Entertainment

The Killers Teamed Up With Spike Lee To Create A Music Video Highlighting The Migrant Crisis

Spike Lee is using his talent to tell another necessary story.

Famed director Spike Lee, who has just been nominated for an Oscar for his film “BlacKkKlansman,” is taking on another controversial topic for his latest project. The topic is immigration and the thousands of Central Americans seeking asylum in the U.S.

In a recent interview, during the government shutdown, Lee spoke to the women on “The View” about the music video “Land Of The Free” that he directed for The Killers. He said singer Brandon Flowers reached out to him after watching “BlacKkKlansman.”

“He called me out of nowhere and told me he has a song and it’s a protest song,” Lee said on “The View.” “I said, ‘Send it to me,’ and I said, ‘Let’s do it.'” Lee said the song is about “people who were seeking peace.”

“It’s so relevant because over 800,000 Americans are not being paid — because of what’s happening on this thing,” he said, speaking in regards to President Donald Trump seeking billions for the border wall.

“[Trump was] saying, ‘All Mexican’s are rapists, murderers, drug dealers.’ And then he said with the caravan that was coming, ‘Well there’s some people from the Middle East,’ so he was trying to say there were terrorists,” Lee said. “They’re people who walk hundreds of miles in flip-flops, so unless they made some nuclear bomb flip-flops..” and added: “This is bananas, this is a crazy time.”

Here’s a portion of the lyrics:

“When I go out in my car, I don’t think twice/But if you’re the wrong color skin (I’m standing, crying)/You grow up looking over both your shoulders/In the land of the free/And we got more people locked up than the rest of the world/Right here in red, white and blue (I’m standing, crying)/Incarceration’s become big business/It’s harvest time out on the avenue.”

Flowers said via Twitter that the song began taking shape in 2012 during the school shootings in Sandy Hook. He added that everything that our country has endured since Trump’s election made him complete the song.

“We dishonor our values, our ancestors, and our heritage, and we tear gas our brothers and sisters seeking asylum. I see my family in the faces of these vulnerable people.” He finished by saying: “I love my country. I know these are complicated times, but whether you stand to the left, or the right, or straddle the line, you gotta believe that we can do better.”


READ: Here’s What We Know So Far About The New Refugee Caravan That Just Left Honduras

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Spike Lee Is The First Black President Of Cannes Film Festival In Its 73-Year History

Entertainment

Spike Lee Is The First Black President Of Cannes Film Festival In Its 73-Year History

James Gourley / Flickr

Spike Lee is returning to the 73rd Cannes Film Festival a couple of years after BlacKkKlansman debuted there, this time as the jury president. In over seven decades, the prestigious film festival has never had a black president overseeing the artists who decide which films will win an award. 

“In this life I have lived, my biggest blessings have been when they arrived unexpected, when they happened out of nowhere. When I got the call that I was offered the opportunity to be president of Cannes jury for 2020, I was shocked, happy, surprised and proud all at the same time,” Lee said in a statement.

The 62-year-old director won Cannes’ Grand Prix for BlacKkKlansman which also earned Lee his first Academy Award. Prior to his recent release, Lee hadn’t participated in Cannes in 22 years despite having seven of his most beloved films like, She’s Gotta Have ItDo The Right Thing and Summer Of Sam, playing there. 

Lee releases a heartfelt statement about becoming the jury president.

Lee said this particular film festival is the most important in the world and that it significantly impacted his career.

“It started way back in 1986 – my first feature film She’s Gotta Have It, which won the Prix de la Jeunesse in the Director’s Fortnight. The next joint was in 1989 – Do The Right Thing, an Official Selection in Competition. And I don’t have the time nor space to write about the cinematic explosion that jumped off, still relative to this, 30 years later,” Lee said in a statement. 

Do The Right Thing might be Lee’s most well-known project. The film which uses building racial tensions in a Brooklyn neighborhood as an exploration of violence as activism was solidified as a part of history when it was selected for preservation in the National Film Registry and Libray of Congress. 

“Then Jungle Fever 1991 – Official Selection in Competition, Girl 6 1996 – Official Selection out of Competition, Summer Of Sam1999 – Director’s Fortnight, Ten Minutes Older 2002 – Official Selection in Un Certain Regard and then BlacKkKlansman 2018 – Official Selection in Competition where it won the Grand Prix, which became the launching pad for the world theatrical release which led to my Academy Award for screenplay,” he continued. 

Many have felt that Lee has not gotten the respect he deserves as a filmmaker — at least not until fairly recently.

Despite being nominated four times across three decades, Lee wasn’t awarded an Academy Award until 2019 for Best Adapted Screenplay. 

“Spike Lee’s perspective is more valuable than ever. Cannes is a natural homeland and a global sounding board for those who (re)awaken minds and question our stances and fixed ideas. Lee’s flamboyant personality is sure to shake things up. What kind of president of the jury will he be? Find out in Cannes!” Cannes President Pierre Lescure and festival head Thierry Frémaux said in a statement.

In the New York Times profile leading up to his Oscar win, the paper examined the ways in which Lee has been relegated to the fringes of prestigious filmmaking: throughout his career, he has earned less money and received less funding than his white counterparts, and has had difficulty getting projects off the ground. 

Lee’s inclusion might be Cannes’ first big step in correcting its diversity issues.

“That’s the dilemma of a talented black artist in any field,” collaborator and author James McBride told the NY Times. “You have to recreate the genre, otherwise you don’t survive. Stevie Wonder is not a pop musician; Stevie Wonder is a genre. Michael Jackson is a genre to himself. Spike Lee has moved into that territory. Spike Lee is not short on talent. What Spike Lee is short on is friends in the industry, and the kind of space to fail. He has no room to fail.” 

While Cannes has struggled with diversity around black and women directors, Lee as a jury president could be a healthy step in allowing other perspectives in. 

“I’m honored to be the first person of the African diaspora (USA) to be named president of the Cannes jury and of a main film festival. The Lee family sincerely thanks the Festival de Cannes, Pierre Lescure and Thierry Frémaux and the great people of France who have supported my film career throughout four decades. I will always treasure this special relationship,” Lee said.

Despite Trump’s False Claims, Facts Are Facts: More Than 99% Of Asylum Seekers Show Up To Their Court Dates

Things That Matter

Despite Trump’s False Claims, Facts Are Facts: More Than 99% Of Asylum Seekers Show Up To Their Court Dates

Jorge Benez-Ramon / Getty

One of the biggest myths that the Trump administration has perpetuated is that asylum seekers do not conform to the legal requirements and processes required to guarantee their cases are being heard in court. The Trump administration has claimed that the only way to guarantee that asylum seekers’ cases will reach the court is to keep them in detention centers (yes, you read that right).

This seems a bit counterintuitive: if they are seeking asylum it is because they have a cause they find justifiable for entering the United States undocumented in the first place. A recent study sheds light on the fallacy of “missed court appointments” and reveals that if not in detention, a vast majority (let’s just say the totality) of asylum seekers do show up for their hearings.  

Numeritos hablan: 99% of who were not detained or who were released from immigration custody show up to their hearings.

Credit: AZFamily / Instagram

New data from Transactional Records Access Clearinghouse (TRAC, a think tank that tracks data in the immigration courts) at Syracuse University reveals that most of asylum seekers who are not detained do attend their court hearings.

This finding basically trumps Trump’s assertion that they do not, which misrepresents them as individuals who prefer to live in the shadows and at the risk of being deported rather than doing due legal diligence. On average, migrants who are caught at the border or who hand themselves in have to wait for more than two years before their cases are dealt with in court.

But there are some others who have to wait even longer, as the TRAC report tells us: “Overall, asylum applicants waited on average 1,030 days – or nearly three years – for their cases to be decided. But many asylum applicants waited even longer: a quarter of applicants waited 1,421 days, or nearly four years, for their asylum decision.” Four years is a long, long time… wouldn’t anyone want the wait to be over?

Other previous research also disregards the idea that migrants want to live in the United States illegally rather than seeing their cases go through.

For those who have been lucky enough to never have to flee their home country or live in constant fear of being deported, it might feel like migrants would rather hide than face the law. This is also the driving rationale behind the Trump administration’s move to send asylum seekers to Mexico and wait there until their cases go through court. However, studies have shown that they want their migratory status to be cleared so they can go on with their lives, free of worries of being deported at any time. 

When in doubt, use science! 

As Vox reports, the numbers gathered by TRAC are pretty definitive: “The latest data from TRAC shows that nearly every migrant who applied for asylum and whose case was completed in 2019 showed up for all of their court hearings”. Boom! However, the Department of Justice has raised concerns about the accuracy of TRAC’s data analysis. TRAC does not disclose its methodology but uses information obtained through the Freedom of Information Act. 

The Department of Justice claims numbers are much lower.

FILE PHOTO: Children walk inside an enclosure, where they are being held by U.S. Customs and Border Protection (CBP), after crossing the border between Mexico and the United States illegally and turning themselves in to request asylum, in El Paso, Texas, U.S., March 29, 2019. REUTERS/Lucas Jackson/File Photo

Data from the Department of Justice contradicts the stunning 99% published by TRAC. According to 2018 numbers, the government says actually 75% of asylum seekers show up to their court hearings, a significant drop compared to TRAC’s analysis. And Trump’s numbers are even lower… yes, really.

He has said: “Tell me, what percentage of people come back? Would you say 100 percent? No, you’re a little off. Like, how about 2 percent? And those people, you almost don’t want, because they cannot be very smart… Those two percent are not going to make America great again, that I can tell you”. Wow, can you imagine a more deceitful way of framing reality?

TRAC’s report also reveals that more asylum seeker cases were decided in 2019 than in any other year… 46,735 people were denied asylum.

Yes, the courts are being busy. As the report reads, in 2019 “judges decided 67,406 asylum cases, nearly two-and-a-half times the number from five years ago when judges decided 19,779 asylum cases. The number of immigrants who have been granted asylum more than doubled from 9,684 in FY 2014 to 19,831 in FY 2019.”

But it is not all good news, as “the number of immigrants who have been denied asylum or other relief grew even faster from 9,716 immigrants to 46,735 over the same time period.” The three countries of origin that top the charts of successful asylum seekers are China, El Salvador and India.