Ever since the first season of Netflix series “Orange is the New Black,” BFF pair Flaca and Maritza have been inseparable. At least that was until the end of Season 05, in which Flaca and Maritza are separated and taken to different prisons.
Now with the release of Season 06, OITNB fans are hoping for these two best friends to be reunited. But in the meantime, here’s a BFF quiz you can take to keep ‘Flaritza’ alive. 💞
In it’s seventh and final season, Orange Is The New Black aired a storyline to shed light on the dehumanizing features of immigration detention centers. However, there was a glimmer of hope presented in the fictional Netflix series: a hotline for immigrant detainees that provided free lawyers. Best of all, the hotline existed in real life. It’s not crazy to think that the level of exposure the show provided for the hotline could literally save lives.
But even on the show, use of the hotline came with a warning: “You have to be careful, though. Apparently, if they figure out that you’re using the hotline, Big Brother shuts it down,” Gloria warns Maritza in the seventh season.
In a chilling twist, consistent with the Trump administration’s war against immigrants, two weeks after the series aired, the hotline was shut down. It’s nothing short of gut-wrenching.
Immigration advocates want answers.
The California group Freedom for Immigrants, an organization that runs visitation programs in detention centers nationally and who provides the hotline, believes ICE’s decision to shut down the hotline was a direct response to Maritza’s immigration storyline.
On Thursday, Freedom for Immigrants responded to the shutdown with a cease and desist letter. The letter claims that termination of the hotline is a violation of free speech and is retaliation by the government. Over 100 organizations and six actors from Orange is the New Black signed the letter addressed to ICE Director Matthew Albence.
“Even a freely given benefit such as the pro bono hotline can’t be taken away simply because the government is now unhappy with how we are sharing with the public what we know from our communications with people inside,” said Christina Fialho, co-executive director of Freedom for Immigrants.
Maritza’s story is too familiar.
Diane Guerrero who portrays Martiza in the show has been an outspoken advocate of immigration reform. Born to undocumented immigrants from Colombia, Guerrero, who is a citizen, stayed in the U.S. after her family was deported when she was 14. She told her story in the memoir In the Country We Love. Just as it is for most Latinxs living in the U.S., immigration for Guerro is clearly personal.
When Maritza’s character is essentially left for dead at an immigration detention center, she is told about the Freedom for Immigrants hotline by Gloria. The hotline was toll-free, a pivotal detail because immigrants don’t have the right to a free phone call after they are detained. Heroically, the duo passed the hotline number to other detainees. It was a small act of liberation, as was featuring it on the show.
ICE told the organization that that tollfree numbers for pro bono attorneys and organizations require approval by the Executive Office for Immigration Review. Funny, it was never an issue before. Almost seems like this administration is actively seeking legal loopholes to be as cruel and callous toward immigrants as possible. Freedom for Immigrants has provided the hotline since 2013. The organization received as many as 14,000 calls a month from detainees and is run by volunteers who connect immigrants with free lawyers. Losing this service will have a cascading negative impact on immigrants and their loved ones.
The cruelty is the point.
Meanwhile, the ACLU is suing the Ascension Parish Sheriff’s Office in Louisiana for the unlawful jailing of Ramon Torres. Despite providing his passport, social security card, and driver’s license to police officers to prove his citizenship, he was jailed for four days. The Sherriff’s Office deputies told Torres that every Hispanic person was being automatically held for immigration review. Yes, they’re rounding us up. Because we know, because we been knew, this was never about immigration status. This has always been about race.
“Ramon Torres was held in jail for four days simply because he has brown skin and a Latino name,” ACLU of Louisiana legal director Katie Schwartzmann said. “This is racial profiling, which is unconstitutional and deeply harmful to our communities. What happened to Mr. Torres is inexcusable. Locking people up based on race or ethnicity is antithetical to our most cherished American values.”
We won’t be silenced.
There’s no sugar-coating what is happening in the United States. While it has never been the American Dream we were promised, now it is increasingly dangerous to be Latinx in America. Our stories and visibility matter most of all during this time. Art has the power to enlighten and normalize experiences. Art has a way of bringing the unseen to the forefront. This usually activates its viewers for the better. However, we have an administration that lacks any and all humanity. “Now we see life mimic art in the most destructive way,” she said. “I wish this were more of a fictional situation and we were exaggerating reality, but it’s kind of the other way around,” said Laura Gomez who plays Blanca, another character who falls victim to ICE on the show.
Streaming services like Netflix have become our go-to place for fresh media. So, whenever we hear of a new project coming from the streaming service, we’re all in. Last November, Netflix announced a huge 6 project animated deal that will bring even more cartoon goodness to our screens. One, in particular, has us especially excited because it comes from animator and director Jorge Gutierrez. You might remember him from Nickelodeon’s “El Tigre: The Adventures of Manny Rivera” and the gorgeously animated “The Book of Life.”
Now, we’re seeing the first looks of Gutierrez’s new Netflix project, “Maya and the Three.”
Twitter / @mexopolis
Described as a Mesoamerican fantasy epic, the director sat down with VARIETY to share the origins of the project and the journey to get it made. Gutierrez was approached by Netflix with an alluring challenge: share his dream project with executives; the one he didn’t believe anyone would ever allow him to make. It only took him one pitch to win the streaming giant over and “Maya” was greenlit for production.
“So I sat down on Jan. 25th of  and that was the first time I ever pitched ‘Maya,’” he shared with VARIETY. “No art, no writing, just an idea. And here I am 11 months later, knee-deep in production.”
It was Gutierrez’s goal to portray a “bad-ass female Mesoamerican hero” in a fantasy world of his own creation.
Twitter / @zette16
“I started seeing a lot of things I didn’t like as far as not having any lead females, especially in Mesoamerican mythology,” he explained. “So I said I want to have a hero who is a half-god half-human warrior princess.”
In the Netflix series, a demigod warrior princess named Maya embarks on a quest to recruit three legendary fighters. With their help, she hopes to save the worlds of god and man from destruction. The intention was to show Maya as a strong female lead and, to do so, Gutierrez pulled from his real-life heroes. The director credits his sister, mother and his wife, Sandra Equihua for inspiring the mythical heroine. Equihua is also a talented animator and acts as a character designer for the female characters in her husband’s work.
With his female lead in place, Gutierrez focused on the mystical world that “Maya” would be set in.
Twitter / @mexopolis
The setting for the Netflix limited series has been growing in Gutierrez’s mind since he was a boy growing up in Mexico City. He would wander the halls of the Museum of Natural History and makeup stories about what he saw. These stories would later help to mold the setting. Even now, the director has fun teasing his Twitter followers with hints about what the new series could look like. However, it’s the architecture from his boyhood explorations, Gutierrez’s fondness for skulls and the pantheon of Mesoamerican gods that have helped to create Maya’s world.
Due to the mystical quest and the fantasy setting of “Maya and the Three,” Gutierrez has taken to calling the series the Mexican “Lord of the Rings.” Still, it’s a fantasy first and foremost. The director wants everyone to understand that “Maya” is inspired by Mesoamerican culture but is not meant to be an accurate representation.
“I tell everybody that while it’s inspired by Mesoamerica, this will be as accurate (to that world) as ‘Rocky’ was to boxing,” Gutierrez shared with VARIETY. “It’s all fantasy and I’m having a blast playing with the history.”
The series will feature a number of talented Latinx writers, producers and voice actors to bring Maya to life.
Instagram / @thraxisjr
Silvia Olivas from “Elena of Avalor” is acting as a co-writer and co-producer for “Maya and the Three.” From Disney’s “Moana,” Jeff Ranjo is the head of story. Paul Sullivan, who worked with Gutierrez on “The Book of Life,” is the production designer.
Despite these important hires, animators were in short supply so the producer had to get creative.
“Especially in L.A., we are all fighting for basically the same people, so now we’re looking outside. Before we announced Maya, I would go online and look for artists who were already inspired by Mesoamerica and say to them ‘You already love this stuff, we love it too! Come to our team.’”
Gutierrez used Instagram, Twitter, and Tumblr to find animators that could do justice to the project. This modern-day recruiting system allowed Gutierrez and his team to find fresh artists with untapped talent to animate “Maya.” The results promise to be unique and beautiful.
The series is still a long ways away; it won’t debut on Netflix until its 2021 worldwide release. While it’s a long wait, the director promises fans that it is well worth it.
“Please have patience,” he told fans through his VARIETY interview. “This is gonna take a while, but we hope it’s unlike anything anyone has ever seen. We are so giddy every day and still can’t believe this is happening.”
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