between two worlds, the bonds between women and its empowering effects, and why she wanted to address the complexities of Afro-Latinidad.
Q: The book is broken up into three parts and each part starts off with a recipe that includes casual instructions like cooking something for the duration of a music album, how did you decide which to use for each part?
The sections and recipes were an attempt to flip common phrases “When life gives you lemons,” “Don’t Cry over Spilled Milk,” and “Breaking Bread”—Because Emoni is someone who can’t follow a recipe to the letter I decided to remix the phrases and show how she takes what life gives her and makes the best of it based on what will work for her.
Q: Emoni is a mom but she’s also a high school senior and from the slang she uses to the pop culture references you can tell she’s a product of this day and age, how did you go about developing this character?
Emoni was one of those characters that showed up one day and began talking in my ear. I knew who she was, what music she listened to, what television shows she loved to watch, and her relationship with her family. I wanted her to feel fresh and current but also timeless.
Q: Emoni’s mixed ethnic background comes into play during an interaction where she’s faced with some ignorant remarks and she’s quick to educate those who say someone of a certain race or ethnicity should look a certain way, being that there is so much more awareness of Afro-Latinidad but still so much ignorance involved, why was this an important interaction to include for you?
I think it’s important to use fiction to speak to the current climate and I wanted to address the complexity behind Afro-Latinidad and the ways that manifests within my main character, Emoni; there are so many assumptions people make about her that aren’t based in fact but are a myth of their own making. Emoni is a character that contemplates colorism, blackness, afro-latinidad and all that those pieces of her identity bring in ways I hope are nuanced.
Q: The romance between Emoni and Malachi touches on serious topics including the loss of a loved one and sex, how did you decide to develop their relationship and the character of Malachi?
I wanted Malachi to be a sweet love interest; a departure from the ways that black boys are often depicted in fictions. He’s kind, he’s smart, he loves his community and he cares about Emoni. He also has had his own share of violence and heartbreak and struggles with never really having a place to heal some of those wounds. It was important for me to show a relationship that had clear boundaries and open conversation. I wish when I was a teen I had seen more examples of what young women could ask of their partners.
Q: From her relationship with her abuela to her daughter to her best friend, the power of female relationships is evident throughout the book, can you talk more about that and what inspired you to create such strong female characters?
This book really is about the community of women that it takes to raise a child. I wanted to show the strong fem bonds that support us, free us, and launch us forward. Emoni cannot always see herself and her talents clearly but the women around her believe in her even when she doesn’t.
You take on serious topics including the loss of a loved one, street violence, economic burdens, colonialism, privilege, and race, what was the writing process like balancing such heavy content with the more light-hearted moments?
I had to work really hard to make sure that I didn’t only depict moments of hardship and grief; even when we as real people are going through difficult moments we still laugh, and love, and hang out with our homegirls, and eat good meals with our families; I wanted my characters to be afforded this same bandwidth of humanity.
Q: While her father’s love for Puerto Rico plays an important role in the story, Emoni also shows a love for her hometown of Philadelphia and sometimes struggles with her dual backgrounds in ways like not speaking Spanish well or not knowing as much about her African American roots and for young people of color this is very much a part of their reality. What was the inspiration behind you including this feeling like you live in between two worlds?
I’m really into exploring what it means to be raised in an overlap of culture, ethnicities, expectations, etc. Emoni offered me an opportunity to dive into some of those dynamics. Especially teens I think feel stuck in the middle: they are not quite adults, but they also aren’t fully children either. There’s a lot of fodder for literature in looking at the in between-ness that people occupy.
Q: You repeatedly make it a point to show how Emoni’s emotions come through in her food which is, of course, reminiscent of the classic Like Water for Chocolate, how did this book play a role in developing With the Fire on High and were there any other writers or stories that inspired you as you wrote this book?
I was definitely channeling Laura Esquivel when I wrote With the Fire on High, and also the author Sarah Addison Allen. They both write fiction that centers women and use food and magical realism as a way to show how the strengths and passions of their characters. I took what I loved about their books and brought it to a hood in Philadelphia and to a character with big dreams and talents she doesn’t know how to channel.
Q: As a prominent and award-winning writer and Dominicana, it’s clear from your works that you aim to uplift the voices of POC and highlight that experience, how much of it is inspired by your life and what other sources do you use for inspiration?
I definitely walk through the world with a sensitivity as to what would make an interesting story, or a personality quirk I might want to give to a character, or a with a watchful eye of a setting I think is unusual. So, consciously and subconsciously I am mindful of storytelling; many of my writings are inspired by people I know, students I’ve worked with, memories I have from my own childhood, and current events I see on the news.
Q: What would you like readers to take away from this book?
That young people of color deserve stories where they triumph, where they follow their dreams, where live and love and are allowed to be kids. They deserve to see themselves as chefs, and doctors, and artists and all their other wild imaginings.
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