Entertainment

Apparently PBS Is Making A Documentary About Boricua Queen Rita Moreno

Rita Moreno is one of those legendary forces in the Latinx community that we all hold a special place in our hearts for. She’s the first Latina to be nominated for and to win an Academy Award and she has given life to some of the most memorable characters on film, stage and TV screen. 

Now, the talented Boricua will be honored with a documentary all about her fascinating life. 

The new PBS documentary will focus on some of Moreno’s most notable life experiences and will also cover some darker and more private aspects of her 87 years. 

Twitter / @TalkoftheTownPR

Called “Rita Moreno: The Girl Who Decided to Go for It,” the documentary will feature the actress’ career highlights but will also focus on some rarely discussed moments of her life. For example, in the documentary, Moreno opens up about her attempted suicide that occurred just a year before she won an Oscar for her role as Anita in “West Side Story.” 

The Latina shared via a statement just how moved she is to be the focus of this documentary.

“How I wish my Puerto Rican mother were alive to see this: her child’s story being celebrated. It is not something she or I could ever have imagined. I’m astonished. I’m humbled.” 

Moreno’s career has really come full circle. While she will continue her role as Lydia in “One Day At a Time,” she is also playing Valentina in the 2019 remake of “West Side Story.”

The documentary is being produced by “Hamilton” star Lin-Manuel Miranda, the acclaimed television producer Norman Lear and documentary filmmaker Michael Kantor.

Twitter / @Lin_Manuel

 Needless to say, fellow Puerto Rican, Miranda, is thrilled to be part of a project that immortalizes Moreno. 

“Rita is La Reina. Punto. Full stop,” executive producer Miranda expressed in a statement upon the documentary’s announcement. “Her life, talent, and career is a masterclass in the American dream. It is about time that she takes her rightful place amongst her peers on American Masters.”

The Moreno documentary will air in 2020 as part of the PBS American Masters series. According to PBS, it will feature animation, archival recordings, and reenactments from Moreno’s life. Some of the actresses closest friends and co-workers will also provide interviews for the film.

The documentary is being directed by fellow Latina, Mariem Pérez Riera. 

Twitter / @DeepFinds

In order to be true to Moreno’s story, it had to be driven by people who understand what the actress has gone through as a woman and as a member of the Latinidad. To do so, director Mariem Pérez Riera was hired to bring her vision to life. Riera has previous experience with heading up documentaries. In 2016, she directed “De Puerto Rico Para el Mundo” and “Croatto, la Huella de un Emigrante.” Both films focus on the Latinidad — a subject close to her heart. 

“As a filmmaker, woman and Puerto Rican, I am proud to have the opportunity to tell Rita’s story,” Riera shared when the documentary was announced. “Her many victories in the face of prejudice are an inspiration to me. Hopefully, this film will give strength to the women all over the world, who today, face a similar fight towards equality.” 

Of course, Latinx Twitter was quick to celebrate this new documentary and it’s a very deserving subject. 

Twitter / @OhCuevas

That dancing baby in this tweet’s GIF? That’s totally us. We are so excited to learn more about one of our favorite Latina actresses. Seeing her get the respect she deserves makes us want to celebrate. 

This tweet reminded us just how long Moreno’s career spans.

Twitter / @NewportLaura

Some of us grew up with her as Anita. Some of us know her from the “Electric Company.” Still, others will always know her as the voice of the original Carmen Sandiego. No matter where you know her from, it’s easy to see that her career has been long and lucrative.  

Some Twitter users pointed out the importance of illuminating other peoples stories, just as Manuel and other producers are doing with Moreno’s story in this documentary

Twitter / @K_bowes

The only way we will continue to see our stories being told is if we help others in the Latinidad tell theirs. We’re glad to see that Manuel and Riera — fellow Puerto Ricans — have such important roles in making this documentary a reality. 

Other Twitter users shared their joy over the celebration of Moreno’s life and legacy. 

Twitter / @smiletoobig

Moreno is La Reina and we are so ecstatic that she’s getting the love she so obviously has earned. A career as impressive as hers deserves major props and we can’t wait to watch this documentary honoring her remarkable life. 

https://www.youtube.com/watch?v=TS3sEaGS8c0

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‘Vintage Latinas’ Is Hyping Up WOC Entertainers Often Forgotten By Media

Fierce

‘Vintage Latinas’ Is Hyping Up WOC Entertainers Often Forgotten By Media

Amid a life-threatening pandemic, political upheaval and a dawning economic crisis, the future can feel frighteningly uncertain. We’ve all been coping in our own ways: from practicing meditation to trying out new recipes to starting creative projects. For me, joy has come in the form of history. Learning about women, particularly Latinas, who entertained audiences on the silver screen or at cabarets, fought for their countries and communities, and created beauty and fashion trends has brought me bliss at a time when I couldn’t even imagine happiness as a possibility. Realizing how healing the stories of our foremothers have been for me, I decided to create Vintage Latinas, an Instagram account dedicated to the Latina and Latin American women and femmes of yesterday.

Through the online community, I post daily photos and videos of women from the 1900s up until the early 2000s. I accompany each image with a lengthy caption that either introduces followers to former stars they’ve never heard of or shares little-known facts and stories about popular icons. Highlighting women and femmes across Latin America, the Spanish Caribbean and the U.S., the page is sprinkled with popular faces like Celia Cruz, Rita Moreno, Frida Kahlo and Bianca Jagger as well as radiant figures who aren’t as celebrated in popular media today like María Montez, Rosa Luna, Maribel Arrieta and Ajita Wilson. My goal is to commemorate the beauty, style, talent, brilliance and power of these women. To do so, I spotlight everyone from actresses, singers, dancers, models and showgirls to artists, designers, beauty queens, party czars, activists and trendsetters. 

It’s not surprising to me that at a time when I have limited control over the unpredictable future I decided to turn my attention to the past. A lover of history, I often find refuge in the narratives of people from yesterday who fought against powerful people, systems and countries to create change for their communities. This was no different. After losing my job in March and being locked up in quarantine for the months that followed, my mental and spiritual health took hard blows. While addressing the issues I was experiencing and developing a wellness routine, I decided to delve into literature about Julia de Burgos, Lolita Lebrón, Blanca Canales, Iris Morales and Denise Oliver-Velez — some of the Puerto Rican nationalists and revolutionaries I hold dear to my heart.

But unlike my experiences in the past, while rereading these works I began imagining the periods in which these women lived — the early- and mid-twentieth century — outside the political and social battles they were fighting.

Immediately, I found myself researching artists and actresses my heroines might have listened to and admired, expanding my interest in these eras beyond struggle and protests.

Soon, guarachas and boleros from artists like Myrta Silva, Carmen Delia Dipini, Lucecita Benitez and Toña la Negra were booming from my speakers more than my favorite reggaetoneros. I was spending my weekends happy that I was forced to stay home because that gave me the chance to search and watch Old Hollywood classics. Obsessed with the makeup and style of the women I was watching, I started repurposing the clothes in my closet to look like outfits inspired by some of my ‘60s and ‘70s fashion inspirations, like Lola Falana, Raquel Welch and Tina Aumont.

I was balancing news of a scary future with the stories and aesthetics of erstwhile powerful Latinas who resisted, lived and loved during similarly turbulent times.

When I started Vintage Latinas a month ago, I simply wanted to create a space where I could honor all the women who were positively influencing my life. For me, it was a hobby, something fun and joyful to do between freelance writing gigs and trying to land a full-time job amid a pandemic. But within days, the page grew into something more. Very quickly, people began following Vintage Latinas, commenting on the posts and sharing the content with their audiences. They even encouraged others to follow the page and called it their favorite account on Instagram. I knew that the dynamic personalities and enduring influence of these sensational women were as healing — or at least as captivating — to others as they were to me. By week one, the page went from a personal hobby to a creative project and online community where people from all over the world are remembering and discovering our Latina and Latin American heroines. 

As I embark on Vintage Latinas’ second month, I have several exciting plans I will begin executing. In addition to my daily posts about historic stars, I’ll be utilizing original and user-generated content to create a browsing experience I hope will excite followers. I’ll be creating activities, like trivia-style quizzes, polls and “Finish the Lyrics” games, featuring vintage images of the everyday matriarchs of the community and conducting interviews through Instagram Live with historians and modern-day Latinas who dress in vintage and pinup, among several other undertakings.

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Puerto Rican singer and politician Ruth Fernández is considered one of the most powerful women and barrier-breakers in Puerto Rican history. Born in Ponce, Puerto Rico in 1919, Fernández began singing publicly as a teenager, performing at age 14 on local radio stations for 50 cents a day. Heard by Mingo, a famous bandleader, she was invited to join the group in 1940, becoming the first woman to sing in a Puerto Rican orchestra. Performing in nightclubs, dances and casinos, Fernández became a star on the archipelago. However, celebrity didn't save her from experiencing anti-blackness. In 1944 when her band was contracted to perform at the Condado Vanderbilt Hotel for a benefit concert for the American Red Cross, she was told she had to enter the building through the kitchen door because of the color of her skin. But on the day of the show, Fernández ignored the racist protocol and entered through the main entrance. When asked years later about that night, she responded: "Me llamaron negra. ¿Negra? ¿Y qué?" From then on, she began referring to herself as "La Negra de Ponce." In 1972, Fernández was elected to Puerto Rico's Senate, representing the district of Ponce as a member of the Partido Popular Democrático de Puerto Rico until 1980. As a legislator, she sought reforms and better working conditions for artists and also considered the needs of Puerto Ricans living in the contiguous U.S. In her honor, a tenement in the Bronx — the Ruth Fernández Apartments — is named after her. Fernández has received awards from several countries in Latin America, while many cities in the U.S. — including Washington, D.C., New York and Los Angeles — have official "Ruth Fernández Days." She passed away in 2012 of a septic shock and pneumonia at the age of 92. Here she performs "Soy la que soy" in the 1960s. #ruthfernandez #puertorican #1960s #latinasdeayer #vintagelatina #vintage #vintagestyle #vintagefashion #vintagebeauty #retrostyle #blackbeauty #blackvintage

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The stories of our foremothers, who thrived or continued luchando despite racist systems, colonialism and state-instituted violence, are inspiring and must be preserved. Through Vintage Latinas, I aim to ensure their vibrant lives and contributions to culture and social justice aren’t forgotten. Instead, I want our barrier-breaking predecessors to be celebrated, and I hope you’ll join me in this digital rave that is equal parts history, culture, glam and community. 

Follow Vintage Latinas on Instagram.

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‘The Tax Collector’ Director Denies That Shia LeBeouf Is In Brownface

Entertainment

‘The Tax Collector’ Director Denies That Shia LeBeouf Is In Brownface

Phillip Faraone / Getty Images

Shia LeBeouf is in the new movie “The Tax Collector” and people are accusing him of brownface for this role. The actor takes on the accent for the role and got a chest tattoo to do the role authentically. For some, it is cultural appropriation and it has started a debate.

Shia LeBeouf is the man in “The Tax Collector” and people have questions.

The pulse-pounding trailer has all of the action you can handle so you can only imagine what the full movie is like. The movie is all about the tax collector having to fight to protect his family when a rival takes over his turf. LeBeouf is ready to do whatever it takes to save his family.

Some people are very upset about the role for LeBeouf.

The tattoos and the accent are too much for people. Some have argued that the role was not at all a way of cultural appropriation. Instead, LeBeouf is playing a white role that happens to have grown up in a neighborhood where he picked up the accent and a certain way of dress.

The argument is going both ways with people fighting to defend him.

While the role could be really problematic for some, others see themselves reflected in it. There are many people defending LeBeouf because they too grow up in a neighborhood and took on the culture of the neighborhood.

The director of the film, David Ayer, spoke out saying that LeBeouf is not in brownface.

“He’s a white guy playing a white guy. He’s not taking anyone’s work away,” Ayer told the LA Times to calm the critics.

What do you think?

READ: Bon Appétit Editor Adam Rapoport Resigns Over Brownface Scandal

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