Entertainment

Artist Ugly Primo Threw A Party In Los Angeles Featuring His Iconic Work

Ugly Primo has been capturing Latino pop culture moments in his vivid illustrations since early 2018, illustrating the “Suavamente” Elvis Crespo into fabric softener and Cardi B as a “Farti B cushion.” While we have no idea what Ugly Primo looks like, since he hides behind an actual cholo puppet, we know that, for the first time ever, Ugly Primo showcased his work.

Ugly Primo invited everyone to the Primos Playhouse to, well, party. Ugly Primo’s Instagram bio has long advertised himself as a “retired quinceañera DJ,” and people finally got to hear him spin. After DJ sets by J Valentino, 2DEEP, Mija Doris, and Brü, the puppet, or the man behind the puppet, took to the stage. Best of all: it was free.

Of course, Ugly Primo’s version of a gallery was called a Playhouse, so you know it was fun.

Credit: @uglyprimo / Twitter

Held in downtown Los Angeles, a free DJ event with dope art is my kind of night. Our favorite primo tweeted that, “There will be exclusive merch, art installations, music by some friends, and drinks for my 21+ borrachos. Hope to see you there!”

Ugly Primo is kind of *excellent* at creating unique merch.

Credit: @uglyprimo / Twitter

It seems like the world’s coolest puppet is pretty close with San Benito, and worked with the trapetero to create on-brand chanclas for Bad Bunny fans. They’re reportedly too holy to be weaponized for the chanclazo. You may have seen Ugly Primo’s art on up-and-coming artist Cuco Puffs’s most recent album cover, too. It’s weird how Ugly Primo is everywhere, but nobody has seen him.

Ugly Primo might just be our favorite primo after the artwork he’s gifted us this last year alone.

Credit: @uglyprimo / Instagram

During the height of Nio Garcia, Ozuna, Darrel, Nicky Jam, Casper Magico and Bad Bunny’s “Te Bote” classic, Ugly Primo blessed America with an auspicious illustration. In an effort to motivate his fans to get out and vote, he released an image of a very orange Donald Trump at a podium stickered with “Yo voté,” followed by a “Te bote” stamp of disapproval. His blessing on the midterms did give us Alexandria Ocasio-Cortez. We need more illustrations, Primo.

If only a Mercado de mucho, mucho amor existed.

Credit: @uglyprimo / Instagram

Internationally-acclaimed astrologer Walter Mercado may have passed earlier this week, but he’s been long honored by Ugly Primo. For Mercado’s haters, they love the idea that his predictions and, “sobre todo, mucho, mucho amor” was up for sale. For everyone else, we loved what Mercado was selling – his genderless fashion sense and exuberant love for his fans.

When Cumbia legend Celso Piña passed, he was immortalized in vibrant colors as well.

Credit: @uglyprimo / Instagram

The cumbia artist, known as El Rebelde del acordeón, passed on August 21 at just 66 years old from a heart attack. The Mexican accordionist pioneered a fusion of tropical salsa sounds with cumbia and regional mexicano.

When Cardi B was freely expressing her flatulence on the ‘gram, Ugly Primo immortalized the pop culture moment.

Credit: @uglyprimo / Instagram

“Farti B is steaming hot. Swipe for some ????????????,” Ugly Primo captioned his June edition to his works, alongside a hilarious anthology of Cardi B’s most recent fart sprees. “Damn, I farted but that was a very low fart, so y’all can’t hear it. It’s one of those farts that like, they don’t really stink, it’s just air,” Cardi told her Instagram fans back in June 2019. “I gotta fart so bad. I’m about to air it out. I farted, I farted, I farted, I farted,” Cardi said. “Oh it STANK. You smell it, Ashley? It’s gonna hit you though. You smell it?” she asked, cackling.

Ugly Primo has helped us envision a world made for Latinos, here in America.

@uglyprimo / Instagram

Ugly Primo’s artistry is embedded in Latinizing mainstream items, like slapping “Tigers of the North” on a box of frosted flakes, with a guitar playing tiger and more. We get to imagine what a Trader Jose’s might look like, and even though Los Angeles is plentiful with Hispanic grocer’s, Ugly Primo uses the brand recall of a national chain to make that experience feel like the true cornerstone of American identity that it is. We belong here. We’re not going anywhere.

LA, if you’re looking for a party, it’s at the Primo Playhouse.

@uglyprimo / Instagram

Let’s show Ugly Primo all our support, hope we meet Ugly Primo in the felt (or flesh, let’s be real) and see what “exclusive merch” he’s drawn up for us.

READ: Ugly Primo Is One Latino Artist Everyone Who Loves Pop Culture Should Know About

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If You Call Yourself A Frida Kahlo Fan Then You Should Be Following These Five Artists

Culture

If You Call Yourself A Frida Kahlo Fan Then You Should Be Following These Five Artists

Bettman Archives / Getty Images

So many of us have been moved the art of the late Frida Kahlo. Even in death she’s gone on to inspire entire generations with her Surrealist self-portraits, lush depictions of plant and animal life, and magical realist tableaux. Not to mention her incredible life story.

She also inspired future generations of artists, many of whom are alive today creating beautiful works of art. These are just a few of the artists who have similar techniques, subjects, and styles to Frida Kahlo that you’ll definitely love if you’re a fan of Frida Kahlo.

Maria Fragoso – Mexico City

Credit: Teach Me Sweet Things / Theirry Goldberg Gallery

Influenced by the style and narratives of Mexican surrealists and muralists, Maria Fragoso creates work that celebrates her Mexican culture, while also addressing notions of gender expression and queer identity. Her brightly colored canvases offer voyeuristic glimpses into intimate moments, with subjects engaging in acts that seem at once seductive and mischievous—often while gazing directly out at the viewer.

Recently featured in Forbes’s “30 Under 30” in the “Art and Style” category, the 25-year-old artist is quickly rising to prominence. Born and raised in Mexico City, Fragoso moved to Baltimore in 2015 to pursue her BFA at the Maryland Institute College of Art. While in school, Fragoso was the recipient of the Ellen Battell Stoeckel Fellowship at the Yale Norfolk School of Art. Since graduating, she has completed residencies at Palazzo Monti and the Skowhegan School of Painting and Sculpture.

Nadia Waheed – Austin, Texas

Credit: Message from Janus / Mindy Solomon Gallery

Born in Saudi Arabia to Pakistani parents, Austin, Texas–based artist Nadia Waheed explores notions of relocation, displacement, and vulnerability in her work. Her life-size figurative paintings are both allegorical and autobiographical—the female figures represent her own lived experiences, as well as the multifaceted identities of all women.

Rodeo Tapaya – Philippines

Credit: Nowhere Man / A3 Art Agency

Rodel Tapaya paints dreamlike, narrative works based on myths and folklore from his native Philippines. Drawing parallels between age-old fables and current events, Tapaya reimagines mythical tales by incorporating fragments of the present. “In some way, I realize that old stories are not just metaphors. I can find connections with contemporary time,” Tapaya said in a 2017 interview with the National Gallery of Australia. “It’s like the myths are poetic narrations of the present.”

While the content of Tapaya’s work is inspired by Filipino culture, his style and literary-based practice is heavily influenced by Mexican muralists and Surrealist painters such as José Clemente Orozco, Diego Rivera, and, of course, Frida Kahlo. Often working at a large scale, Tapaya has been commissioned to create several site-specific murals, including one for Art Fair Philippines in February 2020.

Leonor Fini – Buenos Aires

Credit: Les Aveugles / Weinstein Gallery

Long overlooked in favor of male Surrealists, Leonor Fini, a contemporary of Kahlo, was a pioneering 20th-century force. Known for having lived boldly, Fini is recognized for her unconventional lifestyle, theatrical personality, and avant-garde fashion sense. Born in Buenos Aires in 1907, Fini was raised by her mother in Trieste, Italy. She taught herself to paint and first exhibited her work at the age of 17.

Fini had one of her first solo exhibitions at age 25 with a Parisian gallery directed by Christian Dior. Her work was then included in the groundbreaking exhibition “Fantastic Art, Dada and Surrealism” at MoMA in 1936, while at the same time she had her first New York exhibition with Julien Levy Gallery. Today, Fini’s work is represented in many major public collections including the Metropolitan Museum of Art in New York, Tate Modern in London, the Centre Pompidou in Paris, and the Peggy Guggenheim Collection in Venice.

Ramon Alejandro – Miami

Credit: Eternal Life / Latino Art Core

José Ramón Díaz Alejandro, better known as Ramon Alejandro, paints idyllic still lifes of tropical fruits set in ethereal landscapes. The surrealistic compositions have a similar spirit to Kahlo’s less iconic but equally masterful still-life works

Coming from a long lineage of artists, Alejandro grew up with the artworks of his great-grandfather, grandfather, and uncle adorning the walls of his childhood home. After growing up in Havana, Alejandro was sent to live in Argentina in 1960 amidst political turmoil in Cuba, and has continued to live in exile since then.

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New Netflix Docuseries Explores The Summer The Night Stalker Terrorized Los Angeles

Entertainment

New Netflix Docuseries Explores The Summer The Night Stalker Terrorized Los Angeles

Bettmann / Getty Images

Richard Ramirez, a.k.a. The Night Stalker, spent the summer of 1985 terrorizing Los Angeles. Ramirez murdered 13 people during his reign of terror in Southern California. Netflix’s new docuseries is exploring the crime by interviewing law enforcement and family of the victims.

“Night Stalker: The Hunt For a Serial” killer is now streaming on Netflix.

“Night Stalker: The Hunt For a Serial Killer” is the latest Netflix docuseries diving into the true crimes that have shaped American society. Richard Ramirez is one of the most prolific serial killers of all time and single-handedly terrorized Los Angeles during the summer of 1985.

Ramirez fundamentally changed Los Angeles and the people who live there. The serial killer was an opportunistic killer. He would break into homes using unlocked doors and opened windows. Once inside, he would rape, murder, rob, and assault the people inside the home.

The documentary series explores just how Ramirez was able to keep law enforcement at bay for so long. The killer did not have a standard modus operandi. His victims ran the gamut of gender, age, and race. There was no indicator as to who could be next. He also rarely used the same weapon when killing his victims. Some people were stabbed to death while others were strangled and others still were bludgeoned.

While not the first telling of Ramirez’s story, it is the most terrifying account to date.

“Victims ranged in age from 6 to 82,” director Tiller Russell told PEOPLE. “Men, women, and children. The murder weapons were wildly different. There were guns, knives, hammers, and tire irons. There was this sort of feeling that whoever you were, that anybody could be a victim and anybody could be next.”

Family members of the various victims speak in the documentary series about learning of the horror committed to them. People remember grandparents and neighbors killed by Ramirez. All the while, police followed every lead to make sure they left no stone unturned.

“Night Stalker: The Hunt For a Serial Killer” is now streaming on Netflix.

READ: Here’s How An East LA Neighborhood Brought Down One Of America’s Most Notorious Serial Killers

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