In the mid ’70s-’80s TV audiences were glued to two sitcoms “All In The Family” and “The Jeffersons.” Both programs dealt with issues that continue to be prevalent today including racism and social class status.
While these shows are long gone, they have remained a staple of pop culture that is remembered by an older generation. It is that generation that is bringing the shows back to educate and entertain a whole new audience.
On May 22, ABC will air a one-night live event, remaking “All In The Family” and “The Jeffersons.”
The 90-minute show will be hosted by Jimmy Kimmel and Norman Lear and is being called “Live in Front of a Studio Audience: Norman Lear’s All in the Family and The Jeffersons.”
Lear is the famed writer that worked on those shows back then, including “One Day At A Time” and the remake, which unfortunately got canceled. Lear will be working once again with one of the stars “One Day At A Time” in the new live event.
Justina Machado will star in the remake of “The Jeffersons” playing Florence the maid.
Machado joins a huge A-list group of actors on this special one-night TV event. Woody Harrelson will play the lead as Archie Bunker in “All In The Family,” and “The Jeffersons, Machado will work alongside Jamie Fox, Wanda Sykes, Will Ferrell, and more.
“The fact that a group of Oscar winners eagerly agreed to play these iconic characters is a testament to the greatness of these shows and their creator, Norman Lear. To be a part of this is a dream come true for me and for everyone involved,” Kimmel said, according to The Hollywood Reporter.
While we are extremely thrilled that this remake is diverse, we can’t help but wonder why a Latina had to play a maid. Some say the casting is a bit off.
Machado’s character is Florence, the maid to the wealthy family, the Jeffersons. In the ’70s, Florence was played by the legendary actress Marla Gibbs. We don’t doubt Machado will do a brilliant job in the role, we are just a tad bummed that a Latina is playing the stereotypical role of the maid.
Say the word “Selena,” and your mind is probably filled with the opening beats of “Como La Flor,” the Tejano singer’s famous ballad. Selena Quintanilla’s legacy has been explored in acclaimed movies, podcasts, documentaries, and now, a Netflix show. The first part of Selena: The Series premiered on December 4 and is guaranteed a second season.
But what do we know about part two of the series?
Selena: The Series is reigniting interest in our beloved Selena like never before but what’s next for the series?
Selena: The Series covers the life of the late Selena Quintanilla, so how does Netflix’s narrative compare to the true story? Crucially, the first nine episodes only cover the first 20 years of the subject’s life, which means that Selena part 2 will focus on Selena’s evolution into a Tejano superstar before her tragic 1995 death.
Part 1 of the Netflix series addresses the most relevant events, and tweaks certain facts for dramatic purposes. It’s also being met with mixed responses from both critics and viewers alike. But one thing is certain, the series is helping introduce an entirely new generation to the life of one of Latin music’s biggest stars.
The second season has already wrapped filming and it will focus on a very different part of Selena’s life.
Ever since the project was announced, it was confirmed that it would be a two-part limited series. As viewers already know, part one consisted on nine episodes, but it’s unclear how many will make up the second part.
The initial season has largely focused on the 1990 release of Selena’s album, Ven Conmigo, and her family’s discovery of her secret relationship with Pérez.
The next season will likely feature the release of Selena’s first English-language album and her 1992 elopement to Chris before her death and her ill-fated meeting with Yolanda Saldívar (Natasha Perez), the woman responsible for her 1995 murder.
Netflix has yet to confirm when viewers can expect the conclusion of Selena. However, Serratos confirmed to the Los Angeles Timesthat production had already wrapped—no COVID-19 delays here! Considering that timeline, season 2 could premiere in the first half of 2021. Worth noting: April 16, 2021 would’ve been Selena Quintanilla’s 50th birthday, an event that may be tied to the season’s release.
Season 2 Selena will be “more of the icon.”
For all of its flaws, the first season of Selena: The Series has helped introduce a new generation to the iconic Latina. And it’s given viewers an introduction to part of the singer not everyone was familiar with. Fans have explored Selena’s childhood and her introduction to music.
But season 2 will focus more on the singer’s megastardom, according to Serratos. “The first part was nerve-racking because there was less footage for me to base my performance on. But at the same time it was more relaxed, because I got more liberty. People don’t know that version of Selena very much,” she told OprahMag.com. “Our second part we’re going to see a lot more of the icon. I had a lot more to base the performance on—but it was nerve-racking because people know that Selena so well. There was added pressure.”
It doesn’t look like there will be any major changes to the cast for part two.
It looks like much of the same cast from part one will also be featured in part two of the series. The ensemble includes Serratos as Selena, Chavira as Abraham, Posey as Chris, Seidy Lopez as Selena’s mother Marcella, Noemi Gonzalez as Selena’s sister and drummer Suzette, and Gabriel Chavarria as Selena’s brother and producer A.B. Natasha Perez’s Yolanda will also play a larger role in season 2 as she gets closer to Selena’s life and business.
Moisés Zamora (American Crime) returns as the series creator, writer, and executive producer alongside producers Jaime Dávila, Rico Martinez, and Simran A. Singh. Members of the real-life Quintanilla family are also involved with both seasons as executive producers, including Abraham and Suzette.
Unless you live under a rock, you probably know that the movie biz is run by white folks. Yes, it sucks, but the good news is there are some truly kickass people of color out there paving the way for the rest of us.
It’s old news that Hollywood has a huge diversity problem (#Oscarsowhite, anybody?). Even beyond the Academy Awards, this year’s Cannes Film Festival left a LOT to be desired when it came to Latino representation.
But, thankfully, that is beginning to change and more and more directors claim their spot in the directors chair and we are so grateful for the representiaon they’re bringing younger audiences because representation matters.
Moreover, many Latin-American directors particularly are seeing success both with critics and at the box office with such movies as Alfonso Cuarón’s Gravity and Alejandro González Iñárritu’s The Revenant dominating the box office while also taking home numerous awards. Here are some of our favorite directors and a few lesser-known ones that you should add to your watch lists.
Adrian Molina has a breadth of experience under his belt, particularly in animation. He’s worked at Pixar Animation Studios on Toy Story 3 and in other capacities on Monsters University, Ratatouille and The Good Dinosaur. But it’s perhaps his work on Coco, which he co-wrote and co-directed, that e all know best.
Since Coco’s debut in theaters in Mexico, it has become the country’s highest-grossing movie in cinematic history. In the U.S., Coco, whose voice talent includes actors Gael Garcia Bernal, Edward James Olmos and Benjamin Bratt, has been a champion at the box office, coming in No. 1 three weekends in a row and garnering major Oscar buzz.
Born and raised in San Francisco to Mexican immigrant parents, director Aurora Guerrero graduated from UC Berkeley with a degree in Psychology and Chicano studies. She dabbled in shorts for several years before directing an episode of Ava DuVernay’s groundbreaking series Queen Sugar, continuing DuVernay’s promise to have every episode directed by a woman of color.
Guerrero is gearing up to direct a feature she’s writing entitled Los Valientes about a gay, undocumented immigrant who finds his life turned upside down after traveling to a conservative Pennsylvania town.
Though the Mexican director Alfonso Arau started out as an actor (some of his acting credits include The Wild Bunch, Three Amigos, and Romancing the Stone), he eventually transitioned to directing.
Arau’s two most well-known works are 1992’s Like Water for Chocolate and 1995’s A Walk in the Clouds. The former was based on the novel written by Arau’s then-wife Laura Esquivel, became the highest-grossing non-English-language film ever released in the United States at the time, and even got nominated for the Golden Globe Award for Best Foreign Language Film.
Gloria Calderon Kellett
Perhaps one of her biggest credits is her work on One Day at a Time, which she created, wrote, executive produced, and even acted as co-show runner for the Netflix series.
Kellett grew up in Beaverton, Oregon, and San Diego, California, and earned her degree in Communications and Theater Arts from Marymount University. She’s not stepping into directing without some experience. She directed two shorts a few years ago, Mouthbreather and Blind, and an episode of the webseries Misery Loves Company in 2017. Earlier this year, Kellett announced she is developing a new TV show for CBS, History of Them.
Mexican-Guatemalan-American filmmaker Marvin Lemus got his start in digital production, working on viral videos and marketing campaigns, including those utilized in the film Dear White People. After dabbling in shorts Lemus transitioned to creating his first series. The result was a web series titled Gente-fied.
Along with his countrymen, Alfonso Cuarón has distinguished himself as one of the greatest directors of our time. Working in different genres, Cuarón has been both critically and commercially successful as well as becoming the first Latin American to win the Academy Award for Best Director.
Cuarón’s directorial debut was 1991’s Solo con tu pareja, but his first success came with his second film – A Little Princess which was nominated for two Oscars. Y tu mamá también was a massive hit and got nominated for the Academy Award for Best Original Screenplay.
Cuarón followed these achievements with Harry Potter and the Prisoner of Azkaban which got two Oscar nominations and is still considered to be the best installment in the franchise. His latest films, Gravity and Roma, both received multiple award nominations winning seven and three Oscars respectively. For both films, Cuarón won the Best Director award just like Iñárritu did.
Guillermo del Toro
It’s no secret that Guillermo del Toro is close friends with the two other prominent Mexican directors working today (Alejandro González Iñárritu and Alfonso Cuarón) with the trio being collectively known as “The Three Amigos of Cinema”. And their acclaim and success stem from their immense talent and hard work.
Del Toro has directed big-budget movies like Blade II and Hellboy (for which he also directed a sequel later on) before directing critically-acclaimed Pan’s Labyrinth which went on to be nominated for multiple awards. del Toro also directed Pacific Rim, Crimson Peak, and the Academy Award-winning The Shape of Water.
Alejandro González Iñárritu
Undoubtedly, Alejandro González Iñárritu is among the most successful directors working today – not just in his own country but internationally. Moreover, this worldwide success is probably tied to the fact that Iñárritu loves telling international stories and his films always have diverse casts.
Iñárritu’s directorial debut was 2000’s Amores perros which was the first installment in his Trilogy of Death and was nominated for the Academy Award for Best Foreign Language Film. The two films that followed were also a part of the trilogy: 21 Grams which was nominated for two Oscars and Babel which won the Best Director at the Cannes Film Festival, won the Golden Globe Award for Best Drama, and got seven Oscar nominations.
But the most successful works of Iñárritu are definitely his two latest films: Birdman which won four Oscars and The Revenant which won three Oscars. In both cases, Iñárritu took home the Best Director award.