Sometimes the issue of whether to eat or wear your food just pops up in a girls life! Take for instance the stretchable hard candies we had as kids, edible underwear, ring pops, Crocs. All things we can wear AND eat but do so always with the awareness that if we do take a bite, we’ll never see our beloved garbs again.
Fear no more mujeres! Forever 21 seems to have a fix. And it comes in the form of a firey outfit that will make you look like a snack but will never leave your side.
This Thursday, Forever 21 blessed all of us Hot Cheetos fans with an entire collection of swimwear, women’s wear, men’s wear, and accessories and every piece is anything but cheesy.
Jen_ny69 is one of the first influencers seen to rock the Forever 21 x Flamin’ Hot Cheetos line and we’ll take her with a side of limón.
The Hot Cheetos bodysuit, which can totally be worn as a bathing suit, is high cut and is priced at $24.90. This is only available in S, M and L.
You better believe you can be setting fire to the world this summer in this tube dress.
This Cheetos Graphic Tube Dress for $27.90 is fireee.
And this Flamin Hot Cheetos Graphic Jersey has your name all over it.
This jersey mesh top features an embroidered “Flamin’ Hot” design and a boxy silhouette. $24.90
This 90s-inspired graphic with rhinestones is the change we want to see in the world.
This knit boxy tee with a Cheetos rhinestones graphic is the crop top that will cut a look. And only for $17.90.
This shirt is next level and your BFs future.
This crew neck tee on your mans will turn up his heat factor for only $19.90
My GIRL, you can even get some flamin hot panties!
That’s right skip your trip to VS and load up on pairs of the fuego underwear that will do you all types of good. $12.90
This Hot Cheetos Towel will guarantee take down your senses.
Watch yourself pop out of the pool all cooled off and then burn up because of how fire the terry cloth of this will make you look. Price point: $14.90
The graphic tee that will make being cheesy pero cute so easy!
This raw cut shirt is by far the cutest in the collection, IMO, and tbh has already been added to my cart! You too can have this queen’s shirt for $17.90.
The fire slidders that will have your cute little toes on fire!
So fire your toes will look like Hot Cheetos. But uhh don’t eat ’em. $12.90
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We’ve never worked in the cosmetic industry, so we can only assume that finding the perfect name for a product can be tricky to say the least. There are products with hilarious, and even NSFW names —NARS we’re talking to you. Apparently, the more scandalous the product is named, the better. Even some of the most trendy cosmetics have cheeky names, so it seems like in the world of beauty, anything goes. From cheeky, to ridiculous to just down-right offensive, here are some names that left us wondering; who approved these?
1. Chantecaille Foundation in the shade; ’Banana’.
As opposed to the cute names appointed to lighter shades, such as “Aura” and “Vanilla;” the darker shade was named “Banana”. Now, maybe it’s just me, but giving a darker skin tone the name ‘banana’ sounds like a good enough reference to the monkey comparison. Comparing dark-skinned people to monkeys is a racial stance as old as America and we’d love to find out what the Chantecaille team was thinking when they gave that name to a dark skin tone —smdh.
2. Color Pop Cosmetics’ “Yikes” and “Typo” sculpting stix.
In the same way, as we noted in the previous example, here the lighter skin tones had names like “Castle” and “Dove,” whereas the darker ones were titled “Typo” and “Yikes.” Yikes, is there anything shocking or alarming about a darker skin tone? Nobody’s skin is a typo, Color Pop.
ColourPop issued an apology statement and quickly renamed the deeper shades. The Sculpting Stix as a whole has since been discontinued.
2. MAC Cosmetics’ “Vibe Tribe” Collection.
I mean… do we have to keep saying this? Indigenous cultures are not fashion —or in this case beauty— trends. This 2016 collection was instantly accused of cultural appropriation and enforcing Native American stereotypes. The packaging of the collection featured ‘tribal’ patterns and the shades had names such as “Arrowhead” and “Call of the Canyon.” What’s worse, the campaign featured models wearing Native American headdresses —which we’ve established time and again, is disrespectful AF.
3. MAC Cosmetics x Rodarte “Juarez” polish.
Ciudad Juarez is a city known for the phenomenon of female homicides, called feminicidio in Spanish. The city has been—famously, may I add—plagued by the violent deaths of hundreds of women and girls since 1993. MAC and fashion house Rodarte collaborated in a highly anticipated collection inspired by Mexico in 2010. One of the nail polishes in the collection was named ‘Juarez’, which disturbed customers and social media users.
MAC apologized but kept the product on its shelves —guess they weren’t that sorry. The makeup brand did, however, “give a portion of the proceeds from the MAC Rodarte collection to help those in need in Juarez.”
4. The Balm’s “Meet Matt” eye shadow palette.
Every shade in this eye shadow palette, which is still available under the site’s bestseller section, was named for a different “Matt,” and many found it’s choice of last names questionable.
The brand paired the last names Lin, Lopez, Kumar, and Ahmed to yellow, brown, brick red, and black shades, which a lot of customers —ourselves included— found racist.
5. Ben Nye’s Cream Character Base.
Back in 2015, Ben Nye, the special FX and stage makeup brand, sold a deep complexion base cream called “Minstrel Brown”. FYI —and get ready to have your mind blown— Minstrels were theatric shows performed by white actors in blackface during the 19th century. The shows were specifically intended to mock and degrade black people.
Ben Nye renamed the shade —and every shade in the collection— but the brand never apologized or commented on the incredibly inappropriate name.
6. “Iris I Was Thinner” OPI nail polish
Because women need to be reminded of the toxic beauty ideal that we ‘should strive to be thin’. This nail polish is a no from me, dog.
7. “Miso Happy With This Color” OPI nail polish.
We’ll admit that some of OPI’s nail polish color names make us giggle. But not when they’re making puns that suggest a stereotype of how Asians speak. According to portrayals in pop culture, an Asian face must mean an Asian accent — and often, the accent is for comedic effect in movies and television shows.
8. Fenty’s “Geisha Chic” highlighter
Ok, we love queen RiRi but more often than not, Asian targeted racism gets glossed over and we’re not here for this name. A Geisha or ‘Geiko’ is a Japanese woman who entertains guests through talents such as dance, music, and singing —the tradition can be traced back centuries, and it’s not fair to minimize it.
Fenty team members personally messaged the people that left comments about the product on Instagram and quickly pulled the highlighter from their online store. “We wanted to personally apologize. Thank you so much for educating us,” read their apology.
9. Wycon’s “Black As A N***a”
At this point, I feel like brands are using racial insensitivity as a marketing ploy. Because in what world does it seem right to give a product —or anything else for the matter- this name? A quick scroll through the Italian beauty brand will leave you pressed to find any representation of people of color —but of course hip-hop culture is up for grabs when it comes to the naming of product shades for the brand, which also uses names like “Drop it Like It’s Hot” and “Bootylicious.” #cancelled
10. Kat Von D’s “Selektion” lipstick shade
Kat Von D has been accused of anti-semitism time and again, and I guess we’ll never know if it’s a real claim or if it’s just a product of Twitter users’ machinations. But one thing is true, her eponymous makeup line launched a lipstick shade with the name “Selektion,” which in German simply means “screening,” or “picking.” However, the use of the German word in English speek has become taboo due to the use it had by Nazis in the selection of prisoners for death in concentration camps.
Whether the name was a deliberately insensitive pick or just an honest mistake, we would’ve erred on the side of caution and steered clear of a polemic word.
Sometimes, fashion is more than just a mirror of society. In a few instances, the fashion industry has actually been responsible for reshaping reality rather than just mirroring it. One way it does this is by breaking taboos and introducing marginalized ideas into the mainstream. The current visibility of transgender people is a development that the fashion world has embraced in recent years. Granted, fashion’s focus on the topic is, more often than not, on the “blurring of traditional lines between genders” to explore androgyny, but many designers and brands are currently emphasizing on a ‘gender-neutral’ and non-binary ethos. The editorial side of fashion however, has been a bit slow to embrace representation and support genderqueer people—but this month, Vogue Mexico and Latin-America, in collaboration with British Vogue, are leading the charge, by dedicating their cover story to a small group of people in Juchitán Oaxaca who seek to live outside of binary labels: Los Muxes.
Vogue Mexico and Latin-America has proven to be the most ‘woke’ publication of Conde Nast’s portfolio this year.
The magazine has doubled up on its efforts for representation and diversity. Just this year they made history by featuring an indigenous woman, Yalitza Aparicio, on the cover of a magazine for the very first time, ever. A few months later they featured four Afro-Latinas on their cover and opened the floor to discussion about what being Afro-Latina means. Just last month they honored indigenous women of different parts of Latin America for their 20th anniversary issue. And now, the magazine is shining a light on a centuries-old non-binary indigenous community of rural Mexico, and introducing them to the world.
In recent years, Oaxaca has become somewhat of a trendy destination.
The Zapotec state is a multicultural hub in the south of Mexico known for its delicious climate, rich food and complex history. The people of Oaxaca have fought hard to keep a lot of their centuries-old traditions and beliefs alive, and one of these beliefs —or rather, a group of people— is called “muxes.”
In Juchitán, a small indigenous town in Southern Oaxaca, a community of individuals known as ‘Muxes’, seek to live free of binary labels “male” and “female.”
The word muxes also spelled muxhes in some instances, comes from the Spanish word for woman “mujer,” and it generally represents people who are assigned male at birth, but identify as non-binary. Muxes have their own gender identity, different from what the West has traditionally dubbed to be female and male.
The iterations among the Muxe community and their self-identifications vary – some identify as male but are female-expressing, while others identify as female and are more closely associated with Western culture’s understanding of transgender. In their culture, the term “third gender” might be more suitable to define Muxes.
Muxes are ‘dual’ beings, they don’t believe in being ‘female’ or ‘male’, they simply are.
“To be muxe is a duality. We carry out the role depending on the circumstances, sometimes I might seem like a man, and others like a woman,” says Pedro Enriquez Godínez Gutiérrez, a person known locally in Juchitán as “La Kika,” in an interview with Vogue Mexico. Apart from being a muxe, he’s the Director of Sexual Diversity of Juchitán Town Hall.
Muxes have lived in Juchitan since pre-hispanic times, there are a few indigenous legends that explain their origins and give a faith to the antiquity of their existence.
There are two legends in Juchitán, that recount the origin of Muxes. One says that San Vicente Ferrer, the holy patron of Juchitán, had a pocket with holes in it, from which they fell out of. Another version says that as he walked the earth, San Vicente Ferrer, always carried three bags: one with male seeds, another loaded with female seeds, and a third that contained both seeds, mixed up. This last bag was the one that broke as he walked through Juchitán, and that is why there are so many muxes there.
The people of Juchitán are a sort of pre-hispanic family. In this town the women are as strong as the men and muxes are as respected as both men and women. Ironically, the system of tolerance and respect that’s existed there for centuries is considered ‘modern’, elsewhere.
Mixes are a community that not even the 21st century can wrap its head around.
“Gubixha bizaani guirá neza guzá ca,” writes Vogue Mexico, is Zapotec for “the sun illuminated all the roads they have walked”, and perhaps that is why they can walk the streets without fear in a predominantly Catholic country that still struggles to offer equal rights for women and that is mostly intolerant of sexual orientations and preferences, Juchitán remains greatly untouched by this hate. Muxes walk the streets with flowers in their hair, they wear light huipiles —a traditional garment worn by indigenous women— and colorful skirts. This indigenous town is a model of how a culture can make space for life outside of the binary. Juchitán is an example to even the most progressive cities of the world.
Vogue Mexico and Latin America teamed up with British Vogue to celebrate both British and Mexican talent.
The collaboration marked the first time both publications work together on a joint story. The experience allowed both publications to exchange ideas and share their cultures. Vogue Mexico’s cover, featuring Estrella, one of the muxes from Juchitán, was shot by Tim Walker, the iconic British fashion photographer, and the story will be published on both magazines for the month of December.
Vogue Mexico’s Editor-In-Chief took to Instagram to share the news of the cover story.
“It’s finally here!!! We are releasing one of our December covers early as it is a special joint collaboration with @britishvogue – thank you @edward_enninful for featur[ing] the beauty of MEXICO in the pages of British Vogue. No one could have captured the magical realism better than Tim Walker and Kate Phelan. Stay tuned for more!” wrote the Mexican editor Karla Martinez de Salas on her personal Instagram page.
Vogue Mexico’s December issue will be available nation-wide starting December 1st.
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