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Latina TV Anchor Amanda Salas Throws ‘Buzz Party’ After Cancer Diagnosis And We Applaud Her Bravery

Entertainment anchor Amanda Salas, of “Good Day L.A,” was recently diagnosed with non-Hodgkins lymphoma –– cancer that occurs when cells begin to grow out of control and it starts in the white blood –– but she’s not letting the diagnosis stop her from living life. Since being diagnosed, Salas has started chemotherapy and her hair has begun to fall out so she decided to throw a “buzz party” where she shaved her hair off. 

In a video on Instagram, she posted on highlights from her “Buzz Party,” Salas says that her hair started to fall out after only the first round of chemotherapy. “I felt like everything was just happening so fast,” she adds. “To be able to share this experience with people I love gave me strength and confidence.” 

On July 5, Salas posted a photo on Instagram where she’s seen coming out of a scan and announcing to her followers that she had been diagnosed with NHL. 

“I recently completed my first round of chemotherapy,” Salas writes. “To say the last couple of weeks have been a whirlwind would be an understatement. I have been trying to wrap my head and heart around all this.” 

According to the American Cancer Society, NHL is one of the most common cancers in the U.S., accounting for about 4% of all cancers. 

The latest statistics for 2019 show that about 74,200 people –– 41,090 males and 33,110 females –– will be diagnosed with NFL. This includes both adults and children. According to the American Cancer Society, about 19,970 people will die from this cancer –– 11,510 males and 8,460 females. 

Overall, the chance that a man develops NFL in his lifetime is about 1 in 42; for a woman, the risk is about 1 in 54. 

“While I was in the hospital laying in bed, one form of inspiration for me was going on social media and searching hashtags from others experiencing the same ‘thing’ I was. They were brace. They were beautiful. They believed. I hope to one day be that small dose of comfort for somebody else…the same way they gave me hope. Now, the FIGHT begins,” she adds.

The American Cancer Society also cites that, “Cancer is the leading cause of death among Hispanics, accounting for 21% of deaths. While Hispanics are less likely than non-Hispanic whites to be diagnosed with the most common cancers (lung, colorectal, breast, and prostate), they have a higher risk for cancers associated with infectious agents, such as liver, stomach, and cervix.”

Instead of feeling weak and defeated, it’s admirable that Salas is ready to fight her NHS and that she also hopes she can inspire others who may be on the same journey as her. 

Salas also says she’s ready to approach her NHS with the same work ethic she’s had in her career. “I never truly knew how strong I was until RIGHT NOW. I’m happily accepting all positive vibes and prayers, as I build my army to help me through this battle,” Salas writes. 

Fellow Fox LA colleague and friend of Salas, Leah Uko, shared an Instagram post with some beautiful words about her friend.

In a #MondayMotivation inspired caption, she writes that Salas is an inspiration not only for “being strong for herself, her loved ones and for others who have been diagnosed with #NonHodgkinsLymphoma, but also for displaying the same exact work ethic in her journey to recovery as she does as an amazing entertainment reporter.” 

She went on to say that Salas has never been a woman to “fold” and that hasn’t let her current circumstances define her negatively.

“You stand even when you may feel weak or when you may see doubt,” Uko writes. “On Saturday at Amanda’s Buzz Party where she had her hair buzzed off ahead of her surgery and second session of chemotherapy, I saw that same strong, professional work ethic she always possesses and displays.” 

Another friend of Salas tweeted her some words of encouragement, “My friend @AmandaSalas is fighting cancer and cancer picked the wrong Latina to mess with. Bless you, my dear!! You just can’t get rid of her amazing smile!!!” 

And another Twitter user replied to her and said, “You don’t know me and we have never met. But we have one thing in common. your type of cancer. My mom was diagnosed decades ago, shes still alive and strong. IF she can do it so can you. BE STRONG and live long. Know that you are not alone!” 

It’s amazing to see the kind of unwavering support that Salas is receiving from colleagues and friends in her life. It’s especially needed during this difficult time. 

“Cancer sucks,” Salas says. “But [my Buzz Party] didn’t have to.” 

Vulvas of the World, Rejoice! This Vagina Museum Aims to End Stigma

Entertainment

Vulvas of the World, Rejoice! This Vagina Museum Aims to End Stigma

vagina_museum / Instagram

Museums, by definition, are institutions that conserve collections of objects and artifacts of artistic, cultural, historical, or scientific significance. Of course, this significance is almost always influenced by a museum’s location—the Dalí Theatre-Museum surely belongs in the town of Figuieres, Spain, where Dalí lived and died, and the Blue House is the only place that could adequately capture the lives of Frida and Diego. It’s true that traveling exhibits can bring new knowledge to museums around the world, but a museum’s permanent installations are what really define its impact. As more than half the planet’s population possesses a vagina, the new Vagina Museum in London’s Camden Market is no exception. With its educational posters, sculptures, and feminist-focused gift shop, it boasts content of truly universal (and gynecological) importance.

Fueled by a goal to end stigma, support reproductive justice and promote public health initiatives, London’s Vagina Museum is the first of its kind.

credit: Instagram/@vagina_museum

Unlike Reykjavik’s famous Phallological Museum—a space densely packed with nearly 300 penile specimens from local animals—the Vagina Museum focuses on disseminating information, rather than putting biological samples on display. Even so, visitors might expect the Vagina Museum to resemble a sex museum (which, no joke, exist all over the world, from New York to Amsterdam to Barcelona), showing examples of early pornography or ancient Stone Age dildos. But in lieu of tangible collections, the Vagina Museum is dominated by its first exhibition, Muff Busters: Vagina Myths and How to Fight Them, comprised mostly of informational panels that address and shatter long-held myths about vaginal health.

“The anatomy has such complex politics around it that we found it was best to first engage people through what they know, so we can teach them things they don’t know,” said Sarah Creed, the museum’s curator, to The New York Times. “We can talk about cold, hard facts all we want, but that’s not going to change people’s minds. It’s all about unpacking social constructs and changing perspective through engagement.”

While the space itself is quite small, Florence Schechter, the museum’s founder and director, takes advantage of the museum’s intimate atmosphere to fully realize this intention. A single room with exposed brick and wood floors, the museum feels comfortable and safe, inviting people—of all genders, sexes, and ages—to enter and learn about the nuances of the female anatomy (a subject that is still widely and unnecessarily taboo). To Schechter, this information is of particular importance to visitors who themselves possess this anatomy.


“According to a recent poll, more than half the women couldn’t identify the vagina on a diagram,” she said to The Daily Beast.

credit: Isabel Infantes/Getty Images

3-D drawings and sculptures serve as original, customized extensions of the information on the posters, helping to distill and demonstrate the educational content hanging from the walls. Schechter emphasizes the necessity of these creative renderings, affirming that her museum is not rooted in the questionable, largely patriarchal tradition of “steal[ing] some stuff from Africa, put[ting] it in a building, and pretend[ing] it’s a really good thing”—to Schechter, the Vagina Museum is about connecting with its visitors in a way that is current and relevant, focusing instead on “sharing a particular story.”

With her plan to run two exhibitions per year, covering everything from human cervical health to reproduction in the animal kingdom, Schechter intends to take full advantage of this new brick-and-mortar space. On its very first day, the museum drew large, eager crowds, which seems to bode well for the museum’s future.

The Vagina Museum currently has a two-year lease on its Camden Market property, with plans to expand when the contract ends in 2021.

credit: Angus Young/The Daily Beast

“The ultimate goal is to build a permanent museum, but that takes a lot of time and resources. This is like our starter home,” Schechter told the New York Times. The Vagina Museum team has expressed surprise at the public’s positive reception, though they’ve also conceded that the internet has been difficult to navigate. 

“Algorithms are set to assume that anything with the word ‘vagina’ in it is adult content or porn,” said Development and Marketing Manager, Zoe Williams. “Our emails go to spam and our online ads get rejected, and it’s all because of stigma.” The hope is that by challenging this stigma with its educational approach, the museum—and other emergent institutions that are sure to crop up in its wake—will not continue to face this sort of issue in the future.

Fortunately, word of the Vagina Museum has spread organically, and people have continued to flock there in pursuit of knowledge, support, and camaraderie. 

“I would like people to leave the Vagina Museum knowing that there’s nothing to be ashamed of,” said Schechter. “I want to get rid of the stigma, so we can start making progress towards equal rights and protecting women around the world.”  

AOC Takes to Twitter to Defend Taylor Swift Against Greedy Music Execs Trying to Keep Her From Using Her Own Music

Entertainment

AOC Takes to Twitter to Defend Taylor Swift Against Greedy Music Execs Trying to Keep Her From Using Her Own Music

@mayadejendela / Twitter

Representative Alexandria Ocasio-Cortez has used her short career to be a champion of many worthy causes. Before she even entered the political arena, she visited embattled communities like Standing Rock and Flint, Michigan in order to learn more about the environmental crises taking place. She’s since turned that environmentalism into support for the Green New Deal, a legislation that aims to address climate change and economic inequality. AOC has also been a vocal opponent of the Trump administration’s border wall and their oppressive take on immigration. On top of these important causes, the representative from New York is a great advocate for women’s rights. 

It’s with this advocacy in mind that AOC took to Twitter on Friday evening to tweet her support for Taylor Swift during the artist’s latest professional battle. 

Twitter / @taylorswift13

The defense comes from a Thursday evening tweet from Swift. In the tweet, the musician shares that, though she is being named “Artist of the Decade” by the American Music Awards, there’s a damper to her happy news. According to Swift, issues with Big Machine Records’ music executives were keeping her from being able to have access to all of the songs previous to her latest album, “Lover.” 

The two execs, Scott Borchetta and Scooter Braun, own the masters to Swift’s earlier works and, as such, can control whether or not to she’s allowed to use them. According to the deal she signed with Republic Records and Universal Music Group in 2018, Swift is not allowed to re-record her earlier songs until 2020. It’s important to note that neither of these men had anything to do with the creation of these songs.

“I’ve been planning to perform a medley of my hits throughout the decade on the show,” the tweet read. “Scott Borchetta and Scooter Braun have now said that I’m not allowed to perform my old songs on television because they claim that they would be re-recording my music before I’m allowed to next year.”

Additionally, Swift explained that she had an upcoming documentary about her life in the works with Netflix. 

Twitter / @THR

Just like with the American Music Awards, the musician shared that the executives were again refusing to allow her to use old clips of her performances or any new renditions of these old songs. The note went on to request that fans let Braun and Borchetta know that they’re Team Taylor all the way.

Borchetta reportedly told Swift’s team that she could in fact use these earlier songs on two conditions. One, the musician would loose the right to re-record these songs for the year of 2020. The second condition was that Swift had to stop publicly discussing Braun and Borchetta. 

This is when AOC got into the mix with her response to Swift’s tweet. 

Twitter / @AOC

A longstanding opponent of major corporations, the representative likened the situation with Swift’s music rights to private equity groups. AOC responded to the music controversy with a call to action demanding that the music executives be “reigned in.”

“Private equity groups’ predatory practices actively hurt millions of Americans,” Ocasio-Cortez wrote. “Their leveraged buyouts have destroyed the lives of retail workers across the country, scrapping 1+ million jobs. Now, they’re holding Taylor Swift’s own music hostage.”

If you’re thinking that AOC’s support is proof that she’s a closet Swiftie, it’s actually much deeper than that.

Twitter / @AOC

Since AOC is a champion for middle and low income America, it might seem unexpected for her to back Swift who is a multimillionaire. However, the musician’s problem is one that the representative has been fighting against. As Ocasio-Cortez explained on Twitter, millions of Americans have been impacted by private equality firms. These firms buy businesses and liquidate them in order to squeeze out all of the profitability they can without concern for their employees. This results in employees being laid off, having to make due with reduced pay and/or hours and losing benefits like insurance and severance packages. 

By relating the two problems together, AOC was able to make a series of tweets about an important policy go viral and reach a huge audience. In fact, her initial tweet in response to Swift earned nearly 80K likes and almost 15K retweets. 

Whether it was thanks to Representative Ocasio-Cortez’s attention or the public pressure, this story now has a satisfying ending. 

Twitter / @THR

The music execs at Swift’s former record label and Dick Clark Productions, producer of the American Music Awards, have come to an agreement. In the press release issued by Big Machine Records, details of the agreement were laid out so all of the label’s artists are cleared for performance. 

No word yet if AOC will be tuning into Swift’s American Music Award appearance but hopefully she knows that she helped to make that performance a reality.