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#YouKnowMe Is The Viral Hashtag Latinas Are Using To Tell Their Freeing Abortion Stories After Alabama Lawmakers Passed One Of The Most Extreme Abortion Bans In The Country

State leaders in Alabama voted to outlaw abortion in their state. The bill, which was approved by the majority last night, prohibits abortion in almost every case except if the mother’s life is in extreme danger. That means if a child or adult get raped by a stranger or family member, they must still carry the baby to full-term. The bill now has to be signed by the governor, and she is presumably going to do so. Thankfully the court system is on the sides of women because, under the 14th amendment, abortion is legal in the U.S. and will continue to be as long as advocates keep fighting for it. The American Civil Liberties Union (ACLU) said they would take all of the bills trying to ban abortion — and there are now several states.

To bring attention to the abortion issue, women on social media are sharing their stories under the hashtag #YouKnowMe.

The movement first began when actress and late-night host, Busy Phillips shared her abortion story on her show “Busy Tonight.” After the Alabama abortion ban was approved, she tweeted that others should share their story as well.

Filmmaker and co-founder of the Women’s March, Paola Mendoza share that her mother had an abortion.

“In light of the abortion ban in Alabama, it is imperative that we tell our stories about abortions,” Mendoza said on Instagram. “I have posted this story several times already. It may be new for some of you. For others, it is a story that you have read. Regardless it is a story that must continue to be told because our right to choose is being taken away from us. Share your abortion story. There is power is telling your truth.”

Other Latinas have shared that their decision to follow through with abortion came as a result of sexual assault.

Under the new Alabama law, if doctors performed an abortion on a woman that was raped, they would get 99 years in prison.

One revealed that she simply did not feel financially or emotionally ready at the time.

Who would benefit from a baby being born to someone who is not ready?

Another revealed that following through with a pregnancy would have risked her health and likely the fetus’s.

The new Alabama law would allow abortion only if the mother’s life was in danger.

This Latina admitted that she wasn’t a teen mother when she had her abortion. Pregnancy was simply not an option for her.

Abortions are attached with so much stigma and it’s a shame because in so many cases it can save lives.

Planned Parenthood has been the backbone to this cause since day one.

Planned Parenthood has also promised to fight these bans right along with the ACLU.

You don’t need to explain your reasons to no one.

If you weren’t ready to be a mom, enough said.

Young but in charge of her choices.

Taking the right away from a women to choose is simply wrong.

A former drug addict comes clean with her truth.

What a story!

Do you have an abortion story you’d like to share? Let us know in the comment section below.

Brazil’s New Culture Official Says There Is A Link Between Abortion And Rock Music

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Brazil’s New Culture Official Says There Is A Link Between Abortion And Rock Music

IMDB

One of President Jair Bolsonaro’s top officials, the head of Brazil’s National Arts Foundation Dante Mantovani says rock music leads to satanism and abortions. The right-wing conspiracy posits that the social theorist Theodore Adorno, who was influenced by Karl Marx, wrote the entire Beatles’ song catalog to destroy Western civilization. It is completely unfounded and totally fabricated.

Mantovani shared a video on his personal YouTube page explaining how rock music leads to abortions which leads to Satanism. The 11-minute video accuses Elvis Presley and John Lennon of being affiliated with the devil. 

Mantovani says rock music destroyed American values in the 1960s.

https://www.youtube.com/watch?v=wozkvbecbSI

“Rock music leads to drugs, which leads to sex, which leads to abortions,” Mantovani said. “At the same time, the abortion industry feeds into something much more serious which is Satanism.” 

On December 2nd, Bolsanaro appointed Mantovani to oversee Funarte, an organization founded in 1975. Once under the Ministry of Culture, after Bolsonaro’s administration eliminated that agency, it is now under the subdivision of the Ministry of Citizenship according to CNN. The purpose of Funarte is to, “promote and incentivize the production, practice, development and diffusion of the arts throughout the country.”

Mantovani lambasted artists like John Lennon and Elvis Presley for introducing behaviors like “hip-shaking” that leads to satanism.  “Lennon openly said, more than once, that he made a pact with the devil — with Satan, in order to be famous and successful,” he says. “In the 1950’s this so-called Elvis Presley emerges with rock music that makes everyone bounce and shake their hips. This is when certain behaviors start being introduced — Elvis Presley, for instance, died of an overdose.”

This isn’t the first time Mantovani has disparaged rock music.

Mantovani seems to believe that there is too much rhythm in rock music which causes people to beat each other. 

“What happens with rock is that the rhythm is always very repetitive. When a musical genre is more based on rhythm it speaks more to the body than the soul,” Mantovani says in a video from 2018 named “Is Rock Music?” “That’s why you see in rock shows people jumping, sometimes hitting each other — in punk rock there is the tradition of people beating each other and then leaving as old friends.” 

The issue with Mantovani’s bizarre views is that they could influence polices. He will oversee initiatives for music events and he is responsible for allocating government funds to music and the arts. In the past, artists have been able to receive up to 60 million Brazilian reals ($14 million) in funding from the government, although Bolsonaro has recently slashed that number. 

The government official also blames the American CIA for spreading the psychedelic drug LSD at Woodstock 1969. 

“Woodstock, that festival from the 1960s that gather a bunch of people, where hippies took drugs and LSD — there are certain theories that suggest that the large scale distribution of the drug was actually carried out by the CIA,” he says in the video. 

Of course, Mantovani is willing to make exceptions for his personal favorites: Metallica and Angra. 

Mantovani claims Metallica and Angra are the exceptions to the rule because they’re good to listen to “when you’re driving in traffic” or “feeling a bit tired.” Angra bassist Felipe Andreoli responded on Instagram, saying he was embarrassed to even be affiliated with the head of Funarte. 

“So much ignorance, so much disinformation, SO EMBARRASSED to have my band associated in any way with this guy. I’m not going to waste my time attacking his comments because, those of us who live off of and know about rock music know that he is delirious,” CNN translated. “It scares me to see such a retrograde, fanatical person in such an important position for our country’s culture.”

Newsweek believes the conspiracy theory, that Adorno wrote the Beatles’ music with Marxist undertones, began to spread amongst the right in Brazil this September, a month before Mantovani made his video. Olavo de Carvalho a mentor of Bolsonaro and a right-wing extremist who once said Pepsi used stem cells from aborted fetuses as sweetener, spread the Beatles conspiracy. However, the conspiracy itself is fairly old.

“The theory seems to have originated with The Committee of 300, a book by supposed ex-MI6 agent John Coleman,” according to Rock Nerd. “This reveals how Adorno, in fact, masterminded the whole British Invasion of the 1960s, although apparently for that the Tavistock Institute (which Adorno had nothing to do with outside the works of conspiracists) was the work of Jesuits rather than Jews. Or perhaps, if you ask Henry Makow, the Illuminati.” 

Newsweek suggests it is unsurprising Mantovani would espouse such strange rhetoric when many in Bolsonaro’s administration seem to be obsessed with rigid, so-called traditional values. 

A Recent Poll Says More Than Half Of Women Could Not Identify The Vagina On A Diagram

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A Recent Poll Says More Than Half Of Women Could Not Identify The Vagina On A Diagram

vagina_museum / Instagram

Museums, by definition, are institutions that conserve collections of objects and artifacts of artistic, cultural, historical, or scientific significance. Of course, this significance is almost always influenced by a museum’s location—the Dalí Theatre-Museum surely belongs in the town of Figuieres, Spain, where Dalí lived and died, and the Blue House is the only place that could adequately capture the lives of Frida and Diego. It’s true that traveling exhibits can bring new knowledge to museums around the world, but a museum’s permanent installations are what really define its impact. As more than half the planet’s population possesses a vagina, the new Vagina Museum in London’s Camden Market is no exception. With its educational posters, sculptures, and feminist-focused gift shop, it boasts content of truly universal (and gynecological) importance.

Fueled by a goal to end stigma, support reproductive justice and promote public health initiatives, London’s Vagina Museum is the first of its kind.

credit: Instagram/@vagina_museum

Unlike Reykjavik’s famous Phallological Museum—a space densely packed with nearly 300 penile specimens from local animals—the Vagina Museum focuses on disseminating information, rather than putting biological samples on display. Even so, visitors might expect the Vagina Museum to resemble a sex museum (which, no joke, exist all over the world, from New York to Amsterdam to Barcelona), showing examples of early pornography or ancient Stone Age dildos. But in lieu of tangible collections, the Vagina Museum is dominated by its first exhibition, Muff Busters: Vagina Myths and How to Fight Them, comprised mostly of informational panels that address and shatter long-held myths about vaginal health.

“The anatomy has such complex politics around it that we found it was best to first engage people through what they know, so we can teach them things they don’t know,” said Sarah Creed, the museum’s curator, to The New York Times. “We can talk about cold, hard facts all we want, but that’s not going to change people’s minds. It’s all about unpacking social constructs and changing perspective through engagement.”

While the space itself is quite small, Florence Schechter, the museum’s founder and director, takes advantage of the museum’s intimate atmosphere to fully realize this intention. A single room with exposed brick and wood floors, the museum feels comfortable and safe, inviting people—of all genders, sexes, and ages—to enter and learn about the nuances of the female anatomy (a subject that is still widely and unnecessarily taboo). To Schechter, this information is of particular importance to visitors who themselves possess this anatomy.


“According to a recent poll, more than half the women couldn’t identify the vagina on a diagram,” she said to The Daily Beast.

credit: Isabel Infantes/Getty Images

3-D drawings and sculptures serve as original, customized extensions of the information on the posters, helping to distill and demonstrate the educational content hanging from the walls. Schechter emphasizes the necessity of these creative renderings, affirming that her museum is not rooted in the questionable, largely patriarchal tradition of “steal[ing] some stuff from Africa, put[ting] it in a building, and pretend[ing] it’s a really good thing”—to Schechter, the Vagina Museum is about connecting with its visitors in a way that is current and relevant, focusing instead on “sharing a particular story.”

With her plan to run two exhibitions per year, covering everything from human cervical health to reproduction in the animal kingdom, Schechter intends to take full advantage of this new brick-and-mortar space. On its very first day, the museum drew large, eager crowds, which seems to bode well for the museum’s future.

The Vagina Museum currently has a two-year lease on its Camden Market property, with plans to expand when the contract ends in 2021.

credit: Angus Young/The Daily Beast

“The ultimate goal is to build a permanent museum, but that takes a lot of time and resources. This is like our starter home,” Schechter told the New York Times. The Vagina Museum team has expressed surprise at the public’s positive reception, though they’ve also conceded that the internet has been difficult to navigate. 

“Algorithms are set to assume that anything with the word ‘vagina’ in it is adult content or porn,” said Development and Marketing Manager, Zoe Williams. “Our emails go to spam and our online ads get rejected, and it’s all because of stigma.” The hope is that by challenging this stigma with its educational approach, the museum—and other emergent institutions that are sure to crop up in its wake—will not continue to face this sort of issue in the future.

Fortunately, word of the Vagina Museum has spread organically, and people have continued to flock there in pursuit of knowledge, support, and camaraderie. 

“I would like people to leave the Vagina Museum knowing that there’s nothing to be ashamed of,” said Schechter. “I want to get rid of the stigma, so we can start making progress towards equal rights and protecting women around the world.”