The 21 Most Memorable disney scenes to remember

There’s something magical about Disney movies and it isn’t always the happy ending. Disney first started releasing movies in 1937 with Snow White and the Seven Dwarves, and they’ve created a franchise of Disney princesses since.

However, Disney doesn’t just focus on your typical princess fairytale anymore, and there are many moments in a Disney film that both children and adults can find memorable. Sometimes it’s a cute moment between a girl who falls through the rabbit hole, and sometimes it’s an old man finding a scrapbook that his wife has left him.

Whatever the impression Disney films leave on you, there is no question that they will make you laugh and cry. Here are twenty-one of the most memorable scenes from animated and live action Disney films.

1. Miguel Sings to Coco

Credit: Coco/ Walt Disney Pictures & Pixar

Miguel promises Victor that he won’t let Coco forget him. When he returns he has the story behind the real author of “Remember Me” and has a touching moment with his grandmother.

2. The Mad Hatter Tea Party  

 Credit: Alice In Wonderland/Walt Disney Pictures

Alice in Wonderland is a trippy little film that takes a young girl into a magical world. One of the most iconic and memorable scenes is the Mad Hatter’s Tea Party. Sitting at the table with the March Hare and the Dormouse, Alice finds stacks of teacups and treats and is introduced to the idea of a Un-Birthday.

3. Bing Bong Saves Joy and Sadness 

Credit: Inside Out/Walt Disney Pictures & Pixar

Inside Out does a great job of playing with the intricacies of human memory, but nothing is sadder than watching Bing Bong fall into a chasm never to be heard from again. Riley’s bubbly imaginary friend sacrifices himself that Joy can get to control and the moments before he fades from view are some of the saddest we remember.

4. “I Put a Spell on You”

Credit: Hocus Pocus/Walt Disney Pictures

How can you put Bette Middler in a movie about witches and not have her enchant a Halloween Party with a song? When Winifred Sanderson breaks out into a witch-y rendition of “I Put a Spell on You” in Hocus Pocus it seems like the only appropriate reaction would be for the party-goers to think that it was an act. The scene is a good romp and spectacle.

5. Moana Faces Te Ka 

Credit: Moana/Walt Disney Pictures

Like most Disney films, Moana will make you laugh and cry, but nothing is more touching than the moment that she realizes Te Ka and Ne Fiti are one and the same. When she asks the sea to part so she can restore the heart it’s a beautiful moment with soft singing as she places her head against Te Ka’s. In this moment, Moana shows us that sometimes you have to face your fears in order to get to your goals.

6. Have Courage and Be Kind


Credit: Cinderella/Walt Disney Pictures

The live-action Cinderella added a scene where Ella’s mother told her to have courage and be kind. The touching scene fills a void not often seen in retellings of fairytales and lets the audience start off the movie a little teary-eyed.

7. Mia Thermopolis Finds Out She’s a Princess  

Credit: The Princess Diaries/Walt Disney Pictures

Who can forget the moment that Mia Thermopolis sat across from her grandmother and was told she was the Princess of Genovea? The only thing more iconic than Anne Hathaway’s, “Shut up!” is Julie Andrews’s choking on her tea afterwards.

8. Nemo Escapes

Credit: Finding Nemo/Walt Disney Pictures & Pixar

Getting Nemo home is an effort on all sides. The scene in Finding Nemo where the tank crew attempt to save him from Darla, aided by the fortunate timing of his dad is a scene that is both comedic and iconic.

9. Mulan Saves China 

Credit: Mulan/Walt Disney Pictures

Mulan is a movie all about a girl who subverts expectation and then demolishes them when she saves her country. The final battle scene is a well-executed, earned ending with a bit of the humor that Mulan had at the beginning of her story and a clear mission. Her chant of “Get off the roof! Get off the roof!” as she runs from the oncoming explosion is a particularly nice touch.

10. Merida Shoots for Her Own Hand 

Credit: Brave/Walt Disney Pictures & Pixar

Until Merida, most Disney and Pixar princesses had a prince. Brave’s Merida was the first Disney princess to defy expectation and fight for her freedom. The moment when she marches into the archery competition and declares she’ll shoot for her own hand is one that we’ll always remember.

11. Feed the Birds  

Credit: Mary Poppins/Walt Disney Pictures

Mary Poppins’s song about a woman who sells crumbs to feed the birds sounds like a nice lullaby for the Banks children until the children see her the next day. Rather than open a bank account, they decide they’d rather feed the birds. Soon the lullaby turns into a lesson on banking. The result of these scenes is a bank run.

12. Roger Saves Lucky

Credit: 101 Dalmatians/Walt Disney Pictures

The scene is so quiet while Pongo and Purdy’s puppies are born in 101 Dalmatians. Pongo is waiting by the door expectedly for news. Nanny comes in and out for a towel. The clock is ticking. The thunder is crashing. Roger is sitting in the corner smoking his pipe.

There’s a moment of jubilation as Nanny rushes out to announce the arrival of the puppies. Eight. Ten. Eleven. Thirteen. Fourteen. Fifteen. Then the joy falls when Nanny presents Roger with one puppy that didn’t make it. Roger resuscitates the puppy, and as it crawls out from the blanket and shouts, “We still have fifteen!”

13. Quasimodo Claims Sanctuary  

Credit: The Hunchback of Notre Dame/Walt Disney Pictures

There’s the kind of sanitizing Disney does to Grimm’s fairytales and then there’s trying to clean up Victor Hugo’s The Hunchback of Notre Dame. The climactic scene in which Quasimodo breaks out of his chains and rescues Esmeralda from the fire, and scales the cathedral is an epic spectacle.

14. Wall-E Cares for Eve After Finding the Plant

Credit: Wall-E/Walt Disney Pictures & Pixar

Wall-E was alone on Earth before he met Eve, and when Eve shut down after finding a plant he wasn’t sure what to do. The montage of Wall-E pushing the floating Eve around is a sweet montage of the last two beings on Earth that is both funny and heart-breaking at the same time.

15. Carl Finds Ellie’s Adventure Book

Credit: Up/Walt Disney Pictures & Pixar

Up starts with Carl and Ellie’s story, and it’s only fair that their love boosts him into the climax of the show. Carl finds the Adventure Book and places the image of Paradise Falls with the house on the cliff in the front. Then flips through to find that Ellie has filled it with photos from their life together. On the last page, she writes “Thanks for the Adventure. Now go have a new one.”

16. Remember Who You Are

Credit: The Lion King/Walt Disney Pictures

The Lion King is a classic Disney tale, but the moment Rafiki lets Simba speak to Mufasa’s spirit is heartbreaking. The idea of Mufasa living within Simba is a touching one, and the words used are so gentle.

17. Woodland Creatures Help Snow White Clean the House 

Credit: Snow White and the Seven Dwarves /Walt Disney Pictures

There are so many problematic themes in Snow White, but the one scene that always sticks out from this film is how the woodland creatures help her clean the house. This magical moment enchants younger audiences and leaves younger audiences wondering why, no matter how they sing, they can’t summon woodland creatures to help them clean the house.

18. True Love Melts Anna’s Frozen Heart  

Credit: Frozen/Walt Disney Pictures

At the center of Frozen is Elsa and Anna’s sisterhood, and it’s no surprise that it’s key to the end of the story. Anna stepping in front of Klaus and saving Elsa is a very moving act that in turn thaws her frozen heart, and gives Elsa an idea for how she can end Arendale’s winter.

19. Bella Note Spaghetti Dinner

Credit: Lady and the Tramp/Walt Disney Pictures

Lady and the Tramp’s Tony is such a dog person! Sitting the dogs at the table and ordering spaghetti and meatballs for them, then serenading them as they eat is so heartfelt. Plus, the silent dinner interaction between the two dogs is a lot of fun to watch.

20. Giselle Arrives in New York City

Credit: Enchanted/Walt Disney Pictures

Enchanted gave us a gift, Amy Adams as a singing princess in a big white dress running through busy New York City streets. If you ever wondered how a Disney princess would react to the real work, Giselle’s amazement and confusion as she climbs out of a manhole cover in a puffy white wedding dress will answer that question.

21. You Can Fly

Credit: Peter Pan/Walt Disney Pictures

What child doesn’t want to fly? The scene where Peter Pan teaches the Darling children to fly is a memorable Disney moment because of how uplifting it is. The idea that all a person needs to fly is a happy thought is so magical that you can’t help but smile.

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This Artist Has Been Breaking Barriers As A Non-Traditional Mariachi


This Artist Has Been Breaking Barriers As A Non-Traditional Mariachi

On a recent episode of ABC’s game show To Tell The Truth, three celebrity panelists were tasked to uncover the identity of a real mariachi singer.

Each contender embodied “non-traditional” attributes of mariachi culture either through physical appearance or language barriers, leaving the panelists stumped.

When it came time for the big reveal, with a humble smile 53-year-old Timoteo “El Charro Negro” stood up wowing everyone. Marveled by his talents, Timoteo was asked to perform unveiling his smooth baritone voice.

While not a household name in the U.S., his career spans over 25 years thriving on the catharsis of music.

Timoteo “El Charro Negro” performing “Chiquilla Linda” on Dante Night Show in 2017.

Originally from Dallas, Texas, Timoteo, born Timothy Pollard, moved to Long Beach, California with his family when he was eight years old. The move to California exposed Pollard to Latin culture, as the only Black family in a Mexican neighborhood.

As a child, he recalled watching Cantinflas because he reminded him of comedian Jerry Lewis, but musically he “got exposed to the legends by chance.”

“I was bombarded by all the 1960s, ’70s, and ’50s ranchera music,” Timoteo recalls to mitú.

The unequivocal passion mariachi artists like Javier Solis and Vicente Fernandez possessed heavily resonated with him.

“[The neighbors] always played nostalgic music, oldies but goodies, and that’s one thing I noticed about Mexicans,” Timoteo says. “They can be in their 20s but because they’ve grown up listening to the oldies it’s still very dear to them. That’s how they party.”

For as long as he can remember, Pollard “was born with the genetic disposition to love music,” knowing that his future would align with the arts.

After hearing Vicente Fernandez sing “Lástima Que Seas Ajena,” an awakening occurred in Pollard. While genres like hip-hop and rap were on the rise, Pollard’s passion for ranchera music grew. It was a moment when he realized that this genre best suited his big voice.

Enamored, Pollard began to pursue a career as a Spanish-language vocalist.

El Charro Negro
Photo courtesy of Timothy Pollard.

At 28, Timoteo began learning Spanish by listening and singing along to those artists he adored in his youth.

“When I decided that I wanted to be a mariachi, I didn’t think it was fair to exploit the culture and not understand the language,” he says. “If I’m going to sing, I need to be able to communicate with my audience and engage with them. I need to understand what I’m saying because it was about honor and respect.”

Pollard began performing local gigs after picking up the language in a matter of months. He soon attracted the attention of “Big Boy” Radio that adorned him the name Timoteo “El Charro Negro.”

Embellishing his sound to highlight his Black heritage, Pollard included African instruments like congas and bongos in his orchestra. Faintly putting his own spin on a niche genre, Pollard avoided over-saturating the genre’s sound early in his career.

Embraced by his community as a beloved mariachi, “El Charro Negro” still encountered race-related obstacles as a Black man in the genre.

“There are those [in the industry] who are not in the least bit thrilled to this day. They won’t answer my phone calls, my emails, my text messages I’ve sent,” he says. “The public at large hasn’t a problem with it, but a lot of the time it’s those at the helm of decision making who want to keep [the genre] exclusively Mexican.”

“El Charro Negro” persisted, slowly attracting fans worldwide while promoting a message of harmony through his music.

In 2007, 12 years into his career, Pollard received a golden ticket opportunity.

El Charro Negro
Pollard (left) seen with legendary Mexican artist Vicente Fernandez (right) in 2007. Photo courtesy of Timothy Pollard.

In a by-chance encounter with a stagehand working on Fernandez’s tour, Pollard was offered the chance to perform onstage. The singer was skeptical that the offer was legit. After all, what are the chances?

The next day Pollard went to his day job at the time and said, “a voice in my head, which I believe was God said, ‘wear your blue velvet traje tonight.'”

That evening Pollard went to a sold-out Stockton Area where he met his idol. As he walked on the stage, Pollard recalls Fernandez insisting that he use his personal mic and band to perform “De Que Manera Te Olvido.”

“[Fernandez] said he did not even want to join me,” he recollects about the show. “He just was kind and generous enough to let me sing that song on his stage with his audience.”

The crowd applauded thunderously, which for Pollard was a sign of good things to come.

El Charro Negro
Timoteo “El Charro Negro” with Don Francisco on Don Francisco Presenta in 2011. Photo courtesy of Timothy Pollard.

In 2010, he released his debut album “Me Regalo Contigo.” In perfect Spanish, Pollard sings with great conviction replicating the soft tones of old-school boleros.

Unraveling the rollercoaster of relationships, heart-wrenchingly beautiful ballads like “Me Regalo Contigo” and “Celos” are his most streamed songs. One hidden gem that has caught the listener’s attention is “El Medio Morir.”

As soon as the track begins it is unlike the others. Timoteo delivers a ’90s R&B love ballad in Spanish, singing with gumption as his riffs and belts encapsulate his unique sound and story.

Having appeared on shows like Sabado Gigante, Don Francisco Presenta, and Caso Cerrado in 2011, Timoteo’s career prospered.

Timoteo hasn’t released an album since 2010 but he keeps his passion alive. The singer has continued to perform, even during the Covid pandemic. He has high hopes for future success and original releases, choosing to not slow down from his destined musical journey.

“If God is with me, who can be against me? It may not happen in a quick period of time, but God will make my enemies my footstool,” he said.

“I’ve continued to be successful and do some of the things I want to do; maybe not in a particular way or in particular events, but I live in a very happy and fulfilled existence.”

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Exclusive: Luis Fonsi Talks Working with Rauw Alejandro, Christina Aguilera, and Demi Lovato


Exclusive: Luis Fonsi Talks Working with Rauw Alejandro, Christina Aguilera, and Demi Lovato

Luis Fonsi is kicking off 2021 with a new single. The Puerto Rican superstar premiered the music video for “Vacío” on Feb. 18 featuring rising Boricua singer Rauw Alejandro. The guys put a new spin on the classic “A Puro Dolor” by Son By Four.

Luis Fonsi throws it back to his románticas.

“I called Omar Alfanno, the writer of ‘A Puro Dolo,’ who is a dear friend,” Fonsi tells Latido Music. “I told him what my idea was [with ‘Vacío’] and he loved it. He gave me his blessing, so I wrote a new song around a few of those lines from ‘A Puro Dolor’ to bring back that nostalgia of those old romantic tunes that have been a part of my career as well. It’s a fresh production. It sounds like today, but it has that DNA of a true, old-school ballad.”

The world got to know Luis Fonsi through his global smash hit “Despacito” with Daddy Yankee in 2017. The remix with Canadian pop star Justin Bieber took the song to new heights. That was a big moment in Fonsi’s music career that spans over 20 years.

There’s more to Fonsi than “Despacito.”

Fonsi released his first album, the fittingly-titled Comenzaré, in 1998. While he was on the come-up, he got the opportunity of a lifetime to feature on Christina Aguilera’s debut Latin album Mi Reflejo in 2000. The two collaborated on “Si No Te Hubiera Conocido.” Luis Fonsi scored multiple Billboard Hot Latin Songs No. 1s in the years that followed and one of the biggest hits was “No Me Doy Por Vencido” in 2008. That was his career-defining romantic ballad.

“Despacito” remains the second most-viewed music video on YouTube with over 7.2 billion views. The hits did not stop there. Later in 2017, he teamed up with Demi Lovato for “Échame La Culpa,” which sits impressively with over 2 billion views.

He’s also appearing on The Voice next month.

Not only is Fonsi working on his new album, but also he’s giving advice to music hopefuls for the new season of The Voice that’s premiering on March 1. Kelly Clarkson tapped him as her Battle Advisor. In an exclusive interview, Fonsi talked with us about “Vacío,” The Voice, and a few of his greatest hits.

What was the experience like to work with Rauw Alejandro for “Vacío”?

Rauw is cool. He’s got that fresh sound. Great artist. Very talented. Amazing onstage. He’s got that great tone and delivery. I thought he had the perfect voice to fit with my voice in this song. We had talked about working together for awhile and I thought that this was the perfect song. He really is such a star. What he’s done in the last couple of years has been amazing. I love what he brought to the table on this song.

Now I want to go through some of your greatest hits. Do you remember working with Christina Aguilera for her Spanish album?

How could you not remember working with her? She’s amazing. That was awhile back. That was like 1999 or something like that. We were both starting out and she was putting out her first Spanish album. I got to sing a beautiful ballad called “Si No Te Hubiera Conocido.” I got to work with her in the studio and see her sing in front of the mic, which was awesome. She’s great. One of the best voices out there still to this day.

What’s one of your favorite memories of “No Me Doy Por Vencido”?

“No Me Doy Por Vencido” is one of the biggest songs in my career. I think it’s tough to narrow it down just to one memory. I think in general the message of the song is what sticks with me. The song started out as a love song, but it turned into an anthem of hope. We’ve used the song for different important events and campaigns. To me, that song has such a powerful message. It’s bigger than just a love song. It’s bringing hope to people. It’s about not giving up. To be able to kind of give [people] hope through a song is a lot more powerful than I would’ve ever imagined. It’s a very special song.

I feel the message is very relevant to the COVID-19 pandemic we’re living through.

Oh yeah! I wrote that song a long time ago with Claudia Brant, and during the first or second month of the lockdown when we were all stuck at home, we did a virtual writing session and we rewrote “No Me Doy Por Vencido.” Changing the lyrics, kind of adjusting them to this situation that we’re living now. I haven’t recorded it. I’ll do something with it eventually. It’s really cool. It still talks about love. It talks about reuniting. Like the light at the end of the tunnel. It has the hope and love backbone, but it has to do a lot with what we’re going through now.

What do you think of the impact “Despacito” made on the industry?

It’s a blessing to be a part of something so big. Again, it’s just another song. We write these songs and the moment you write them, you don’t really know what’s going to happen with them. Or sometimes you run into these surprises like “Despacito” where it becomes a global phenomenon. It goes No. 1 in places where Spanish songs had never been played. I’m proud. I’m blessed. I’m grateful to have worked with amazing people like Daddy Yankee. Like Justin Bieber for the remix and everyone else involved in the song. My co-writer Erika Ender. The producers Mauricio Rengifo and Andrés Torres. It was really a team effort and it’s a song that obviously changed my career forever.

What was the experience like to work with Demi Lovato on “Echáme La Culpa”?

She’s awesome! One of the coolest recording sessions I’ve ever been a part of. She really wanted to sing in Spanish and she was so excited. We did the song in Spanish and English, but it was like she was more excited about the Spanish version. And she nailed it! She nailed it from the beginning. There was really not much for me to say to her. I probably corrected her once or twice in the pronunciation, but she came prepared and she brought it. She’s an amazing, amazing, amazing vocalist.

You’re going to be a battle advisor on The Voice. What was the experience like to work with Kelly Clarkson?

She’s awesome. What you see is what you get. She’s honest. She’s funny. She’s talented. She’s humble and she’s been very supportive of my career. She invited me to her show and it speaks a lot that she wanted me to be a part of her team as a Battle Advisor for the new season. She supports Latin music and I’m grateful for that. She’s everything you hope she would be. She’s the real deal, a true star, and just one of the coolest people on this planet.

What can we expect from you in 2021?

A lot of new music. Obviously, everything starts today with “Vacío.” This is literally the beginning of what this new album will be. I’ve done nothing but write and record during the last 10 months, so I have a bunch of songs. Great collaborations coming up. I really think the album will be out probably [in the] third or fourth quarter this year. The songs are there and I’m really eager for everybody to hear them.

Read: We Finally Have A Spanish-Language Song As The Most Streamed Song Of All Time

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