Even though this legend of a singer is no longer with us, there’s no doubt that her music lives on till this day. Which makes sense why so many other artists like Bruno Mars, Solange, and Pepe Aguilar are still singing Selena’s hits at their own concerts.
But the question is…who sang the song better? Take the poll and vote for your favorite!
So many of us have been moved the art of the late Frida Kahlo. Even in death she’s gone on to inspire entire generations with her Surrealist self-portraits, lush depictions of plant and animal life, and magical realist tableaux. Not to mention her incredible life story.
She also inspired future generations of artists, many of whom are alive today creating beautiful works of art. These are just a few of the artists who have similar techniques, subjects, and styles to Frida Kahlo that you’ll definitely love if you’re a fan of Frida Kahlo.
Maria Fragoso – Mexico City
Influenced by the style and narratives of Mexican surrealists and muralists, Maria Fragoso creates work that celebrates her Mexican culture, while also addressing notions of gender expression and queer identity. Her brightly colored canvases offer voyeuristic glimpses into intimate moments, with subjects engaging in acts that seem at once seductive and mischievous—often while gazing directly out at the viewer.
Recently featured in Forbes’s “30 Under 30” in the “Art and Style” category, the 25-year-old artist is quickly rising to prominence. Born and raised in Mexico City, Fragoso moved to Baltimore in 2015 to pursue her BFA at the Maryland Institute College of Art. While in school, Fragoso was the recipient of the Ellen Battell Stoeckel Fellowship at the Yale Norfolk School of Art. Since graduating, she has completed residencies at Palazzo Monti and the Skowhegan School of Painting and Sculpture.
Nadia Waheed – Austin, Texas
Born in Saudi Arabia to Pakistani parents, Austin, Texas–based artist Nadia Waheed explores notions of relocation, displacement, and vulnerability in her work. Her life-size figurative paintings are both allegorical and autobiographical—the female figures represent her own lived experiences, as well as the multifaceted identities of all women.
Rodeo Tapaya – Philippines
Rodel Tapaya paints dreamlike, narrative works based on myths and folklore from his native Philippines. Drawing parallels between age-old fables and current events, Tapaya reimagines mythical tales by incorporating fragments of the present. “In some way, I realize that old stories are not just metaphors. I can find connections with contemporary time,” Tapaya said in a 2017 interview with the National Gallery of Australia. “It’s like the myths are poetic narrations of the present.”
While the content of Tapaya’s work is inspired by Filipino culture, his style and literary-based practice is heavily influenced by Mexican muralists and Surrealist painters such as José Clemente Orozco, Diego Rivera, and, of course, Frida Kahlo. Often working at a large scale, Tapaya has been commissioned to create several site-specific murals, including one for Art Fair Philippines in February 2020.
Leonor Fini – Buenos Aires
Long overlooked in favor of male Surrealists, Leonor Fini, a contemporary of Kahlo, was a pioneering 20th-century force. Known for having lived boldly, Fini is recognized for her unconventional lifestyle, theatrical personality, and avant-garde fashion sense. Born in Buenos Aires in 1907, Fini was raised by her mother in Trieste, Italy. She taught herself to paint and first exhibited her work at the age of 17.
Fini had one of her first solo exhibitions at age 25 with a Parisian gallery directed by Christian Dior. Her work was then included in the groundbreaking exhibition “Fantastic Art, Dada and Surrealism” at MoMA in 1936, while at the same time she had her first New York exhibition with Julien Levy Gallery. Today, Fini’s work is represented in many major public collections including the Metropolitan Museum of Art in New York, Tate Modern in London, the Centre Pompidou in Paris, and the Peggy Guggenheim Collection in Venice.
Ramon Alejandro – Miami
José Ramón Díaz Alejandro, better known as Ramon Alejandro, paints idyllic still lifes of tropical fruits set in ethereal landscapes. The surrealistic compositions have a similar spirit to Kahlo’s less iconic but equally masterful still-life works
Coming from a long lineage of artists, Alejandro grew up with the artworks of his great-grandfather, grandfather, and uncle adorning the walls of his childhood home. After growing up in Havana, Alejandro was sent to live in Argentina in 1960 amidst political turmoil in Cuba, and has continued to live in exile since then.
“Selena” is one of the most influential and impactful movies of our generation. We all remember watching Jennifer Lopez embody the Tejana queen of music. The 1997 biopic is a classic and there is finally talk of including it in the National Film Registry.
“Selena” is one of the most impactful movies of our childhoods.
The 1997 movie was something that we watched over and over when we were younger. We sang the songs and basically learned all of the lines of this movie. It is arguably one of the first times we saw our culture and one of our icons’ stories told for the masses.
The Congressional Hispanic Caucus is pushing for “Selena” to officially be recognized.
Movies are a crucial part of telling the full story of American life. The National Film Registry is a list of movies that are honored for their cultural impact. “Real Women Have Curves,” “West Side Story,” and “Zoot Suit” are all part of the National Film Registry. Rep. Joaquin Castro, D-Texas, is the chair of the Congressional Hispanic Caucus and wrote a letter asking for the consideration of “Selena.”
“As a next step, we also wish to formally nominate the 1997 film ‘Selena’ for inclusion in the National Film Registry in 2021,” reads the letter. “Directed by Gregory Nava and starring Jennifer Lopez and Edward James Olmos, the film depicts the life, remarkable rise, and tragic death of Tejana music star Selena Quintanilla.”
There is a lot of hope that the Library of Congress will make this happen.
Selena represents that first major and successful jumps from the Latino market to the mainstream that many of us can remember. We finally had someone who looked like us and understood our cultural struggles in a real way. Our story was being told and the film about the music icon was so important in guiding some of us through our own cultural struggles.
“The film also touches on important themes of cultural identity and assimilation faced by Mexican American communities as they navigate their personal connections to two cultures and languages,” the letter continues to explain. “The film has become a beloved icon of Latino culture and has found widespread mainstream success, proving once and for all that Latino stories are American stories.”
Selena is the kind of cultural phenomenon that comes once in a lifetime.
The singer was able to build an impressive legacy that has endured for longer than she was alive. We were raised with her music and told her story over and over to keep us all tuned in to the fact that we could do anything. If Selena could break into the mainstream audience, we could all be that successful.
“Given its importance as a work of Latino cinema, we believe it is deserving of preservation at the Library of Congress. We trust you will give ‘Selena’ careful consideration, and hope to see it included in the titles added to the National Film Registry in 2021,” Rep. Castro further explains in the letter. “We also expect to identify other films which feature the American Latino experience and urge you to devote careful consideration to Latino films when considering films for the registry as well.”
Here’s hoping that “Selena” gets the official recognition it clearly deserves.
We all have our fingers crossed that this movie will earn its place in the National Film Registry because it deserves that kind of praise.