Fierce

‘Tribal,’‘Boho,’ ‘Mexican-Inspired, ‘Exotic’ Are Fashion For Cultural Appropriation

Taking inspiration from other cultures has been a trend in the fashion world since time immemorial. Cultural elements can often be found on the runway, “re-interpreted” by the fashion designer’s understanding of the culture she or he’s drawing inspiration from. From Geisha-inspired makeup and kimonos, to “tribal” and Navajo-esque designs, every fashion house has taken images or elements from other cultures to let their creativity run amok. 

Taking or wearing things from a culture that is not your own —especially without crediting or showing respect to the people it belongs to, is appropriation, not appreciation.

instagram @dsquared2

The simplification of a culture and even the violation of a minority group’s intellectual property rights are among some of the serious issues involved around cultural appropriation —not to mention the perpetuation of stereotypes and just the plain disrespect. We went ahead and put together a list of instances in which the dominant cultures in the fashion industry have taken the liberty of “re-imagining” and drawing inspiration from minority cultures for their own gain, just to set a “trend.”

1. Victoria’s Secret misusing War Bonnets —apologizing for it, then doing it again. SMH.

In 2017, Victoria’s Secret sent a white model down the runway in their version of an American Indian War Bonnet. The incident happened 5 years after top model Karlie Kloss famously wore another insensitive “headdress” during the televised show. The company gave a weak apology after the first faux-pas and then proceeded to do it again.

This account of cultural appropriation was especially problematic given that the context hyper sexualized indigenous women. And given that more than 4 in 5 American Indian and Alaska Native women have experienced violence, and more than 1 in 2 have experienced sexual violence, the stereotype is a problematic and unhealthy one.

2. Carolina Herrera using the traditional ‘Zarape’ print

twitter @cuauhtemoc_1521

Founded, and formerly helmed by the Latina Carolina Herrera herself, this instance of cultural appropriation was a true shock to Latinos everywhere. The new creative director of the brand, Wes Gordon “took inspiration” from the Serape print originally from Saltillo, Mexico. The collection featured the colorful print and copies of Indigenous Mexican embroidery. Needless to say the people who have created this aesthetic for centuries went uncredited. 

3. Isabel Marant blatantly COPIED a traditional Oaxacan garment —and went as far as to patent it.

twittwe @wendulainelalo

Ok, so this one is especially wild. The French designer known for her “boho-chic” aesthetic was under fire in 2015 for literally COPYING a traditionally indigenous design, typical of Oaxaca. It was reported that the French government had issued a patent document to the authority of Santa Maria Tlahuitoltepec, Oaxaca, to prevent the inhabitants of the municipality from selling their indigenous designs —THEIR own designs, which have belonged to their peoples for centuries. 

The document was said to suggest that Isabel Marant and another French company, Antik Batik, owned the patent to the embroidered blouses —and that the Mexican community of Oaxaca would need to pay copyright fees in order to sell them, which understandably enraged the local people. The two French companies were accused of plagiarism in respect of the embroidered blouses which took inspiration from the country’s artisanal designs.

4. Navajo or “tribal” prints appropriated by Urban Outfitters —and fashion in general.

urban outfitters

In 2016 Urban Outfitters won a trademark case filed against them by the Navajo Nation. New Mexico Federal Judge Bruce D. Black accepted the hipster retailer’s trademark fair use defense, thus approving the company’s decision to brand panties, flasks, and other products as “Navajo.” As the basis to their argument, Urban Outfitter’s explained that the term has “acquired a descriptive meaning within the fashion and accessory market…the fashion industry has adopted ‘Navajo’ to describe a type of style or print.” 

The Navajo Nation is a tribe rich with history and tradition, not to mention they function under their own government, and run a college and a museum on the reservation. Yet somehow, our legal system permits an entire culture to be reduced to a style of print.

5. Chanel’s grossly expensive boomerang

instagram @jefreestar

The boomerang is a tool used by Native Australians, and it dates back to 50,000 years ago. As aboriginal activist, Nayuka Gorrie eloquently put it: “Having a luxury brand swoop in, appropriate, sell our technologies and profit from our cultures for an absurd amount of money is ridiculous and hurtful,” she explained. “If Chanel truly want to respect Aboriginal cultures, the first place they should start is discontinue this product and issue an apology. Perhaps the next step would be supporting existing black designers.” Chanel slapped its logo on it and sold the boomerang for a whopping $1325 dollars. 

6. Mara Hoffman’s “Otomi-inspired” swim collection

credit poppies and ice cream blog

The American swim and beachwear designer “designed” and entire collection —bikinis, coverups and dresses included— using Mexican Otomi embroidery and turning it into a print. The website described the design as a “colorful exotic animal print,” with no mention of the indigenous people who own and have made these designs for centuries. WTF !!! Where is the credit?

The traditional embroidery is handmade by the Otomi people in Tenango de Doria, Hidalgo, and the designs are referred to colloquially as “Tenangos.”

7. KTZ copying an Inuit design.

twitter @museumatfit

The London-based streetwear brand has been accused of stealing and copying indigenous designs more than once. In this occasion, it was a design from a sacred Canadian Inuit garment worn by a shaman. The design was reproduced, altered ever so slightly and released as a part of the brand’s Fall Winter collection of 2015. The famous shaman’s granddaughter complained about the appropriation resulting in the company’s half-assed apology and discontinuation of the product. 

8. Nike “Huaraches”

twitter @runningwatches2

I for one, was surprised that the general mainstream wasn’t screaming cultural appropriation at this, when people didn’t even know how to pronounce the word “huarache” smh.

Nike’s “Huarache” sneakers first of all, look nothing like the pre-Columbian indigenous shoe. The sports brand just stole the name and took Tarahumara runners as inspiration for their shoes —might’ve been nice if they had at least gifted a few pairs to the indigenous runners. You know, after Nike “took inspiration” from their culture, and all. 

9. Michael Kors’ Mexican hoodie copy-cat

twitter @santiagopgm

Some outlets reported that the black and grey hoodie “closely resembled” a Mexican sweater. Um, no, it was pretty identical. The issue was first brought to light when Santiago Perez Grovas, a photographer and architect from Mexico City, posted an image on Twitter which showed him in a sweater that looked just like the Michael Kors one. 

“New collection by MichaelKors that probably costs thousands of pesos…-Sweatshirt that I bought in the market of Coyoacan two years ago for 200 pesos,” he wrote, sharing two images.

10. Everyone at Coachella

twitter @missIsisking

Every year at the festival we see an array of war bonnets, bindis, corn rows and many other cultural references trivialized and used as fashion props. In an attempt at looking “bohemian,” “earthy” or “vintage” —this one’s especially terrible— attendees just end up stealing other peoples sacred elements and identities to parade around while drunk. Don’t be that person.

11. Dsquared2’s “DSquaw” collection

instagram @dsquared2

So, twin designers Dean and Dan, originally from Canada, decided to rip-off Native American designs and send them down the runway. It doesn’t end there though. the title of the collection, “DSquaw,” drew on a derogatory term for Native American women, and the equally offensive description of the runway show’s aesthetic—”the enchantment of Canadian Indian tribes” and “the confident attitude of the British aristocracy”—was posted to the fashion brand’s Facebook.

Dsquared2’s glamorization of colonialism feels particularly off-key considering the headlines about violence against Aboriginal women and girls in Canada. As Canadians themselves, how can two people —and their entire teams— be so tone-deaf?

12. Ralph Lauren’s Native American Ads

twitter @kfor

The clothing brand released an online campaign in 2015 featuring imagery harked back to the Old West. In faded sepia tones, the ad showed a Native American sporting a feathered “headdress” and holding a rifle across his lap. The page read “Western Style” —and our eyes are rolling to the back of our heads rn. 

The tone-deaf ads reduced people, actually no, entire cultures, to mere marketing props. Many called for a boycott. Dr. Adrienne Keene, a postdoctoral researcher and citizen of the Cherokee Nation, wrote in a post for Indian Country Today Media Network that Ralph Lauren had reached a “new low.”

“Ralph Lauren has been doing this my whole life,” Ruth Hopkins, a writer in her 30s who lives on the Spirit Lake Tribe reservation in North Dakota, told The Huffington Post. “He is a repeat offender. Cultural appropriation is apparently his thing.”

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After 17 Seasons “Grey’s Anatomy” Has Finally Cast Its First Indigenous Doctor

Entertainment

After 17 Seasons “Grey’s Anatomy” Has Finally Cast Its First Indigenous Doctor

Courtesy of ABC

Just when you thought “Grey’s Anatomy” had literally done every storyline in the book, they turn around and surprise you. And this time, “Grey”‘s is bringing some good news.

Now, in 2021, after 17 seasons, “Grey’s Anatomy” is finally featuring its first indigenous doctor, Dr. James Chee, played by actor Robert I Mesa.

Robert I Mesa is an actor of Navajo and Soboba descent. According to an online biography, Mesa is self-taught photographer, filmmaker and actor working in Santa Fe, New Mexico.

Mesa took to Instagram to celebrate the good news about being the first indigenous doctor on “Grey’s”.

“I’m so excited and honored to be the first indigenous doctor on Grey’s Anatomy,” he wrote. “James Chee will be back on April 15, so be sure to tune in…Thank you so much To Grey’s Anatomy! I know this is going to mean so much to my indigenous peoples.” He ended the caption with “it’s a good day to be indigenous”

Although now Mesa is now on one of the biggest shows on TV, he is still a relative newcomer to showbiz and “Grey’s” will be his first major role after appearing on episode three of this season.

“Grey’s Anatomy” has always prided itself in hiring diverse actors to fill its cast.

In fact, when “Grey’s” creator Shonda Rhimes first created the show in 20–, she instructed her casting director to bring in actors of all races to audition. “The script was written with no character descriptions, no clue as to what anyone should look like,” she told Oprah in 2006.

“We read every color actor for every single part. My goal was simply to cast the best actors. I was lucky because the network said, ‘Go for it.'”

Those directions led to one of the most culturally and racially diverse casts in TV history. And it also changed the television landscape forever.

“When they had me come in to read for the role of chief of surgery, I hadn’t seen an African American in that kind of role before,” James Pickens Jr, who plays Dr. Richard Webber, said to The Hollywood Reporter.

He continued: “Shonda always wanted to make sure that the show impacted the landscape in a way that we hadn’t seen before on TV. I like to think that Grey’s had a big part in how the industry casts shows.”

“Grey’s Anatomy” has paved the way for other racially-diverse Shondaland shows like “How to Get Away With Murder”, “Scandal”, “Station 19”, and most recently, “Bridgerton.”

We’re glad that an iconic television staple like “Grey’s Anatomy” is finally expanding its diverse cast to include its first indigenous doctor.

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Archaeologists Have Discovered A Mayan Mask As Tall As A Person, But Here’s Why They’ve Already Buried It

Culture

Archaeologists Have Discovered A Mayan Mask As Tall As A Person, But Here’s Why They’ve Already Buried It

In the southeastern Mexican state of Yucatán on the Yucatán Peninsula, an archaeological team digging at a lightly explored site near the tiny, picturesque village of Ucanha uncovered something highly unusual. It was a giant human-looking face, as tall as a person and sculpted in stucco. Its features clearly identified it as a Mayan mask of the ancient Maya civilization, which enjoyed total hegemony in this part of the world more than one thousand years ago.

But this new discovery won’t be put on display for the world to see and here’s why.

A giant Mayan mask as tall as a person has been revealed in the Yucatán.

The mask, which depicts the face of an unknown deity or elite person, was sculpted from the building material stucco and dates back to a period in history known as the Late Preclassic (about 300 B.C. — A.D. 250), according to the news outlet Novedades Yucatán.

The discovery was made in 2017 at the archaeological site of Ucanha, near the modern-day city of Motul, and since then researchers with Mexico’s National Institute of Anthropology and History (INAH) have worked painstakingly to restore it.

In their statement announcing the finding , INAH stated that sculptures like these “represent the faces of individuals with particular features that can be associated with deities or with characters of prominent social status.” It was a common practice in Maya civilization to decorate buildings with large-scale, embedded decorative sculptures, which often featured the faces of rulers or gods.

The team of researches have worked to restore the giant mask and protect it from the elements.

Credit: National Institute of Anthropology and History

The mask is a stucco relief, a type of brightly-colored painted sculpture carved from a background of stucco. The Maya typically placed these masks around stairways with pyramidal bases, according to the statement. Archaeologists have found similar reliefs in Acanceh and Izamal, but this is the first in Ucanha. The discovery is part of ongoing research into Mayan mounds found at the site. 

During the restoration and conservation process, archaeologists reinforced fragile parts of the mask. They also moved sections that had been displaced over time back to their original positions. They also cleaned the surfaces to highlight the mask’s patterns and colors.

Since being restored, the mask has been reburied for its own protection.

The mask was temporarily reburied after its discovery so that the structure was protected until it could be properly studied and preserved. Samples taken from the structure revealed deterioration and it was re-excavated in 2018 so that archaeologists could restore it. 

The archaeologists completed the work in 2019, before reburying the mask for a final time. INAH said the goal of these efforts is to ensure the long-term preservation of the mask at the site, which does not have legal protection.

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